Scott Addis

April Showers

A landscape painting of a yellow house by Scott Addis. Framed

Charles Jiao grew up in China during the Cultural Revolution, which caused his formal education to be frequently interrupted. To avoid wasting his time, his father had him get tutore...

Oil on Linen Board 12" x 24" Framed Dimensions 18" x 30" National Park: Grand Canyon Description: This piece was painted mostly en plein air at Yaki Point on the South Rim of the Gra...

This scene that was painted in Wexford, Ireland overlooks a sea town. As the viewer looks more into the detail of the piece, they are able to see pops of color surrounding the neutral setting with pink and red flowers in the foreground and the teal blues and greens of the ocean in the background. Pam...

Oil on Linen Board 24" x 18" Framed Dimensions 32" x 26" National Park: Zion National Park Description:  The majestic Mountain of the Sun rises 2,700 feet above the floor of Zion C...

In this piece, the viewer is placed within the painting at the bottom of the street looking up towards the Cincinnati cityscape. The bridge coming from the left-hand side guides the viewers eyes to look both above it and below it. Pam Folsom...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...