"San Antonio Skyline in Bluebonnets" Texas landscape
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Randy Peyton"San Antonio Skyline in Bluebonnets" Texas landscapeCirca 1980s
Circa 1980s
$4,899List Price
About the Item
- Creator:Randy Peyton (1958)
- Creation Year:Circa 1980s
- Dimensions:Height: 30 in (76.2 cm)Width: 42 in (106.68 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Please visit my 1stdibs storefront for other goodies.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU76933911512
Randy Peyton
Randy Peyton is a San Antonio artist and Texan, who began painting Texas Landscapes when he was 12 years old. Living near the Texas Hill Country, made it easy to paint the wildflowers that blanket the countryside every Spring season. After honing his craft over 20 years, he decided to visit and paint southern Europe, France, Spain and Italy. Mexico is another special locale for Peyton. Combining soft realism with a touch of impressionism characterizes his paintings. Peyton will never completely cease to work in his native Texas Hill Country.
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View All"RANCHERS REWARD" COWBOYS, HORSEBACK, FRAMED 41 X 59 G. HARVEY TEXAS ARTIST
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Located in San Antonio, TX
G. Harvey (Gerald Harvey Jones)
(1933-2017)
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"PRICKLY PEAR" TEXAS HILLCOUNTRY
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"LILY PADS" DATED 1912. SAN ANTONIO RIVER. OLIVE BRACK (1890-1957)
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MARTIN GRELLE "Night Stop", WESTERN HORSES SHACK NOCTURNAL 24 x 36 CANVAS
By Martin Grelle
Located in San Antonio, TX
Martin Grelle
(Born 1954)
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Image Size: 24 x 36
Frame Size: 33 x 45
Medium: Oil on Canvas
1978
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Biography
Martin Grelle (Born 1954)
Martin Grelle, b. 1954, Clifton, Texas, (United States)
Born and raised in Clifton, Texas, Martin Grelle still lives on a small ranch a few miles from town. His studio sits in the picturesque Meridian Creek Valley, surrounded by the oak & cedar-covered hills of Bosque County, just a short distance from his home, but also within a few miles of the family and friends who are so important in his life. He has two sons, Josh & Jordan, who have left home to pursue their own dreams, but who stay in touch frequently. Martin's parents, Ervin & Ella, have both passed from this life, but he still has his brothers, Carl & Marvin, living nearby, as well as his sister, Mary, who lives in Ft. Worth.
Martin began drawing and painting when he was very young, and was fortunate to have James Boren and Melvin Warren, two professional artists and members of the Cowboy Artists of America, move to the area when he was still in high school, and it has had a lasting impact on his direction and career. Mentored by Boren, he had his first one-man show at a local gallery within a year of graduating from high school in 1973. In the nearly 40 years since that time, he has produced some 30 one-man exhibitions, including annual shows in Scottsdale, Arizona since 1989, and has won awards of both regional and national importance at shows around the country.
He was invited into membership with the Cowboy Artists of America in 1995, fulfilling a dream begun in the early 70's when he first met Boren and Warren. That same year he was invited to participate in the first Prix de West Invitational at the National Cowboy and Western Heritage Museum in Oklahoma City. Since that time, he has won the Prix de West Purchase Award, twice (one of only seven artists to do so), the Nona Jean Hulsey Rumsey Buyers' Choice Award, twice, the CA People's Choice Award in 2002, the CA Ray Swanson Award in 2008, the CA Buyers' Choice Award in 2011 and 2012, and the Silver Award for Water Solubles in 2012. He was awarded the Legacy Award by The Briscoe Museum in 2012, for his impact on western art.
Other major invitational exhibitions and sales Martin has participated in include The Masters at the Autry Museum in Los Angeles, and the inaugural Quest for the West at the Eiteljorg Museum in Indianapolis, the Coeur d'Alene Auction, and the Jackson Hole Art Auction. Martin has also been featured in a number of publications throughout his career, including multiple appearances in the following magazines: Art of the West, Western Art Collector, Southwest Art, Western Art and Architecture, Persimmon Hill, American Cowboy, Western Horseman, Informant, Wild West, and True West's magazine's 2011 Best of the West Source Book. He was honored with a retrospective showing of his work, along with fellow CA artist, Herb Mignery, for the Gilcrease Museum's Rendezvous Show 2013.
Martin has a real sense of responsibility to his collectors, which fills his heart every morning when he walks into the studio, believing that what he does is a gift entrusted to him from God, and must not be left unused or taken for granted, but developed and improved upon. His parents and Jim and Mary Ellen Boren, all set that example for him - an example of not only striving to be the best artist he can be, but the best man he can be as well.
Beyond his studio, Martin strives to pass on what others have passed to him. He has given multiple demonstrations around the country, teaches an annual weekend workshop along with his good friend, and fellow CA, Bruce Greene - which they have done for 22 years straight - and mentors other aspiring artists by critiquing their work. He has donated work to a large number of organizations to aid in their progress, including The Bosque Arts Center in Clifton, Texas.
He has twice served on the board of directors for the CA organization and is currently serving as President. He is also involved with The Joe Beeler Foundation, founded by the Cowboy Artists of America to coincide with their mentoring program, which provides scholarship opportunities for artists seeking to improve their skills, and has served as President of the Foundation for the past year as well.
Education
Self-taught; mentored by James Boren
Cowboy Artists of America Museum, Kerrville, TX, Workshop, Harvey Johnson/Melvin Warren, 1983
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"RIVER BEND" OIL ON CANVAS APPLIED BY PALETTE KNIFE
By Jose Vives-Atsara
Located in San Antonio, TX
Jose Vives-Atsara
(1919-2004)
San Antonio Artist
Image Size: 16 x 20
Frame Size: 25 x 28.75
Medium: Oil on Canvas Applied by Palette Knife
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Jose Vives-Atsara (1919-2004)
His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends.
Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr.
Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14.
The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships.
Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico.
The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens
Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts.
His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic.
"Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum.
Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life.
Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself.
Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'.
Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...
Category
20th Century Impressionist Landscape Paintings
Materials
Oil
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