Spencer Verney

Hunt Country By Spencer Verney

Newgarden By Spencer Verney At the end of the runway of Newgarden airport, a letterbox view of large thunderheads is visible beneath the cloud layer. Oil on linen, mounted to a pan...

Fording the Buck Run River by Spencer Verney Painted from a granite outcropping in the Buck Run River, in the shade of the large sycamore trees that line its banks. The slow but powerful river was hone to the first paper and rolling mills...

Hunt Country By Spencer Verney From the west lawn of the Cheshire fox hunt kennels is a fence line that overlooks much of the hunt country. Thousands of acres of farmland have been ...

Spring Tributary By Spencer Verney A valley of springs, bubbling upward from the deep aquifer, feed this small stream. The fertility of the soil and abundance of groundwater bring t...

Bridge in The Laurels, by Spencer Verney I painted this small painting on-site as I began to study the red covered bridge in The Laurels Preserve. The historic bridge is still used ...

NEWGARDEN 24”x36” Oil on board-mounted, oil primed linen Unframed 2021

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

"Afternoon in Abbazia" Oil on canvas on cardboard 34.5 x 60 cm Kolhammer & Mahringer Archive Leontine von Littrow WVLL No. 338 Literature: Barta, Dubrovic, Kolhammer & Mahringer Li...