Tony Khawam

The Guardian of West Point

2022

Nizar Sabour born in Latakia and now lives and works in Damascus and Moscow. He received his PhD in art philosophy from Strugunov Academy in Moscow, the influence of Middle Eastern culture is reflected in his work and splits between two themes, the first has religious undertones, focusing on the artist’s fascination with historical imagery and icons whether Christian, Islamic or non-Abrahamic traditions and the second theme is very poetic. His images tend to appear archaic, utilizing traditional elements silkscreened with paint, sand, and ash on canvas, with a flattened perspective and spots of colored shapes. Inspired by ancient Middle Eastern culture, religious iconography...

Nizar Sabour was born in Latakia and now lives and works in Damascus and Moscow. He received his PhD in art philosophy from Strugunov Academy in Moscow, the influence of Middle Eastern culture is reflected in his work and splits between two themes, the first has religious undertones, focusing on the artist’s fascination with historical imagery and icons whether Christian, Islamic or non-Abrahamic traditions and the second theme is very poetic. His images tend to appear archaic, utilizing traditional elements silkscreened with paint, sand, and ash on canvas, with a flattened perspective and spots of colored shapes. Inspired by ancient Middle Eastern culture, religious iconography...

Khawam’s first genre of paintings started in 1980 during the heights of the Superrealism movement in New York City where Khawam was the youngest among the group and in his first year...

Tony Khawam is an established contemporary artist known for his semi-abstracted work of the New York urban and industrial landscape and recently of South Florida. He holds a BFA from...

Tony Khawam is an established contemporary artist known for his semi-abstracted work of the New York urban and industrial landscape and recently of South Florida. He holds a BFA from the School of Visual Arts in New York, NY and has exhibited in galleries throughout the U.S. and Europe. He has experimented with outdoor paintings throughout his artistic career to learn from the predecessor artists of the Hudson...

Tony Khawam is an established contemporary artist known for his figurative abstract work, and a technique based on accumulative singular strokes or lines in a chaotic but controlled ...

Laurence Edwardson (1904-1995) was a prolific artist born in New Orleans He painted modernist landscape, figures and portraits. His work includes many Louisiana landscapes, portrai...

'Bendix Diner' in New Jersey is an American Diner Painting by Leading British Urban Landscape Artist Angela Wakefield, forming part of her Americana Ser...

This large green field overlooking the Long Island Sound Beach depicts a parent without definition, mother or father, observing their child in the gr...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...