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Vu Duc Trung
Natural

2008

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Mountain Houses
By Nguyen Xuan Anh
Located in Rye, NY
This painting is about the close relationship between people and nature. The hope that we can live our live's as a part of nature, keep balance and not destroy each other. Anh uses t...
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Wood, Lacquer

Highland Town
By Tran Dinh Khuong
Located in Rye, NY
Tran dinh Khuong is a contemporary artist inspired by the Vietnamese countryside. He paints using traditional lacquer on wood creating bold modern compositions in vivid colors of r...
Category

2010s Contemporary Landscape Paintings

Materials

Wood, Lacquer

Houses By Mountainside
By Nguyen Xuan Anh
Located in Rye, NY
Lacquer on Wood
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Lacquer, Wood Panel

Moon City
By Nguyen Xuan Anh
Located in Rye, NY
Lacquer on Wood
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Lacquer, Wood Panel

Composition
By Nguyen Xuan Anh
Located in Rye, NY
Mixed Media on Aluminium
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Metal

Pink Spring
By Nguyen Xuan Anh
Located in Rye, NY
Acrylic on Canvas
Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Canvas, Acrylic

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I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...
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