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William Shackleton
1930's English modern British oil of Oyster catchers with nets on the beach

circa 1930

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    Archer was born at Newcastle-upon-Tyne, in 1808. In 1820 he went to London, and became a pupil of John Scott, a noted engraver of animals. His apprenticeship was cut short when Scott became ill, and he returned to Newcastle. There, in collaboration with William Collard he etched a series of large plates of Fountains Abbey, after drawings by John Wilson Carmichael, and on his own produced several plates for Mackenzie's History of Durham. He then moved to Edinburgh, where he made a collection of drawings of the ancient buildings and streets of the city. In about 1830 he returned to London, and entered the studio of the engravers William and Edward Finden, who were then working on illustrations for the annuals and such publications as their Bible Illustrations, and The Ports and Harbours of Great Britain. After a few years the market for this kind of illustration declined, and Archer had to find less renumerative work engraving plates for the New Sporting Magazine. Having been elected a member of the New Society of Painters in Water Colours, he produced a series of drawings of St. Mary Overy, previous to its restoration, and of Lambeth Palace. Having accumulated more than one hundred drawings of London...
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  • English Impressionist mid 20th century view of Piccadilly Circus, trams London
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    Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...
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  • Impressionist mid century view of Hammersmith Bridge over the Thames London
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