Cottage Landscape Paintings

In this serene and contemplative composition, two figures sit in quiet conversation outside a country house, enveloped by nature and silence. The muted palette of sage greens, soft g...

The Provencal House French, mid/second half 20th century indistinctly signed oil painting on canvas, framed framed: 28.75 x 47 inches canvas: 22.75 x 46 inches condition: very good...

Title: Historic Miniature Watercolor of Historic Toll Bridge at Bathampton by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Bathampton Toll Bridge, a charming historic landmark nestled along the Kennet and Avon Canal near Bath, England. Bathampton, a picturesque village, is known for its scenic waterways, Georgian heritage, and tranquil rural charm. Grunwell’s use of warm golden hues for the tollhouse and the reflective shimmer of the water creates a sense of nostalgia and serenity. The architecture, with its distinctive red roof and Georgian-style windows, showcases the character of 18th and 19th-century buildings that once served as essential river crossings for travelers and traders. Bathampton is steeped in history, with connections to Jane Austen, the Kennet and Avon Canal, and the grandeur of Bath’s Georgian architecture. This scene perfectly encapsulates the timeless beauty of the English countryside, making it an ideal piece for collectors who appreciate historic British landscapes, waterways, and heritage architecture. Key Features: Historical Significance: Depicts Bathampton’s Toll Bridge and historic tollhouse, an important local landmark. Rich Color Palette: Warm ochres, deep greens, and soft blues create a beautifully balanced composition. Architectural Charm: The traditional riverside building with Georgian influences adds to its period authenticity. Tranquil Setting: A peaceful riverside view, ideal for lovers of English countryside art...

Title: French Cottages and Fishing Boats Reflected in Water Coastal Painting by Fanch Lel (French b. 1930) Signed: Yes Size: 8.75 inches (height) x 11.25 inches (width) Oil painting ...

Poppy Fields in Provence by Gabriel Mouton, French 20th century oil on board, framed framed: 27 x 34.5 inches board : 23 x 30 inches Provenance: private collection, Paris Condition: ...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

Title: French Impressionist Oil Painting of Riverside Scene in Guînes, Northern France By Fanch Lel (French b. 1930) Size: 5.75 x 7.75 inches (height x width) Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This evocative painting by Fanch Lel, titled "Guînes," presents a serene depiction of the French countryside near the town of Guînes in northern France. The artwork captures the tranquil charm of rural life, with soft, earthy tones and lush greenery framing the small, picturesque structures that dot the landscape. Lel’s brushwork brings depth to the trees in the foreground, while the subtle, reflective water in the lower portion of the scene mirrors...

Riverside Path Signed by Fanch Lel (French b. 1930) Size: 15 x 18 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This enchanting French Impressionist oil painting invites the viewer into a tranquil riverside scene, featuring a meandering path leading past whitewashed cottages nestled among tall trees. The reflective waters of the river mirror...

46cm x 46cm. (18" x 18") 2024 acrylic on canvas The brush strokes are thick and impressionistic, alive with color and motion. This acrylic painting was created on canvas, with the painting continued around the edges. Morning illuminates the summer sunrise...

Signed. On board.

The Old Tudor Coaching Inn English School, 20th century oil painting on canvas, framed in ornate swept gilt frame framed: 30 x 42 inches canvas: 27 x 38 inches provenance: private co...

Dutch/ Flemish School, early 1800's oil on canvas, framed framed: 19 x 24 inches canvas: 13.5 x 18.5 inches provenance: private collection, France condition: good and sound condition...

A scenic September, Vermont summer landscape by artist Harold Haydon. The oil on Masonite painting is dated 1964. Image size: 18" x 23". Framed size: 22" x 27". Estate stamped ...

Fisherton by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'Oct 1984' *FREE SHIPPING ON THIS PAINTING...

"Clouds In The Luberon" is an exceptional oil painted on location in Provence by Maria Bertrán, this Contemporary Impressionist landscape captures the beauty of Spring in the South o...

Rites of Winter, by 1939, oil on canvas, 32 x 40 inches, exhibited: 134th Annual Exhibition of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, January 29 – March 5, 1939, no...

The Loch Keepers Cottage by Joel B. Owen (British, signed and dated 1918) oil painting on canvas: 20 x 30 inches original antique gilt frame: 23 x 33 inches condition: overall very g...

Dutch Painter Michiel Schrijver lives and works in the center of the Netherlands. The paintings originate from his memory. The first step is to mak...

European Village in Winter Snow with Figures & Frozen Pond by 20th Century German Artist, Gunter Seekatz. This is a large painting measuring almost 4 fe...

Artist/ School: Norman A.Olley (British, 20th century) dated 1995 and inscribed verso Title - The Afternoon By The Old Mill Medium: gouache/watercolour/ ink/ pencil on thin board, ...

Artist: Vadim Zang Title: Red House in the Country Medium: Oil on Linen Year: 2011 Style: Impressionism Dimensions: 11" x 15" x 0.8" inch (28 x 38 x 2cm) Presentation: Unframed, Gall...

