Cardboard Paintings

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Impressionism Year: 2020 Title: Odessa. Monument to Count Voronts...

Tranquil horizontal landscape of a tree-lined pathway near the coast leading to a quaint cabin by an unknown artist (American, 20th Century). Uns...

Wonderful palette knife impasto painting of the Matterhorn from the Italian side with Breuil-Cervinia in forefront by Northern California artist Beatrice Ash...

Enchanting oil painting of a glowing textured tree layered with gold leaf and deep purples by an unknown artist (American, 20th Century). Unsigned. Painted on heavy 1/4" artists boa...

Bright flowers in the garden Cardboard, oil, 44x58.5 cm

Serene mid-century winter landscape with a cabin near a lake covered in snow and tall mountains in the distance by W. Dunn. Signed "W. Dunn" lower left. Displayed in a giltwood frame...

Miniature landscape of trees in the snow by Kathleen Murray (American, b. 1958). Signed "MURRAY" in the lower left corner. Titled "#8 Snow + Trees" on verso. No frame. Kathleen Murr...

Spring 1991. Cardboard, oil, 94.5x70 cm

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Egypt plein air

A walk in the forest. Cardboard, oil. 8x6.2 cm

October is a very changeable time of year. With an abundance of bright colors in the foliage in sunlight, a simple motif can become the subject of a painting. In this sketch I experi...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Autumn foliage. 1990. Cardboard, oil, 95x70 The composition showcases the vibrant beauty of nature during the fall season. The dominant feature of the painting is the foliage itsel...

Autumn flowers. 1992, oil on cardboard, 65x50 cm Still life with pink asters in green jug Olgerts Jaunarajs (1907-2003) He was so-called legend of ...

plein air

Painter, vacation, summer, impressionism, picnic, 1950s Russia,Green

Behind the barn 1950s. Oil on cardboard. 42,5x49,5 cm "Behind the Barn" is likely to be a captivating and nostalgic artwork that celebrates the beauty of rural life and the tranquility of the countryside. Through the careful composition and skillful use of oil paints, the artist aims to transport viewers to a simpler and idyllic time, where nature and agriculture coexist in harmony. Aleksandra...

Haystacks. 1984, cardboard, oil, 40x49.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different season...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Early autumn. 1990, cardboard, oil, 70x93 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Boulders near the field. 1983, cardboard, oil, 68x94 cm

At the bridge. Cardboard, oil. 6.2x8 cm

Windy day. 1981, oil on cardboard, 40x62 cm

Rocky seashore. 1980, cardboard, oil, 48x66 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place in his creativity takes city landscapes. As a ten-year-old boy...

Meadow. Cardboard, oil. 6.2x8 cm

Rye field. 2000. Cardboard, oil, 69x91 cm Summer landscape with Rye field and river by Edgars Vinters

In this piece, I poured my soul into capturing the serene depth and raw beauty of the canyon’s layers. Using oil, I blended impressionism and realism to evoke the peaceful yet powerf...

The river. 1989, oil on cardboard, 46x60,5 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...

Mom, birth, baby, green, motherhood, Mother's Day KLARA VLASOVA (Moscow, 1926-2022) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History ...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Figure Size: 11.5" x 18" x 0.1'' ...

Dahlias. 2009, oil on canvas, 92x70 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...

River bay. 1987. Oil on cardboard, 44x58 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints...

Autumn landscape. Oil on cardboard, 39x50 cm is a landscape painter and a student of Vilhelms Purvitis. Vilhelms Purvitis one of the founders of the Latvian National School of Paint...

Light composition in a light mood. Cardboard, oil, 70x50 cm Still life with flowers in vase

Morning melody 2021., cardboard, oil, 70x50 cm

The greens are blooming. Cardboard, oil, 48x67 cm Spring beginning by the river. Landscape with threes

In this oil painting, I've sought to capture the tranquility of a coastal morning, when the light begins to caress the earth, awakening the colors of nature. The trees stand as silen...

"Kitty Matisse" collage by Volsky Lily. The painting is made on 350 g cardboard, the cat is hand-painted with acrylic paints in the style of everyone's favorite artist Matisse. The p...

"By The Sea" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's pa...

Landscape with a river. 1947. Oil on cardboard, 50x72 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of appl...

In this oil painting, I captured the warm glow of a quiet Moscow night, where the Church of Metropolitan Philip softly illuminates the rain-soaked streets. With impressionistic strok...

Title: Stone House in Salardú Artist: Joan Vila‑Puig (1890–1963) Technique: Oil on canvas board Dimensions: 33 x 41 cm (12.99 x 16.14 in) Support: Canvas board Signature: Signed in t...

This view of the square in the Tagansky district from the monument to Dmitry Donskoy in the sketch shows only the cross on the Church of the Life-Giving Trinity in Serebryaniki on a...

The painting captures a tranquil evening scene. The sky is filled with soft, billowing clouds, painted in hues of orange, pink, and lavender by the setting Sun. These brilliant color...

Traveling in Russia, I wanted to visit the Urals, the Chusovaya River. Since the mistress of the copper mountain lives in the Urals according to fairy tales. These majestic stones wi...

I fell in love with this motif as soon as I saw it walking along the road in the village of Chamzinka on an autumn evening after painting the Church of Archangel Michael. October is ...

Abel LAUVRAY (1870-1950) Rome, the Arch of Titus Oil on cardboard mounted on canvas Size: 48 x 65 cm Signed lower right Painting in good condition. A few fine cracks without liftin...

Shipped in roll This original painting captures the timeless charm of a bright blue sky - an elegant addition for collectors and art lovers. Each evening I lose myself in photos of ...

As the Sun dips below the horizon, the summer sky transforms into a breathtaking canvas of vibrant hues. The river, calm and reflective, mirrors the kaleidoscope of colors above – so...

We all wear masks. Someone has a sad mask, someone has a funny one. There are masks of cruelty or melancholy. My mask is like this one in love with the whole world. I give my love t...

Mid Century Serene Lake German Impressionist Landscape by Karl Max Lechner Gorgeous mid-century plein air oil painting of a lake in a sprawling ...

"Step into a serene seaside escape with this original painting by Marina Fisher. Featuring a vibrant coastal garden adorned with red flowers, a charming fountain, and a marina filled...

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

The motive attracted me with its compositional construction. The rhythms of baths and houses with their rooftops at sunset. Warm glancing light and cold shadow. When I was painting t...

This nude by Belgian artist Martin Bollé is made in oil on cardboard, elegantly framed in an Art Nouveau style frame.

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Figurative art Title: Woman with Flowers Size: 17" ...

The fantasy oil painting, titled “The Bride,” captures the fleeting moments before the bride steps out to meet her future at the altar. She stands on the cusp of a new life, her hear...