1930s Paintings

Signature: Signed, dated 1938 and inscribed Italy lower right. Thistles, 1938 Pastel on paper 25 3/4 × 18 3/4 in Work is framed Christie's, New York Very strong in person. Gallery st...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Les arbres by Paulémile Pissarro (1884 - 1972) Oil on canvas 60 x 72 cm (23 ⁵/₈ x 28 ³/₈ inches) Signed and dated...

The picture is in very good condition. However, there is a small tear is at the end of the page right side about less then 1/2 inch and some wrinkle. Abraham Weinbaum, also known as...

Everett Warner On the Wharf Signed lower left Oil on panel 15 x 20 inches Provenance Cooley Gallery, Old Lyme, Connecticut Everett Warner was born in...

SEBASTIÁN LLOBET RIBAS Spanish, 1887 - 1975 signed "Llobet Ribas" (lower right) signed again "Llobet Ribas" (on the reverse) oil on canvas 32 x 25-3/4 inches (80.5 x 65 cm.) unframed PROVENANCE Private Collector, Barcelona Painter and draftsman of the twentieth century, born in Barcelona in 1887. He attended the Fine Arts Schools and was a disciple of Vicente Climent. He participated in the Self-Portraits Exhibition held in 1907, in the Drawing Exhibition in the Sala Parés in 1910, in several of the Spring and International Exhibition, and in the National Exhibition of 1942 and 1944 in Barcelona and in 1950 in Madrid. In the 1951 Exhibition of the Circulo de Bellas Artes de Palma de Mallorca, he obtained a medal for the set of drawings...

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Medium: Oil on Canvas Signature: Initialed Lower Right "Margery's voice held him as no other sound ever had." Story illustration for part one of "Neighbor to the Sky" by Gladys Hast...

Antique American modernist oil painting portrait. Oil on canvas board. Signed verso. Framed. Measuring 22 by 26 inches overall and 16 by 20 painting alone.

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) ...

A Renaissance man,circa 1930's polychrome painting on a wood plaque . Artist unknown

Medium: Oil on Canvas Sight Size 29.00" x 21.00", Framed 34.00" x 27.00" Signature: Signed Lower Left Valentines Day, Saturday Evening Post cover, February 16, 1935

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, October 3, 1931

Oil on paper by Edouard Goerg (1893-1969), France, 1937-1938. Two young Spanish girls. Measurements : with frame: 61.3x51.8 cm - 24.1x20.4 inches, view: 39x28.6 cm - 15.4x11.25 inche...

'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...

Signed Lower Right by Artist Saturday Evening Post Cover, October 6, 1934

Medium: Oil on Canvas Signature: Signed Upper Left Image of two men, one seated and one standing. From the book Head Tide by Joseph C. Lincoln

Mid Century Island in the San Francisco Bay Landscape by Alexander Nepote Lovely late 1930's Impressionist watercolor of a Bay Area island by listed California artist Alexander Nepo...

Cover of Outdoor Life magazine, April 1933. Image of a man with fishing gear in front of a calendar. Joseph Francis Kernan was a sportsman all of his life and the majority of his subjects featured, as he described it, "the human side of outdoor sports, hunting, fishing and dogs." These were the ideal subjects for magazine covers and his work appeared on all of the major - and some minor- magazines, including The Saturday Evening Post, Collier's, Liberty, The Country Gentlemen, Capper's Farmer, The Elks, Outdoor Life, and The Associated Sunday Magazines. His work was also commissioned for calendars, and advertisers such as Fisk Tires, International Harvester...

A beautiful 1930's French post-impressionist oil on canvas depicting the Pont Royal bridge on the river Seine in Paris, by Bertrand Py. Excellent quality a...

Family scene. Oil sketch on cardboard. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Eve Drewelowe (1899 - 1988). Landscape painter, Eve Drewelowe, was the eighth of thirteen children born in ...

Italian painting from the first half of the 20th century. Oil on canvas painting depicting a game of cherubs with fruit, hide and seek, of excellent pictorial quality. Painting signe...

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Oil on board, signed and dated 38' in lower right. Measures 6.75" x 15.5" including the frame, also inscribed and signed on reverse. Nikolai Timkov is one of the best known Russian ...

La obra va firmada por el artista en la parte inferior Se presenta sin enmarcar la obra Medidas obra: 73 cm. de altura x 60 cm. de ancho Estado de conservación bueno el de la obra...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 26.00" x 32.00", Framed 40.00" x 36.00" Two men in deck chairs. One of the men is looking very sick and pale, grippin...