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

This colorful contemporary landscape painting by Carol Young features a vibrant palette and captures a rural scene. A mint-green house sits in a golden yellow field in front of green foliage, beneath a blue sky. The painting is signed by the artist in the bottom right-hand corner of the painting. It is made on gallery wrapped canvas and has clean, finished sides. It is ready to hang. Carol C...

Densham Hill Pool by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches dated 'May 1987' *FREE SHIPPING ON THIS PAINTING*: ...

Artist: English Impressionist Title: The Parish Church Medium: oil painting on board, unframed Size: painting: 12 x 14 inches Provenance: private collection, England Condition: ...

Stowe Vermont Village Sleigh Ride - Mid Century Winter Figurative Landscape A bright, crisp morning and a sleigh ride through new snow in Stowe, Vermont...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Summer Light Landscape Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board, unframed Inscribed verso Condition: Good condition overall with minor surface ...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Work on canvas

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

Wayne Beam Morrell (American, 1923-2013) Untitled (Coastal Scene, Massachusetts), 20th century Oil on board 15 1/2 x 20 in. Framed: 24 x 27 1/3 in. Signed lower right Wayne Morrell ...

Summer House by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, framed frame measures: 10.5 high by 14 inches wide board measure...

Theodore Earl Butler Farmhouses in Autumn, Giverny Signed "T.E. Butler" lower right Oil on canvas 21 1/4 x 25 1/2 inches Provenance The artist. Estate of the above. By descent throu...

'Start of the Day, Dorking, Surrey' signed by Joel B. Owen (British, signed and dated 1919) oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private co...

The Woodland Cottage English artist (Suffolk School), 19th century oil on canvas, framed framed: 12.5 x 14.5 inches canvas: 10.5 x 12.5 inches provenance: private collection, Suffolk...

Antique American modernist signed landscape oil painting. Oil on canvas. Signed. Framed.

Provence Jean La Forgue (French 1901-1975) signed watercolour, ink on paper, mounted in a card frame inscribed verso card frame: 17 x 22 inches painting: 12 x 17 inches provenance: ...

Artist/ School: French School, mid 20th century, signed Title: Houses in sloping Provencal landscape Medium: signed oil painting on canvas, framed. framed: 23.5 x 20 inches canv...

Painted in the manner of Vincent van Gogh- this large oil depicts a rustic, red tiled cottage in the country. The artist has draws on van Gogh's beloved postimpressionist techniques,...

The Large Trees French School, circa 1975, signed verso oil on canvas, unframed Canvas : 21 x 26 inches Inscribed verso Provenance: private collection, Paris Condition: very good co...

Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) signed with the artists pseudonym oil on canvas, unframed canvas: 20 x 30 inches provenance: private colle...

Jamie Wyeth Corbett House, Monhegan Island, Maine, 1973 Signed lower left Watercolor on paper 20 3/4 x 28 1/2 inches The house depicted in the present work is on Monhegan Island, Ma...

Hydrangea Garden – Original Oil Painting on Stretched Canvas Impasto Technique Palette Knife Floral Cottage Landscape Step into a scene of timeless serenity with “Hydrangea Garden...

Frank Duffield (British, 1908-1982) signed original gouache painting on board, unframed size: 10 x 15 inches condition: overall very good, minor wear to the edges as is normal for an...

Lavender Fields, Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the ...

Artist: Oksana Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2021 Style: Impressionism Title: In the Yard Size: 8" x 10" x 0.8'...

Dinton Church by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated 'April 82' *FREE SHIPPING ON THIS P...

A charming study depicting a large lawn and summer house on a crisp winter's day. Signed to the lower right. Studio stamp verso. On board.

Wylye by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNI...

José Salvaggio, pedal artist from France, at Galerie Bonnard! The French artist José Salvaggio finds his subject in the French world around him. You do...

The Gates at Dawn very large modern oil painting on canvas 36 x 48 inches dates to circa 2000. provenance: private collection, Cambridge, England. Condition report: very good, without fault. Painted with a wonderful sense of stillness and as though time itself has stood still, as dawn lights up this beautiful garden entrance, with the large wrought iron gates...

The Cottage Garden by Les Parsons (British b. 1945) * see below signed oil on canvas, framed in swept gilt frame. framed: 16 x 27 inches canvas: 12 x 24 ...

"Rural Field" by Camille Meriot (French 1887-1975) pastel on unframed paper paper: 6.75 x 9.5 inches Fine original French Impressionist painting by the well listed and popular Fren...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2012 Style: Post Impressionism Title: Summer Garden Size: 25.5" x 34.5...

Artist/ School: Georges Prudhom, French 20th century, signed Title: The Provencal Mas Medium: signed oil painting on canvas, framed Size: framed: 23.5 x 29.5 inch...

Title: Bude Canal Cornwall Riverside Boathouse Scene Watercolour Landscape 1978 By Tony Herbert (1927-2024) Medium: Watercolor on artists paper, on board Size: 11.25 x 14 inches Anno...

Beautiful example of Cote's later work. Executed with heavy impasto. 28.5" X 32.5" framed.

This impressionistic plein air painting captures the serene charm of Werdenberg, a picturesque Swiss town, bathed in the soft light of spring. The lush green hills, rustic houses, an...