Scenery Landscape Paintings

Marc Todd Title – LONDON ILLUMINATED AT NIGHT Original Painting on Canvas Medium – Acrylic on canvas Sold Unframed Image size: H 76cm x W 102cm x D 1.9cm Please note that in situ ima...

Patchwork fields in the summer by Georgie Dowling [2021] original Oil paint on canvas Image size: H:40 cm x W:80 cm Complete Size of Unframed Work: H:40 cm x W:80 cm x D:2cm Sold...

Oil on canvas. The Artist wanted the water to have movement - the frothy coming at you feeling. The Artist, Sally Breen takes her inspiration from nature and scenes of life, drawi...

Breezy day at Perranporth, Conrwall by Georgie Dowling [2022] original oil paint on board Image size: H:30 cm x W:40 cm Complete Size of Unframed Work: H:30 cm x W:40 cm x D:3cm ...

Lori Zummo Biography American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syracuse University in 1...

Whitney was born in Connecticut in 1981, lived in Surrey, England for nearly a decade, and currently resides in Richmond, Virginia. She earned her Bachelor of Fine Arts Degree from D...

"Nightfall" is an oil on brass painting of the Italian Countryside at night. Dark blue skies soften as our eye drifts down to the horizon, where a mountainous landscape frames the ba...

Forest Wisdom [2020] Original Landscape Acrylic on canvas Image size: H:61 cm x W:61 cm Complete Size of Unframed Work: H:61 cm x W:61 cm x D:3.5cm Sold Unframed Please note that ins...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

Northcoast - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s ...

Spectacle, Oil on Canvas Painting by Dennis Ekstedt, 2021 Additional information: Medium: Oil on canvas Dimension: 52 × 56 in (132.1 × 142.2 cm) About artist: Dennis Ekstedt (Canad...

Artist: Vahe Yeremyan Title: Winter Valley Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 9.5" x 26.5" x 0.8" (24 x 67 x 3 cm) Presentation: Unframed, Gallery Wrap...

In crafting this piece, I was drawn to the interplay between the rugged, unyielding rock and the serene, forgiving waters. Using oils, I embraced the realism to capture the tangible ...

"Moontide" by Alexander Volkov is an original oil on canvas. This painting is a photorealistic view of the moonlight reflecting on the waters surface. The moon is hidden behind the c...

Mark Harrison’s "Passing Through" is a panoramic oil painting that captures the majesty and solitude of the natural world. Completed in 2024, this original, handmade work transports ...

Goat Herders, Morocco Trevor Waugh Oil on canvas Unframed Orientalism Landscape Paintings

An oil painting by Amy Florence. Rows of vines painted en plein air, in Tuscany during the offseason. Traditional Italian aesthetics, a stone house can be found in the distance, just...

Picture Landscape with water lilies. A rich green palette, lilies on the water, the reflection of the sky in the water, clouds, evoke a feeling of love and gratitude to nature. The p...