Approximate Date: 1936 Medium: Oil on Board Signature: Signed Lower Right Sight Size 28.00" x 22.00", Framed 34.00" x 28.00"

A Vibrant, 1930s Chicago City Street Scene of the Old Town Neighborhood by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). Depicting a colorful, blustery, autumn view...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Wonderfully vibrant floral still life of petunias in bowl with brass candle stick by Jennie Thatcher Crawford (American, 1890 - 1958), circa 1930. Signed lower left corner. Condition: good; missing paint professionally repaired and inpainted. Unframed. Image size: 24.25"H x 30"W. Born in St Louis, MO on Jan. 25, 1890. Crawford studied at the St Louis School of Fine Arts from 1907-20. Moved to Los Angeles, California 1921. She was active as a lecturer and demonstrator until 1958. Her specialty was floral still lifes. Jennie Crawford, a painter of floral still lifes, was born in St. Louis, Missouri and studied at the ST. Louis School of Fine Arts from 1907 to 1920. She moved to Los Angeles, California in 1921, becoming a Resident of El Monte in 1931. She was a member of Women Painters of the West and exhibited at Palos Verdes Art...

An original illustration by Cuban artist Andres Garcia Benitez which was used for the cover of the iconic Carteles magazine in November of 1938. ...

Art Sz: 12 1/2"H x 16"W Frame Sz: 18 3/4"H x 22"W c1938 Conte Crayon w/ Gouache

"Great Neck Landscape" American Scene Social Realism Mid 20th Century Modern WPA PHILIP HOWARD EVERGOOD (1901 - 1973) Great Neck Landscape 12 x 16 inches Oil on board, circa 1935. S...

"Morning Beneath the EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) "Morning Beneath the EL" 24 1/4 x 30 inches Oil on canvas Signed...

A. E. Halliwell (1905-1987) February 14th - Travel LMS Gouache 31 x 20 cm c.1930 Artist's stamp to reverse Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British...

Presenting a rare, early original oil painting, "The Lavender Vase", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific an...

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

A. E. Halliwell (1905-1987) Spring Gouache 26 x 15 cm Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for h...

This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal S...

Marion Kramer spectacular 1930s old town Depicting, vintage truck, Coca-Cola sign, regionalist painting Oil on canvas 32.5 x 42 framed, 27 x 35.5 unframed

Date: 1938 Medium: Oil on Canvas Signature: Signed Lower Left Dimensions: 27.00" x 25.00" Calendar Illustration

untitled (French Townscape with Clouds and Mountains) Oil on masonite Signed with the estate stamp verso (see photo) Hand painted frame by the artist. (see photos) Image eize: 24 x 2...

Story illustration for “The Lively Lady” by Kenneth Roberts for The Saturday Evening Post, published March 21, 1931, page 18. The full caption reads: “We could sell that ship for fo...

Juan Gil y Gil (1900-1984) - Landscape with hermitage - Oil on panel Oil measurements 27x35 cm. Frameless Painter. He began his artistic training in Paris, which he later continued ...

A vibrant 1930s American Scene painting of a sunlit Victorian house by noted American Modern painter Francis Chapin (Am. 1899-1965). Very reminiscent of Edward Hopper's artwork, the...

1930s French Impressionist Barbizon School oil on panel view a port by Georges Guerin (1910-1984). The painting is not signed but was acquired with a collection of other signed paint...

A. E. Halliwell (1905-1987) Smithfield Cattle Show Airbrush and gouache 26 x 33 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustra...

American Scene Painting - Social Realism. The present work is a Depression Era account of working-class men and women. Philip Howard Francis Dixon Evergood (born Howard Blashki; 190...

Oil on canvas, signed and dated '38' bottom right Original title inscription and date 'Nov 19th 1838' verso Image size: 30 x 24 inches (76 1/4 x 61 cm) Contemporary style hand made f...

Date: 1934 Medium: Gouache on Pencil on Board Dimensions: 19.25" x 19.75" Signature: Inscribed and Signed Illustrated for "The Sea Remembers" by Gordon Malherbe Hillman, American Ma...

Female artist Louise Lue Osborne paints a classic composition with an interaction of two women and a child soaked in golden late light. The figural gro...

Medium: Oil on Canvas Signature: Signed Lower Right The Saturday Evening Post cover, November 11, 1933

Roses and vase by Bonnie Beach Ryan (American, 1901-1940). In 1933, Bonnie Beach Ryan held her first solo show of flower and still life paintings at the Dana Bartlett...

Medium: Oil on Canvas Signature: Signed Lower Right Ladies Home Journal, December 1939, pg 31. Illustration for Mary Hastings Bradley "Another Woman" "The kiss had been less casual...

New York subject oil on canvas-board by New York WPA artist Charles Schlein (1899-1988). The image measures 24"h x 18"w. The frame is 31"h x 25"w. The depression-era work, circa 1930...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 23.00", Framed 34.00" x 29.00" Cover of The Saturday Evening Post, February 2, 1935