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Pinchus Krémègne
Paysage a Ceret - Pyrennes - Expressionist Oil, Landscape by Pinchus Kremegne

c.1950

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    Signed oil on canvas animals in landscape by French expressionist painter Andre Brasilier. The piece depicts goats and birds in front of green trees with a blue sea beyond. This earl...
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  • Paysage a Ceret - Pyrennes - Expressionist Landscape Oil by Pinchus Kremegne
    By Pinchus Krémègne
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    Signed expressionist landscape oil on canvas circa 1950 by Lithuanian-French painter Pinchus Kremegne. This stunning and vibrantly coloured piece trees in Ceret in the Pyrenees in th...
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    1950s Expressionist Landscape Paintings

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  • Stormy Weather - Honfleur - Post Impressionist Oil, Seascape by H de Saint-Delis
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    Early 1900s Post-Impressionist Landscape Paintings

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  • Evening in Paris - 20th Century Oil, Figures in Cityscape at Night - Louis Hayet
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  • La Plage a Soorts-Hossegor - Modernist Landscape Oil Painting Maurice Brianchon
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    Signed oil on canvas coastal landscape by French modern painter Maurice Brianchon who was known as one of the Painters of Poetic Reality. This simple and charming piece depicts a view of the beach at Soorts-Hossegor on a grey day. The figures of two soldiers walk across the sand and others are gathered on the walkway beyond. Signature: Signed lower right Dimensions: Framed: 30"x38" Unframed: 21"x29" Provenance: Private collection - Switzerland As a young man, Maurice Brianchon studied at school in Le Mans before joining the École des Beaux-Arts in Bordeaux. He went on to study at the École des Arts Décoratifs in Paris, remaining there from 1917 to 1923 and working under the direction of Eugène Morand. It was here that he met and became friends with Oudot and Legueult. When he exhibited for the first time at the Salon d'Automne he was immediately elected as a member. He received the Blumenthal Award in 1924 and the Carnegie Prize in 1939. He was a founder member of the Salon des Tuileries and was appointed to serve on the committee in 1941. He also exhibited at the Salon de la Société Nationale des Beaux-Arts in Paris. He took part in major exhibitions abroad, including the Venice Triennale, Antwerp, Rio de Janeiro, New York, Madrid, Brussels and Stockholm. He soon made his mark as a decorative artist, creating stage sets for the Opéra for a production of Griséldis (1922) in collaboration with Legueult, and for Noble and Sentimental Waltzes ( Valses Nobles et Sentimentales) (1938), Sylvia (1941) and The Model Animals ( Les Animaux Modèles) (1944). He created a large, decorative piece entitled Symphony at the Palais de Chaillot, where he worked with Chapelain-Midy, Planson and Oudot. He also decorated the Lycée Janson-de-Sailly with murals. With his wife Marguerite Louppe he produced three large panels commissioned by the state in 1942 for the Conservatoire. The Gobelins and Aubusson tapestry works produced tapestries after his cartoons. He also produced cartoons for stained glass windows at the church of Assy in 1946. He taught at the Estienne school and the École des Arts Décoratifs in 1937 and in 1949 at the École des Beaux-Arts. He often painted landscapes showing the banks of the Seine, as did the Impressionists, and demonstrated a particular interest in circuses and music halls, as can be seen in Acrobats and French Can Can...
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    Early 1900s Impressionist Landscape Paintings

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