Oil Paintings

Scottish Highland Seascape Shoreline Impasto Painting of An Teallach, Gruinard Bay, Wester Ross by Royal Society Artist, Sheila Macleod Robertson RSMA, SWA. Presented in a vintage wo...

Artist: Michelle Boyle (1967 - ) Title: Sisters In The Landscape Medium: Oil on Panel Date: 2024 Framed Size: 25 x 31 x 3 cm Image Size: 18 x 24 cm In ...

"In the painting "Friends" I painted my dog ​​Daisy, who met her favorite little friend on a walk." said Anna Shesterikova about this work. "The girl gently and affectionately stroke...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

English painter (dated 1873) - Mountain landscape with lake. 51 x 77 cm. Old oil painting on canvas, without frame. - Work signed indistinctly and dated lower left: "W. C ... 1873"...

Adolphus Knell 19th-century English fishing boast at Sea. Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting...

Pocket Song Sparrow 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still...

Barbara Robinson is a leading contemporary artist of the classical school. His paintings are figurative, although sometimes bordering on the abstract....

English Farmhouse in Countryside Miniature Oil Painting by 20th Century Artist Art measures 6 x 2.5 inches Frame measures 12 x 8 inches Framed, Mounted, Signed, Unique Original ...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Vintage Oil Painting of River Sunset in the Woods of the English Countryside by 20th Century British Artist. Painted using warm orange and green colours creating a unique atmosphere....

Title: French Impressionist Oil Painting of Coastal Scene with Fishing Boats By Fanch Lel (French b. 1930) Size: 7.5 x 9.5 inches (height x width) Signed: Yes Oil painting on board, ...

Oil Painting of a Woodland Scene in the English Countryside by 20th Century Modern British Artist, James Wright Art measures 30 x 16 inches Frame measures 36 x 22 inches This 198...

A beautiful late 19th century English oil on canvas portrait of a white haired terrier wearing a leather collar. Excellent quality and finely detailed head study of the well groomed...

Artist/ School: Italian School, early 18th century The painting is almost certainly from the circle of the Italian Baroque painter known as 'Rosa da Napoli', Jacob Roos (Rome 1682-Na...

Artist/ School: Claude Pelletier, French signed & dated 1946. Title: Le Pont Marie, Paris (old exhibition labels verso). Medium: oil painting on ...

Venetian painter (18th century) - Madonna with Child. 44.5 x 37 cm without frame, 54 x 46.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame. - I...

Frédéric Adolphe YVON (Eschviller, 1817 – Paris, 1893) Portrait of Madame Hermann-Joseph REINACH, born Julie BÜDING (1828-1870) Oil on canvas Signed and dated on the left 65 x 54 ...

French School, mid 20th century oil painting on canvas, unframed canvas: 16 x 13 inches provenance: private collection, France condition: very good and sound condition

Cubist acrylic and oil on board in the modern form of a stylised portrait by French artist Créqule. Signed bottom right. The painting is presented in a patinated wood frame under gla...

Attributed to Francis Swaine (British, 1725–1782) Naval Engagement at Sea, 18th century Oil on panel In this evocative seascape, a cluster of ships—flags raised, cannons fired—conve...

Artist/ School: 17th Century Italian School Title: The Presentation of the Virgin in the Temple Medium: oil painting on canvas, framed Size: canvas: 21” x 16” (53.3 x 40.8cm) Pro...

Signed Adolfo Perez Frame size 75x64 cm.

Beautiful impressionistic bouquet of peonies is a wonderful wall decor, the painting is created in pleasant purple colours with blue background. The artwork is painted in the artist'...

Title: Bell Tower of a Spanish Village Artist: Joaquín Asensio Mariné (1890-1961) Technique: Oil on canvas Dimensions: 25.6 x 21.3 in (65 x 54 cm) Framed: No Period: First half of th...

"The Three Sisters" in the Blue Mountains of New South Wales, Australia by Australian Artist, Alan Robert Colquhoun Grieve (1910-1970). Art measures 21 x 17 inches Frame measures 28 x 24 inches (Original ornate period frame is commensurate with age) Vintage 1960's Born in Sydney in 1910, Alan Robert Colquhoun Grieve studied at the Julian Ashton School and the East Sydney Technical College and with Australian artist Herbert Edward Badham. Alan Grieve has notably exhibited at Royal Arts Society in Sydney and was Vice President of the Australian Arts Society. His work is held in private collections the world over, including The Art Gallery of New South Wales, The Fred & Elinor Wrobel Collection in Sydney and the Howard Hilton Collection. He has won numerous art prizes during the 20th Century. This painting was bought from Gordon Galleries in Double Bay, Sydney, New South Wales in circa 1962 by Major General Sir Douglas Kendrew KCMG, CB, CBE, DSO - Governor of Western Australia from 1963 to 1974. The Three Sisters are an unusual rock formation in the Blue Mountains of New South Wales, Australia, on the north escarpment of the Jamison Valley. They are located close to the town of Katoomba and are one of the Blue Mountains' best known sites, towering above the Jamison Valley. The Legend: The Aboriginal dream-time legend has it that three sisters, 'Meehni', 'Wimlah' and 'Gunnedoo' lived in the Jamison Valley as members of the Katoomba tribe. These beautiful young ladies had fallen in love with three brothers from the Nepean tribe, yet tribal law...

