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Japanese Byobu Screen with Silver Leaf Clouds, c. 1870

c. 1870

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"Literary Garden, " Chinese Scroll Painting
Located in Chicago, IL
Exquisitely painted with delicate line work and a subdued color palette, this Chinese scroll painting is an early 20th century reproduction of a famous...
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Early 20th Century Qing Figurative Drawings and Watercolors

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Silk, Paper, Ink

Japanese Riverside Landscape Scroll, c. 1900
Located in Chicago, IL
Although Western painting was initially embraced during Japan’s Meiji period (1868–1912), artists brought on a revival of traditional painting styles as they sought to create a moder...
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Early 20th Century Landscape Drawings and Watercolors

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Korean Hanging Scroll of Bamboo, Prunus, and Orchids
Located in Chicago, IL
This Korean hanging scroll from the mid-20th century honors traditional calligraphy painting with delicate detail and a refined composition, thought to inspire clear and concise thinking. Expressing the beauty and resilience of nature’s flora, ink calligraphy artists traditionally select plants and flowers as the subjects of their works, each chosen for its auspicious meaning, literary resonance, or scholarly virtue. This particular example depicts a quiet natural landscape of three plants growing side-by-side along a rocky hill. Strong bamboo stalks sway above a branch of delicate prunus branches, while elegant orchids blossom in the foreground. Each painted by a different artist, these sacred plants represent the cycle of the seasons: the plum blossom for winter, the orchid for spring, and the bamboo for summer. Brushed with black ink for a monochromatic expression, the painting relies on value rather than color to convey depth and texture within this simple setting. The collaborative painting is contrasted by a beautiful blue silk brocade border woven with a repeating pattern of blossoms and vines. Each plant is signed individually in ink along with the artist’s seal. Painting has been remounted. Includes a wooden scroll...
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Mid-20th Century Folk Art Landscape Drawings and Watercolors

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"Day Turns to Night, " Mixed Media Kite
By Michael Thompson
Located in Chicago, IL
Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Muslin, Ink, Rice Paper, Silk

"Broken Spirit, " Charcoal on Paper
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...
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21st Century and Contemporary Naturalistic Figurative Drawings and Water...

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Charcoal, Paper

"Faith, " Charcoal on Paper, 2023
By Bruno Surdo
Located in Chicago, IL
Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. Entitled “Faith,” this small-scale charcoal drawing depicts a tree trunk carved with two deep cuts in the shape of a cross. The carving has healed over, assimilated into the bark as just another interesting detail. Up close, the work is loosely drawn with a heavy hand, but from afar, the natural scene still achieves a sense of realism. The tree trunk is conveyed through chaotic scribbling and aggressive strokes of light and dark charcoal, resulting in a pattern that simulates the rough texture of bark. Light falls softly on the tree, illuminating its form against the dark, atmospheric surroundings. The striking imagery of this work conveys the strong emotional response elicited by Surdo’s personal encounter with this tree. Restricting the composition to only the scarred portion of the tree trunk, Surdo focuses on symbolism of the cross carved into the tree’s side. The carving was inflicted upon the tree by an individual, whether as an act of graffiti or the object of adoration. Despite this wound, the tree persists and grows, adapting and changing until the mark is but another interesting detail. The tree’s spirit endures and speaks to the strength it takes to heal oneself, whether physically or mentally. Charcoal on paper...
Category

21st Century and Contemporary Naturalistic Landscape Drawings and Waterc...

Materials

Paper, Charcoal

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