AWARDS Second Place Award for “View of Zug,” at “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI Henry Billings Award for “Skyway,” at “71st National Midyear show,” Butler Institute of American Art, Youngstown, OH Juror’s Award for “Rouge River” at “Michigan Artists Competition,” 1993 Honorable Mention at “Midwest Pastel ’88” for “Schoodic Point V,” 1988. Juror’s Award from Michael Luchs for “Mind of Flight,” pastel, at “Tunnel Vision II,” Detroit, 1981. PUBLICATIONS Art Journey America Landscapes: 89 Painters’ Perspectives by Kathy Kipp. North Light Books, 2012. Paintings of Maine by Carl Little. Down East Press, 2006. “City Lights,” The Artist’s Magazine, October 2010. “Eye on the Environment,” American Arts Quarterly, Spring 2008. “Artist wins exposure, support on Internet,” Detroit Free Press, September 1, 1996. “Michigan Artists Share Ecological Concerns,” Los Angeles Loyolan, February 7, 1996. “Imaginative art makes powerful impact,” Grand Rapids Press, September 26, 1995. “Painting from Sketches, Photographs, and Memory,” American Artist, January, 1986. Cover artist. “The two art worlds of Art Chartow,” The Daily Tribune, Royal Oak, MI, June 23, 1984. SOLO EXHIBITIONS 2004 “Quiet Places,” Sherry French Gallery, New York, NY 2002 “At Water’s Edge,” Sherry French Gallery, New York, NY 1986 Rubiner Gallery, West Bloomfield, MI. MUSEUM EXHIBITIONS 2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH 2010 “2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne, IN 2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH 2007 “71st National Midyear show,” Butler Institute of American Art 2002 “Art of Collecting,” Flint Institute of Art, Flint, MI GALLERY GROUP EXHIBITIONS 2017 “Scene Change,” Gallery Victor Armendariz, Chicago, IL 2017 “Coming Attractions,” Gallery Victor Armendariz, Chicago, IL 2012 “City Streets II,” George Billis Gallery, New York, NY 2009 “Selections,” Ann Nathan Gallery, Chicago, IL 2008 “Eye on the Environment,” Sherry French Gallery 2007 “Panoramas,” Sherry French Gallery. “The Four Seasons,” Sherry French Gallery. “Poetry = Painting,” Sherry French Gallery. 2006 “The Four Seasons,” Sherry French Gallery. Gallery and Invited Artists, Sherry French Gallery. “Mainely Maine,” Sherry French Gallery. Summer invitational, Ann Nathan Gallery, Chicago, IL Featured Artist, Susan Maasch Fine Art, Bangor, ME 2005 “Mainely Maine,” Sherry French Gallery. 2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2003 “Mainely Maine,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. “Flowers in February,” Sherry French Gallery. 2002 “The Four Seasons,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2001 “Mainely Maine,” Sherry French Gallery, New York, NY. “Small Sizes, Precious Pieces,” Sherry French Gallery. “Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A. Doran Gallery, Tulsa, OK 1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL. Landscape show, Rubiner Gallery 1990 “LANDscape,” Ruth Volid Gallery. 1989 “Landscape,” Rubiner Gallery. 1986 “Works on Paper,” Gallery Henoch, New York, NY. SELECTED GROUP EXHIBITIONS 2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2008 “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science & Art, Midland, MI. 2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...

Joseph Orr (Japanese, American, b. 1949) River Access Signed Lower Right 30 x 30 inches 39.5 x 39.5 inches with frame BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College. Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there. By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses. For Joe and many other artists in the early 1970’s, it created the chance to paint full time and sell their work to an otherwise unobtainable audience. During this time of continuous self study and painting Joseph transitioned from watercolor to the newer acrylic painting medium. Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is. In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates. While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion. By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US. Joseph Orr currently resides in Osage Beach, Missouri, but travels to paint and visit his gallery representatives and Exhibit Openings. PHILOSOPHY: For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination. “ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR) NOTED SOLO EXHIBITS : *BIRGER SANDZEN MEMORIAL, LINDSBORG, KS; *HARWELL ART MUSEUM, POPLAR BLUFF, MO; *ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO; *NORFOLK ART CENTER, NORFOLK, NE; *KODNER GALLERIES...

"Norway Winter" is an impressionist painting by Maestro Elena Georgieva. The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by ...

Stroud Valley is an Original Painting by Eleanor Woolley. Stroud valley is a bright colourful depiction of one of the artist's favourite places. It shows the end of the Cotswold esca...

A painting by Scott Prior. "Sunrise Over River" is an oil on canvas painting depicting a waterscape with a pink and violet sunrise above a misty green and yellow river by contemporar...

Near Midhurst (Surrey, England) by David Mead (1906-1986) signed, dated verso to label 1976. titled verso oil on canvas, framed canvas: 23 x 36 inches framed: 29 x 41 inches the pai...

Autumn River Landscape European School, second half 20th century signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, UK conditi...

