Kermit Oliver

"Nest Robber" Abstract Surrealist Nude Male Climbing Tree Painting

1991

Contemporary colorful abstract painting by Houston artist Emmanuel Araujo. The work features a pair of nude crouching women set against an orange sun and pink background. Signed, tit...

Modern abstract figurative painting by Houston, TX artist Margaret Nobler. The work features a central seated female nude set against a bold red and gr...

Modern figurative nude painting by Texas-based artist Kermit Oliver. The work features a woman reclining on a blanket in the middle of a field next to a cat and dog. There is a magaz...

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

Two Nude Female Models in Acrylic on Paper San Francisco Abstract Expressionist Colorful painting of two models by acclaimed bluegrass musician and San Francisco artist Katherine "K...

Jack Hooper "Green Nude 2" c. 1980s Acrylic paint on magazine page 9"x11.5", black wood gallery frame float mount 11"x14" Signed in pencil lower right Hooper's distinctive approach to artistry is exemplified by his ingenious use of acrylic paint on a magazine page, where elements of the original page subtly peek through the layers of vibrant color. This technique adds an intriguing depth to the composition, blurring the boundaries between reality and abstraction. Jack Meredith Hooper (August 26, 1928 - January 24, 2014) was an American painter, muralist, sculptor, printmaker and art educator. Hooper was a major figure on the Southern California art scene, belonging to that generation of Los Angeles painters...

Igor Volkov-Tkachinsky’s work embodies the dramatic tension of opposites: cold and fire, vulnerability and renewal, destruction and creation. At its center...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...