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Theodore WendelThe Gardener’s Garden
$95,000
£71,655.71
€82,647.46
CA$134,095.07
A$149,236.85
CHF 77,696.26
MX$1,802,194.65
NOK 974,382.80
SEK 920,365.89
DKK 617,156.10
About the Item
The Gardener’s Garden, ca. 1859-1932, by Theodore Wendel (1859-1932)
Oil on canvas
18 x 22 inches unframed (45.72 x 55.88 cm)
29 ⅜ x 33 ½ inches framed (74.6125 x 85.09 cm)
Signed on bottom right
Provenance:
Estate of Artist
Deborah Force Fine Art, New York
Private collection, New York
Description:
Wendel was an American Impressionist who was part of a large movement of artists who traveled to Giverny, France in the late nineteenth century to study and develop their artistry. While studying in the French countryside, Wendel drew inspiration from Impressionist contemporaries like Claude Monet. Monet’s attention to the value and visibility of the brush stroke is apparent in Wendel’s work, such as The Gardener’s Garden. Giverny, being a rural area, gave Wendel access to pastoral subject matter filled with organic shapes and simplicity. Wendel used bright colors in his work, making nature a central component with people only loosely signified in the background.
- Creator:Theodore Wendel (1859-1932, American)
- Dimensions:Height: 18 in (45.72 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU163729170092
Theodore Wendel
Wendel was an American Impressionist who first received his education in Ohio at the Cincinnati University School of Design before travelling to Italy, Germany, and most notably Giverny, France in the late nineteenth-century to study and develop his artistry. After studying this French countryside and drawing inspiration from Impressionist contemporaries like Claude Monet, Wendel incorporated what he learned into his own work, gradually replacing French motifs with American ones. Wendel settled down in Ipswich, Massachusetts with his family, where he began to paint with a combination of plein air motifs and Impressionist techniques. He focused primarily on rendering organic subjects outside, using bright colors to make idealized images of the countryside and those who resided within it.
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