Panel Paintings

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Neon Beach crackles with colour and movement—a joyful scene th...

Collage assemblage created with paper on panel. Artwork priced unframed. Contact the gallery for framing options in Black, White and Natural Wood. BIO: Ray Beldner...

Original oil on wood panel abstract painting by the American artist, Kathy Buist. Signed, titled “Beginning Morning” verso and dated 2023. Signed lower right by the artist. Condition is new. Presently unframed. Framing options are available. Like many Hamptons locals, Painter Kathy Buist has an unimaginable appreciation for the nature that surrounds her everyday. While many only experience one season of the Hamptons each year, Buist enjoys the beauty of her surroundings year-round. Her work has been shown in museums and galleries nationwide including the local Parrish Art Museum, the National Women’s Museum Archives in Washington, D.C., Andrews Museum in Andrews, North Carolina, and the Long Island Museum. Buist also received the highly acclaimed honor of “Today’s Masters” by Fine Art Connoisseur Magazine. Artist's Statement: “Living in New York City my landscapes are of a very different topography. The pieces convey a reverence for the earth, which manifests itself in quite sensual ways. These works play on the elemental values of sun, water, and morning mist to capture the spirit of each environment. It has been observed that some of my paintings almost impart the aroma of the earth. Each has an underlying sensual quality which will emerge in some surprising manner to reveal the paintings essence. This comes from my intimate relationship with the subject matter. In my paintings, I also explore the transformational qualities of light, using the subtle nuances found in refracted morning, afternoon or evening light to embody a particular moment in time. Perhaps these sensibilities are a result of having grown up on a farm in rural Michigan — and a flower farm...

African American Artist Alvin Hollingsworth creates a mixed-media abstract painting/collage that abounds with inventiveness and creativity. Large s...

This abstract painting by Ned Martin is made with oil paint and aluminum on board. It features two blue and green birds, one at the top right-hand corner and one at the bottom left, ...

All the Sun on the Sea II is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patin...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Turbulences is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with b...

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

"On a Clear Day" is an acrylic painting of an abstracted, dream-like landscape on leather mounted on MDF panel. The work itself is 24" x 22", framed to 24.5" x 22.5" in a narrow, sim...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

acrylic on panel

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Brian O'Neill's "What Lies Beneath" is an exquisite original artwork created in 2024. This piece, measuring 24 x 48 x 1.50 inches (60.96 x 121.92 x 3.81 cm), features a masterful com...

In "Into Thin Air", a landscape dissolves into atmosphere, memory, and color. With richly textured layers of oil and collage, the artist constructs a fragmented vista where geometry ...

In this compelling abstract painting Mel Davis uses colour and gestural markings to represent images reflected in a mirror. The palette for this piece—gray with bold black lines cont...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Austral Waves is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

Brian O'Neill's "Patina" is a captivating original artwork created in 2024. This piece measures 24 x 24 x 1.50 inches (60.96 x 60.96 x 3.81 cm) and features a sophisticated blend of ...

Abstract expressionist assemblage with found objects typical of an artist's studio floor by Bay Area artist Michael Pauker (American, b. 1957). Applied paint brushes, caps and tubes of paint, a few letters, putty knife, with splashes of color on wood. Unsigned. From the collection of the artist's work. Unframed. Image size: 11.25"H x 25.75"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Peter Stephens Rob Roy, 2025 acrylic on wood 30 x 46 in. (ste033)

Jylian Gustlin’s paintings are process driven – when looking at her work there is a sense the painting was “made” with effort, intention and even strength. The artist starts with an ...

Lava Reflections is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patin...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Dan McCaw's (US based) "Standing Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white standing within a neutral interior. Artist Stateme...

"Sentinel" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a hawk sitting in an abstracted tree.

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

"The Rider Comes Bearing Noise" stages a collision between mythic image and epistemological decay. It turns the familiar figure of the rider into an emissary of our time, evoking an ...

Anthony Falcetta Smp#18, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal010)

Abstract painting with assorted neutral toned golden tree bark and purple violet encaustic "Barking Betula", by Hudson Valley artist, Allyson Levy, mad...

