Donald S. Vogel
Nude with Green Hair
circa 1978

Name: Nude with Green Hair
Brand: Donald S. Vogel
Price: 3796.11 AUD
Availability: InStock
Rating: 5 (14 reviews)

About the Item

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it is a gift in itself, and produce something of worth to be shared. That is the life that has served this artist's pilgrimage." Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrigued by the possibilities of creating images. The excitement and pleasure derived from the act of creation continued to be the force that compelled him to paint throughout his life. Born in Milwaukee, Wisconsin, Donald S. Vogel began his formal art training at the Witte Memorial Museum in San Antonio when he was seventeen. His training, under the watchful eye of Eleanor Onderdonk, was briefly interrupted by a move to Washington, DC , where he took drawing classes at The Corcoran School of Art . He returned to San Antonio to finish high school and continued studying under Onderdonk. After graduation, he moved to Chicago in 1936 to enroll in The School of the Art Institute of Chicago. In the Impressionist and Post-Impressionist rooms of the Institute, a new world opened up to him, one that would forever influence the direction of his work. He saw art that dealt with the effects of atmosphere and light. The subjects and techniques used by these painters conveyed a sense of happiness, exuberance, and pleasure, which offered a stark contrast to the world outside stifled by the Great Depression. While studying at the Art Institute, Vogel roomed at the Artist Community House where many students lived. This environment served as a counterpoint to the academic training he received at the Institute. It afforded the students the freedom to discuss issues in contemporary art, and freely experiment with unconventional ideas and techniques. Most importantly, this fertile environment intensified Vogel's commitment to paint. Feeling the pinch of the Depression, Vogel left the Art Institute in 1940, and was accepted on the WPA Easel Project. This allowed him the luxury of drawing and painting from dawn to dusk. The freedom to paint at all hours focused his interest on the seemingly endless variations of light and atmosphere. With unlimited use of a model, he produced thousands of figure drawings until, eventually freed from the necessity of working from life, he began to paint purely from his imagination. In 1942, Vogel moved to Dallas. The previous year, while he was still living in Chicago, the Dallas Museum of Fine Arts had given Vogel a one-person show; in 1943, shortly after his arrival in Dallas, the DMFA gave him another. While working first as a set designer and then as technical director at the Dallas Little Theater, Vogel spent his free time at the easel. During the 1940's he gained recognition in the art community by promoting the work of fellow artists and winning coveted purchase awards and prizes in the Texas General and Allied Arts Exhibitions for his own paintings. In 1951, Vogel and his wife Peggy, alongside Dallas arts patron Betty McLean, opened the Betty McLean Gallery. It was the first gallery in Texas to deal in modern art on an international level. In 1954, the Vogels moved to a five-acre site north of Dallas and opened Valley House Gallery. The new setting at Valley House deeply inspired Vogel, serving as a source for ideas, and providing a place of serenity and contemplation. Vogel's work is characterized by his love of color, and his fascination with the changing qualities of light. A favorite subject, often revisited during the latter part of his career, is the greenhouse. He first experimented with this subject in 1976, and began using it in earnest in 1978. Having worked in a hothouse during his youth, he found it a natural subject for exploring the effects of atmosphere, light, and color. Like Monet's pond at Giverny, Vogel's greenhouses have become his signature: an imaginary place of endless fascination. Vogel produced many catalogues for gallery artists but he had never written for himself. In 1989, he penned two autobiographical short stories and published them under the title Charcoal and Cadmium Red. He found writing to be as challenging a process as painting. During his eighth decade, he wrote and painted with equal intensity. “The agony and ecstasy I felt while producing each work was welcomed, as each required the other to fulfill the quest. And the quest remains to produce works that should delight the eye, give pause for thought, heighten the spirit, and sense the awareness of our being,” wrote Donald S. Vogel in 1998, on the occasion of his Retrospective exhibition and catalogue. Donald S. Vogel's work is included in the following collections: Art Institute of Chicago, Chicago, Illinois Beaumont Museum of Fine Art, Beaumont, Texas Charles Goddard Center, Ardmore, Oklahoma Dallas Museum of Art, Dallas, Texas Fine Arts Museum of the South, Mobile, Alabama Ft. Worth Art Association, Ft. Worth, Texas Old Jail Foundation, Albany, Texas Panhandle-Plains Historical Museum, Canyon, Texas Philadelphia Museum of Art, Philadelphia, Pennsylvania Philbrook Art Center, Tulsa, Oklahoma The Pennsylvania Trust, Radnor, Pennsylvania Tyler Museum of Art, Tyler, Texas Witte Museum, San Antonio, Texas This painting is unframed; the price does not include a frame.

Creator:

Donald S. Vogel (1917-2004, American)

Creation Year:

circa 1978

Dimensions:

Height: 14 in (35.56 cm)Width: 12 in (30.48 cm)

Medium:

Canvas,Oil

Movement & Style:

American Modern

Period:

1970-1979

Condition:

Gallery Location:

Materials

Oil, Panel

By Bezalel Schatz

Located in Surfside, FL

Genre: Israeli Subject: Abstract Medium: Oil Surface: Canvas Dimensions: 24" x 20" Bezalel (nicknamed “Lilik”) Schatz was an Israeli artist, son of Boris Schatz, founder of the Bezalel School of Arts and Crafts in Jerusalem. Born in 1912 to Boris Schatz, and his wife Olga, an art critic. From an early age, he demonstrated considerable talent for gymnastics and music, but especially for art. He grew up in a home in which artists were a constant presence, he was introduced to Israel’s most prominent leaders, and the first public exhibition of his artwork coincided with his Bar Mitzvah celebration. He attended the Gymnasia in Jerusalem and at age 14 completed his studies at the Bezalel School. In 1930, Bezalel joined his father on a fundraising tour of Europe and the United States, where they also exhibited their artwork and that of Bezalel students. Following his father’s death in 1932, Bezalel left Israel for a period of about two decades. He spent the first four years studying at the Grand Chaumiere Academy in Paris. There, given the fairly conservative artistic views he had acquired at home and school – where modernism was denounced – he had to pave his own way as an artist among his peers. Between 1937 and 1951, Bezalel resided in the U.S. Near the end of WWII, he worked in a California shipyard, and it was there he met his future wife, Louise. He was also introduced to the novelist Henry Miller in California, and their friendship blossomed into a creative collaboration. The artist May Ray...

Category

Mid-20th Century Modern Nude Paintings

Materials

Canvas, Oil

Bezalel Schatz
Modernist Interior Kneeling Female Nude Figure Bezael Schatz Israeli Painting

$4,000

1970'S HUGE FRENCH EXPRESSIONIST SIGNED OIL - NUDE LADY STILL LIFE COMPOSITION

Located in Cirencester, Gloucestershire

Artist/ School: French School, circa 1970's, signed lower right Title: Still Life with Nude; beautiful range of colors. Medium: very thick impasto oil painting on canvas, unframe...

Category