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Walter Heath Williams
Walter Heath Williams, Idyllic Landscape With Family

c. 1870

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Edmund Bristow, Farmyard With White Mare, Oil Painting
By Edmund Bristow
Located in Cheltenham, GB
This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...
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1850s English School Animal Paintings

Materials

Oil, Canvas

Henry H Parker, Highland Loch With Cattle, Oil Painting
By Henry Hillingford Parker
Located in Cheltenham, GB
This early 20th-century oil painting by British artist Henry Hillingford Parker (1858-1930) depicts a Highland loch with cattle, track and mountain. Parker adored the natural world ...
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1910s Naturalistic Landscape Paintings

Materials

Canvas, Oil

Isidore Verheyden, Study Of A Farmyard, Oil Painting
Located in Cheltenham, GB
This late 19th-century oil painting by Belgian artist Isidore Verheyden (1846-1905) depicts a small farmyard. Snuffling and grunting amid the grubby hay, a chubby pig with a muddy n...
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1890s Impressionist Landscape Paintings

Materials

Oil, Canvas

19th-Century French School, Chevreuils En Forêt
Located in Cheltenham, GB
This charming late 19th-century French School oil painting depicts a forest view with deer. Stylistically, it fits with the approach taken by the Barbizon school of artists who were...
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1880s Naturalistic Landscape Paintings

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Oil, Canvas

Alfred Augustus Glendening, Sunlit River Landscape With Cattle & Ducks
By Alfred Augustus Glendening Senior
Located in Cheltenham, GB
This charming late 19th-century oil painting by British artist Alfred Augustus Glendening (1840-1921) depicts a picturesque river landscape with cattle and ducks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, providing ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. And the following year, he exhibited ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he quickly became a firm favourite. With views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Here, in this picturesque sunlit view from 1896, he captures nature at her most buoyant. Cattle cool off under a prominent beech tree as the surface of the skilfully-handled river flickers into life. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value - resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy. Quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, Germany. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...
Category

1890s Naturalistic Landscape Paintings

Materials

Oil, Canvas

Frederick Foot, The Stepping Stones
Located in Cheltenham, GB
This mid-19th-century oil painting by British artist Frederick Foot (1830-1908) depicts a river view with figures, stones and dog. Foot was an accomplished landscape painter working ...
Category

1860s Victorian Landscape Paintings

Materials

Canvas, Oil

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"Touch it if you dare!" English artist, signed and dated 1927 oil on canvas, framed framed: 25 x 31 inches canvas: 18 x 24 inches provenance: private collection, England condition: v...
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A large English 18th century painting of a Chestnut horse
By Thomas Beach
Located in Bath, Somerset
A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'. Provenance: Anonymous sale, London, Christie's 28 May 1999. lot 15 Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter. His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression. Beach painted...
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Cottage in a Lush Garden with Hens in the English Countryside by British Artist
Located in Preston, GB
Cottage in a Lush Garden with Hens in the English Countryside by 20th Century British Artist, Terry Heath (1943-2011) Art measures 20 x 16 inches Frame measures 26 x 22 inches S...
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