Machinery Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Old Mill, Size: 11" x 14" x 0.8''...

“Concept Buick and Plane” American Art Deco 20th Century Modernism Machine Age The painting is in good condition. There are some modest water spots to the left of the plane's tail. Arthur Rosenman Ross (1913 - 1981) “Concept Buick and Plane" Gouache and airbrush on Illustration Board 16” x 27 inches (sight) Signed Arthur Rosenman, ‘38 lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Harry Bush 1883-1937, was an English painter born in Brighton, member of R.A. , R.W.A. and R.S.A. , he painted detailed landscapes of which this is an atmos...

A wonderful impressionistic study of windmills in the Elbe Valley near Saxon, Switzerland. Well-presented in a charming gilt and cream coloured frame. Fixed to the reverse of the pai...

Hand Painted oil on canvas - graffiti porsche - 1/1 original

This is an original oil painting of a vintage VW Bug on a residential street in Southern California. This painting was made with high quality Gamblin oi...

Industrial Railroad WPA Mid 20th Century American Scene Rural Modern Realism Large oil on canvas genre painting depicting laborers working on a railroad, with rural landscape in the...

In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, to sprawling landscapes and unique architectural elements, this exhibition is a visual road trip from Los Angeles to Las Vegas. These paintings stem from Moore’s personal travels and open up a collective conversation about wanderlust. In these works, she revisits her former home of Los Angeles to shed a new light in juxtaposition to the bare California desert and the opulence of Las Vegas. This exhibition reflects a shift to new subject matter as well as a new artistic chapter that has been evolving within her work over the last two years. Moore’s process has progressed to become larger in scale, and more delicate in detail. This series of paintings offer trompe de l’oeil moments in combination with gestural brush stokes that reveal the artists hand. With a more increased focus on architectural elements, this exhibition amplifies features that were often muted in her earlier landscapes. With the exhibition title “All Those Who Wander”, Moore is leaving an option for the viewer to place themselves in the wanderlust narrative, or to observe it from afar. Moore believes we have a collective desire to explore and, in turn, we often daydream about our travels. This often creates a dream-like quality to our memories which results in a romanticized narrative within our minds. The reality of a place often doesn’t matter, it’s the memory of our experience there that sticks with us. We often like to sit a little longer with the most romantic and the most opulent visuals we have in our minds. Beginning with Los Angeles noir, the viewer is introduced to old Hollywood architecture blended with images reflecting the known edginess of the city. Familiar Hollywood landmarks are explored in a new light and we are left with a subtle sense of nostalgia as the viewer moves through the works. The bright desert landscapes lead into the “in between”; these are the lands that are on the way to somewhere else. Just as important as the beginning or the end, the transitional parts of a road trip often leave space for the most enriching moments of pause and reflection. The series finds a finishing point with the bright, opulent Neon Boneyard...

A windmill is intricately captured with oils on a fine summer's day in the quaint British village of Lacey Green, Buckinghamshire. The artwork is signed and inscribed in the bottom ...