* Frame included measurement include the frame. * Guarantee Free Shipping Worldwide by Royal Mail with End to End International Tracking. -We offer you Artist's Lifetime Warranty for...

Jodi Fuchs creates artworks that speak to the chaos and stillness (and the reconciliation of these two forces) that is inherent in the human experience. She focuses on creating modern abstract expressionistic paintings that have undeniable energy. Years of inquiry into the metaphysical aspects of life have influenced her studio practice. This original 24-inch high by 18-inch wide painting is an acrylic composition on wood panel. It is Fuchs’ fascination with the pure creative force: understanding it, harnessing it and expressing it, that fuels her painting process. This painting is signed on the back. This artwork does not require framing. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Born in New York in 1964, Jodi Fuchs is an award-winning contemporary abstract painter living in Southern California. Her education about color and pattern came on the job while working as a decorative painter for 20+ years in Los Angeles. Fuch's work has been featured on 50+ TV and film productions, graced the lobbies of hotels from New York to Miami to Portland Oregon. REPRESENTATION Artspace Warehouse, Los Angeles, CA SOLO EXHIBITIONS 2017 Bar Mingo Portland, OR PIA Agency Portland, OR 2016 Last Thursday on Alberta Street Portland, OR 2015 Energy Moving Soul Center Kona, Hawaii 2013 Chakra Code 143 East Meets West, Los Angeles, CA 2011 Rose Café Venice, CA 2010 Jodi Fuchs Art Gallery Santa Monica, CA 2009 Rawvolution Café Santa Monica, CA 2007 Butter Brooklyn, NY 2006 Epoxy Box Venice, CA 2004 The Garage Show solo exhibition Santa Monica, CA 2001 Buddha’s Mudras and Biology Studio 6 Santa Fe, NM EXHIBITIONS 2023 “About Face”, Artspace Warehouse, Los Angeles, CA 2023 WADA Sumer Heat Show, St. Petersburg, Fl 2023 Las Laguna Gallery Abstract Show, Laguna Beach, CA 2022 “Clarifying Color”, Artspace Warehouse, Los Angeles, CA 2020 “In Search of Principle”, Artspace Warehouse, Los Angeles, CA 2019 Whole 9 Gallery, Culver City, CA 2019 Gallery, Hermosa Beach, CA 2019 Art + Home, LA Family Housing Benefit Los Angeles, CA 2018 Art + Home, LA Family Housing Benefit Los Angeles, CA Gallery Cerulean, Portland, OR 2017 Southeast Art Walk Portland, OR 2015 SOKO South Kona Artist Collective Tour Big Island Hawaii ETC Gallery Santa Monica, CA Kohala Mountain Gallery Hawi, Hawaii 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA Art 4 All People Malibu, CA 2012 Wall Space Gallery Los Angeles, CA Small Works Whole 9 Gallery Culver City, CA 2011 Urban Pop Jeanie Madsen Gallery Santa Monica, CA Moksha Festival Santa Monica, CA Japan Relief Initiative Show Architecture for Humanity 2010 Rethink Green Culver City, CA group show The Art of Summer Orange County Center Contemporary 2009 Access Institute group show San Francisco, CA 2006 Phresh/Live Group Show Venice, CA Epoxy Box Venice, CA 2002 Charge Art Barn Gallery Santa Fe, NM Compassion Art Barn Gallery Group Show Santa Fe, NM Collect Plan B Santa Fe, NM 1998 Abbot’s Habit Venice, CA 1997 Needles LACE Gallery Group Show Los Angeles, CA PUBLICATIONS 2012 –19 World Art Group best-selling artist for art publishing company 2009 -19 Poems Art Publishers bestselling artist for art publishing company 2014 Abstract Art Now Collection Saatchi Art Online 2013 Rose Café Venice, CA Saatchi Art Online offices Santa Monica, CA The Art of Summer Orange County Center Contemporary 2010 OCCCA Santa Monica: The Art of Summer catalog Poems Art Fine Art Publishers, Poster Line Family Circle magazine June issue painting featured 2008 Left Bank Art...