Egg tempera on canvas, Molding frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German ...

The Highland Loch (Loch Lubnaig, the Trossachs) by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 28 x 40 inches canva...

Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 60x80cm About this artwork Abstract expressions of heaven and earth. Filled with movement, vibrant...

Judd Mercer's (US based) "Emanation" (2024) is an original handmade oil painting depicting a waterfall going down a mountain, all covered by shade except for the mountain peak which ...

From an incandescent sunset on Long Island Sound to an iconic pop-kitsch ice storage bin at the neighborhood corner store, Rob Brooks offers us a visual journey from the real to surr...

Frank Corso Biography American, b. 1952 Frank Corso was born in Syracuse New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape...

This painting was inspired by the tilted angles & unique colors in one of my favorite Wilderness Areas. This is the view back over the area from a climb up a remote peak. :: Painting...

Lorne Bouchard, Canadian, 1913-1978 Quebec Oil on board 25 x 49 in signed and on verso signed, titled, dated April 1959 framed Lorne Bouchard Biogr...

“Mountain Waves” is an embodiment of the power and poetic beauty of majestic mountains. The layers of blue and green smoothly flow into each other, creating a visual response to the ...

In this oil painting, I've endeavored to capture the rugged, raw beauty of a majestic mountain range descending into a vibrant, lively sea coast. Employing techniques from impression...

Painted en plein air on the Bluffs in Montauk, New York. The eastern most point on the end of Long Island is filled with sunlight on a crisp fall day. Surrounded by water, light reflects a silver surface on the ocean. Two figures walk toward the edge to gawk at the beauty of Montauk. Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist...

Subject : Symphonie (Title - FR) Work : New Original Drawing, Handmade artwork and Unique Work. Medium : Oil Pastel and Oil pencils on archival Fine Art paper. The work has been tr...

Uphill No. 2 is an grassy landscape painting by California artist Ferdinanda Florence. It is acrylic on wood. It is 8.5 x 11.75 x 2. It is filled with blues, green and browns. A...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

Title: "Mountain Valley" Medium: Oil on Canvas Size: 36 x 48 inches "Mountain Valley" is a serene, atmospheric oil painting that captures the quiet beauty of a snow-covered valley i...

Signed (LR): L; on verso: D. Ligare/ 2024

Art and design in varied forms have always been a driving interest in my life. Living in Madison, Connecticut, I began my career as a muralist and trompe l’oeil painter doing signif...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with white stain finish. Ready to Hang. Medium : Oil painting on stretched Linen. Art...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. 150x150cm About this artwork There’s something ethereal, almost magical, about contempora...

A study of dry tall grass at the low lands. Find this landscape near Brazil close to the salad lakes of Launa Merín and laguna Dos Patos :: Painting :: Impressionist :: This piece...

The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...

original en plein air oil on panel paint in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by t...

Egg tempera on canvas, Shadow joint frame Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North Ge...

Painting Lake. Swans: a rich palette of green, white swans on the lake, the reflection of the sky in the water, clouds, evoke a feeling of love and gratitude to nature. The picture h...

This is a 60" tall by 48" wide contemporary original oil painting in an abstract landscape style, typical of the artist's Anthropocene body of work. A realistic landscape was painte...

Signed at the bottom left Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, movi...

Anita Mazzucca (b. 1945, New Jersey) completed her BFA in 1967 at the Pratt Institute in New York. She creates detailed landscape paintings sourced from the parks and farmland of her...

"In my paintings I take on the role of poet-painter, creating sentimental and idealized landscapes that are devoid of any figures or formal devices traditionally used to tell a story...

The Highland Loch British School, early 20th century signed with initials lower left corner oil on artists board, unframed board: 7 x 10 inches provenance: private collection, UK con...

Title: British Impressionist Watercolor of a Highland Cottage and Mountain Landscape By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 1...

The overall dimensions including the frame are 13 3/8 x 17 3/8 inches. Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...