William Dennis

"Sunlit Haystacks, " William Dennis, impressionist, 1900-1910, rural landscape

Raised in Gloucester, Massachusetts, Arthur Davis grew up when fishing and cargo vessels were still sailing in and out of Gloucester's busy harbor. At an early age, he spent time down on the docks where he built model sail boats and completed his first paintings before having any formal training. Davis studied under Emile Gruppe and Gordon Grant and was one of Grant's prize pupils. Davis also painted on the waterfront with Frederick Mulhaupt, Aldro Hibbard, Frederick Stoddard...

In "Harborfront" the artist uses colorful, impressionist brushstrokes to bring a working waterfront to life.

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

Impressionist style en plein air landscape painting on linen of a sun dappled dirt road leading to a barn #5963 Potato Barn, 2022 painted by Harry Orlyk oil on linen, ready to hang as is 14 x 14.5 inches Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a winding dirt road leading to an old potato barn, likely sited on a neighbor's farm close to the artist's home. A wonderful blend of luscious color is layered to create the foreground. The application of paint and color feel effortless, while the balance of the composition suggests the experience that comes from a lifetime of painting plein air and completely in the moment. Orlyk surrounds to teh natural beauty, its climate, and truly embodies the romantic truth of his beloved rural landscape. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...