Smoke Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Factory, Size: 13" x 9.5" x 0.8...

Robin Cole's (Us based) "Hereafter" is an original, handmade oil painting that depicts storm clouds. Nature and those that inhabit it—our human selves included—possess a magic for ...

The village 1964, paper/watercolor., 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

Todd Carpenter's (US based) "Imagination Towers Emptily" is an oil painting that depicts a black and white landscape of vast plain leading to a distant city radiating with light Bio...

City Scape II Acrylic Paint on Panel In Stock Marjolein van Haasteren (1967 the Netherlands) works with the external manifestations of nature. Her paintings are fiction-filling land...

Above Summer, 2019

Oil on hardboard

Artwork sold with frame When we live in a big city alone, we may often feel helpless, and lonely. Huge pressures let us can not stop, busy with work, study and socialize. And deep inside, the yearning for a better life and the pure childlike innocence, can not consider, like a kite with broken wire. This painting use knife...

Karen Shahverdyan „Cloud in glass,“ 40 X 40cm, oil on glass

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can easily frame the everyday. But my task is to trap the exceptional. Whether I am outside on site, or in the studio working from memory, painting is a personal, idiosyncratic process founded in obsession, and wonder. "My subjects are genuine locations. They all have names, and many have familiar and private associations. But my attraction to a particular street or building often comes, in part, from a suspicion that it is also, in a sense, nameless. I nurture enduring relationships with a terrain. But for me, a particular motif resonates when it seems eligible for a larger catalog of spatial forms. My paintings are less portraits of Brooklyn than pages in an expansive, borderless inventory of space and light. Their index-like titles and typically symmetrical or balanced compositions intend to hint at something of the monumental, appropriate to a classifying program. It is neither the landscape's planning nor its architecture which conjures the shapes I paint. Rather, it is its observation; it is how a place appears that forms a distinct typology. At street level, tight, box-like canyons of space offer motifs best captured in a square format, while aerial, panoramic views from a rooftop invite me to explode them in a wider canvas. When looking around to frame a wider view, the optical distortions of curvilinear perspective weave parallel lines into trajectories mirroring the dome of the sky. And on a clear day, the path of the sun traces analogous curves across it. Only turning achieves a panoramic view, and sky and street are themselves revealed as events. At times, glare, fog, rain and snow are also deliberately organizing factors in my choice of standpoint. I wait for and design with all of them. Land maps posit an objective viewpoint. But star maps...

Hesse describes of his work, "encaustic is the perfect paint with which to explore this balance between control and chaos. In trying to wrestle a recognizable image from a fluid and ...

Represented by George Billis Gallery, NYC. Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can ea...