Seascape Painting of the Devon Coastline at Sunrise on the South Coast of England, by 20th Century British Artist, Bob Tucker. Art measures 30 x 16 inches Frame measures 34 x 20 i...

Untitled 05, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 24.5 x 18.5 inches Beautifully decorative, mid 20th century French or...

Oil on canvas by Yves Dieÿ (1892-1984), France – The Nude. A striking oil on canvas by the renowned French artist Yves Dieÿ (1892-1984), depicting a sensual and elegant nude. This wo...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Image size, 11H by 14L.

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

Realistic figurative painting of figures in a fine art museum Barely There (figurative painting of guard in art gallery standing beside reclining nude) by Judith Wyer 2020 oil on li...

Artist: Slonem, Hunt Title: Chinensis March Date: 2019 Medium: Oil on Canvas Unframed Dimensions: 48" x 48" Framed Dimensions: 50" x 50" Signature: Signed Verso Edition: Unique

TWILIGHT FJORDSCAPE Size: 58 x 68.5 cm (including frame) Oil on board A moody and atmospheric mid-century landscape painting that captures the rugged beauty of a mountainous fjord s...

5076 Underwater coral view Rapped canvas no frame required

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

CHAUNCEY FOSTER RYDER (American, 1868-1949), landscape with figures on a bridge, oil on canvas, signed lower left. Framed under glass. Minor craquelure, dirt and grime. Possible label remnant from William Macbeth Gallery attached. Ryder's NYC Gallery/Dealer. See bio below. Canvas 12-1/4''h, 16''w. unframed and 16 x 20 framed as pictured. Provenance: Estate of Joseph ''Jay'' St. Mark, PhD, of Newtown, Connecticut, historian, appraiser, and collector of fine Americana. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

A fresh and intriguing composition that keeps you looking at it. The composition is composed of summer greens, whites, blues and lavenders and also conveys figures and movement. Ho...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a nocturne scene with The Pulitzer Fountain at Grand Army Plaza on Fifth Avenue loo...

Artist/ School: British School, 20th century, signed by the artist, Charles Rodger 89. Title: The Hunt. Medium: oil on canvas, framed Framed: 31 x 43 inches Painting: 14 x 36 inc...

Still Life of Fruit Guy Nicod (French 1923 - 2021) signed oil on board, framed framed: 28 x 22 inches board: 26 x 20 inches provenance: artists estate, France condition: very good an...

Please note: This is a secondary market artwork with one previous owner. Kang Cho's artistic legacy endures through "Reclining Nude," a serene and contemplative handmade original o...

Large square French fantasy naive oil on canvas by Jean Henry Brossat. Signed to the front and bearing a title in Russian (?) script to the rear. In a plai...

Joshua Shaw (Billingborough 1776-1860 New Jersey) An open landscape with cattle watering signed and dated 'J. Shaw. 1810' lower right Oil on canvas Canvas Size 36 x 51 in Framed Siz...

Signed figure in riverscape oil on panel circa 1920 by sought after French impressionist painter Edouard Cortes. This beautiful piece depicts a worker with his horses travelling alon...

This work by Lucien Adrion is a wonderful representation of his Post-Impressionist works at the seashore by the French Riviera. Using a bright palette of colors, Adrion executes this piece with much attention to detail with many boats situated along the marina. There are palm trees and buildings placed in the distance, as we can feel the warmth of the sun contrasted with the cool breeze of the water. The boats are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of enjoyment from that sunny day at the marina. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent, we can find several of his works like this subject and others. The piece is signed by the artist lower left and it comes housed in a French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 19 x 23.5 inches Frame measures 27 x 32 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19 inch...

Traditional Oil Painting of the English Countryside with Horses & Ploughman by 20th Century Modern British Artist, James Wright. Art measures 30 x 16 inches Frame measures 36 x 22 ...

Surrealist Landscape Oil on canvas 'R. Lee Glenn' verso 30 x 24.25 inches 31.75 x 26.75 inches, framed Surrealism aims to revolutionize human experience. It balances a rational visi...

A striking genre scene depicting a man trying to embrace a woman in a dimly lit interior. The woman attempts to push him away as a bystander watches the scene unfold from the doorway...

This charismatic oil painting captures a figure seated at a vanity, their back to the viewer, surrounded by the soft glow of a dimly lit interior. The composition draws the eye to th...

Claude Venard, French (1913 - 1999) - Green Sunflower, Year: 1968, Medium: Oil on Canvas, signed lower left and dated on verso, Size: 41 x 39.5 in. (104.14 x 100.33 cm), Frame Siz...

19th Century German School Br: Venus aus Chemnitz 50 Jahre alt 58 24/5 39, 1839 Oil on canvas Signed lower left 25.5 x 20 inches 30.5 x 24.75 inches, framed The gentleman is Johann ...

Market Stall Conversation French School, 20th century oil on canvas, unframed canvas : 24 x 20 inches provenance: private collection, France condition: sound condition but with consi...

Artist: Francis Wynne Thomas (1907-1988), signed Painter and art teacher born in Bromley, Kent. He was an architectural graduate from Cambridge University but went on to study art at Heatherleys (193-34) under Frederick Whiting. Title: Portrait of a Stylish Lady...