Anthony Falcetta Smp#5, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal002)

Dee Shapiro Illustrate Illusion, 1990 Oil painting on panel Signed twice: once on the front, and once on the back, with copyright, date and title Unique Oil on panel painting, unique Signed twice: once on the front, and once on the back, with copyright, date and title Provenance: Acquired from the estate of renowned New York art dealer Andre Zarre Frame included: Double framed in an elegant white wood museum quality frame Measurements: Framed 14.5 inches by 16.75 inches by 1.75 inches Artwork: 7.75 inches by 9.5 inches DEE SHAPIRO BIOGRAPHY Biography • Dee Shapiro (b. 1936) Dee Shapiro was born in Brooklyn, NY. She studied art and psychology in college, receiving both a BA and an MA from Queens College (1954-1960). There she studied color with abstract artist John Ferren. A semester in Mexico in 1956 introduced her to bright patterns and colors, as well as the murals of River, Orozco, and Siqueiros. From 1960 to 1968, Shapiro taught, got married, and raised kids. She still made time for art, taking painting classes with Richard Mayhew at the Brooklyn Museum. When she and her family moved to Great Neck in 1968, she founded Central Hall, the first women’s cooperative gallery in Long Island. Shapiro was also a contributor to Heresies, a feminist publication on art and politics. Shapiro explores the intersections of pattern, geometry, nature, and craft in her work. As a child, knitting instilled an interest in how patterns develop from small individual components into larger compositions, as well as the importance of counting and learning numerical patterns. Her first abstract paintings in the 1970s were based on mathematical concepts, particularly the Fibonacci sequence that generates the Golden Mean. Early works included arrangements of ordered tally marks in bright colors or gridded diagrams of the Fibonacci sequence. Shapiro soon moved to patterns that allowed her to use color intuitively within a grid. She built up the surface of the paintings by squeezing paint directly from the tube to create a woven or knitted texture. Shapiro was included in Pattern Painting at PS 1 in 1977, organized by noted curator John Perreault, which presented work by twenty-two artists working in the P&D Movement. The Everson Museum in Syracuse, NY organized a solo exhibition of her work in 1981. Her New York dealer was Andre Zarre. Shapiro was a member of the Criss-Cross Artist Collective, founded in 1974. The group originated in Boulder, CO as artists interested in Systemic Pattern Painting or Structuralism. The group expanded into New York, California and Europe with its art journal Criss-Cross Art Communications, published from 1974 to 1981. They aimed to foster group work, interaction, integration, and synthesis. The artists were interested in geometry and pattern yet worked in a variety of art forms including text, sound, film, and dance. What connected the artists were: a capacity for visual organization; valuing the importance of pattern on perception and knowledge; and a methodology of system, ordering, and counting. The artists that crossed over with the Pattern and Decoration Group were Dee Shapiro, Gloria Klein...

sbc 242 (Abstract painting) Acrylic on wood panel — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her pro...

Anthony Falcetta Smp#19, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal011)

Anthony Falcetta Smp#11, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal004)

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Anthony Falcetta Smp#15, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal008)

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Miesmer began painting in the open air during the summers in Nantucket.  Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...

Anthony Falcetta Smp#8, 2023 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal001)

Andrei Petrov's "Pride and Joy" is a 12 x 48 inch abstract landscape painting on canvas. The main colors are blue, purple, and orange. The reference to a natural landscape is clearly...

acrylic on birch panel

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"Building Boom" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a pastel palette acrylic, pigmented plaste...

Promesse I & II ( Diptych) is a magnificent abstract oil painting of ephemeral clouds floating on an elegant deep blue sky . A unique view of clouds at twilight, in rich shades of...

Anthony Falcetta Smp#17, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal009)

Untitled X is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminium panel, patina fixed with be...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Oil on panel Compline Series: Compline is a recent piece, a work honoring New England. It is a culmination of what I developed and experienced from those decades painting and trekki...

Anthony Falcetta Speedee, 2023 acrylic, gypsum compound & spray paint on canvas 28 x 24 in. (fal012)

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...