1930s Paintings

Jim’s of Lambertville is proud to offer this artwork by: Arthur B. Carles (1882-1952) Born in Philadelphia, Pennsylvania, Arthur Carles was a painter whose work went through phases...

Margaretha E. Albers The Ordell, Brooklyn Bridge Signed LR Oil on artist board 12 x 16 inches Provenance Kennedy Galleries, New York Private Collection, New York St. Lifer Art, New...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, October 3, 1931

La obra va firmada por el artista en la parte inferior El estado de conservación de la obra se puede ver, presenta faltas y precisará restauración Se presenta enmarcada la obra (e...

Portrait of Woman is an original oil on canvas realized in 1930s by Antonio Feltrinelli. Very good condition. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was ...

Medium: Oil on Canvas Signature: Initialed Lower Right "Margery's voice held him as no other sound ever had." Story illustration for part one of "Neighbor to the Sky" by Gladys Hast...

Quick and confident brush strokes describe the gritty forms of perhaps steam engines or railroad yards. Luks bravura style of putting paint to canvas anticipates action painting of ...

Macena Barton Untitled Signed lower right Oil on canvas 24 x 30 inches Provenance Private Collection, California Macena Alberta Barton was an American painter. Barton born in Uni...

Medium: Oil on Board Signature: Signed Lower Right Sight Size 30.00" x 27.00", Framed 38.00" x 35.00" Saturday Evening Post Cover, May 16, 1931 From the Estate of Charles Martignett...

Work on canvas Golden wooden frame 52 x 45 x 3.5 cm

Date: 1937 Medium: Oil on Canvas Dimensions: 36.00" x 24.00" Signature: Signed Upper Left The original painting for the 1937 Heidi movie poster.

1930s French Impressionist Barbizon School oil on panel view of a forest by Georges Guerin (1910-1984). The painting is signed bottom left and is also titled and dated to the back of...

Artist: Raphael Soyer, American (1899 - 1987) Title: City Street Year: circa 1930 Medium: Oil on Board, signed verso Size: 20 in. x 13.75 in. (50.8 cm x 34.93 cm) Frame Size: 26 x 20...

Original cover for Liberty magazine, published March 8, 1930. Gwendolyn teases little Ulysses for having a bald head after she had taken scissors to it on Valentine’s Day. Lil had frantically taken Ulysses to the barber in an attempt to salvage the remains of his hair, but there wasn’t much left and now his head “felt like a sprouting cactus.” Gwen points to the aquarium on the table and ties a piece of cord to a ruler, attaches a safety pin, and dangles the line above the surface trying to catch a goldfish. “Gwen stood there, stubbornly waiting for the possible turn in her fisherman’s luck!” (Liberty magazine, March 8, 1930, p. 57) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

Signed lower right. Titled verso on stretcher, Artist to the current owner's Aunt. unframed

Date: 1932 Medium: Oil on Canvas Dimensions: 24.00" x 33.00" Signature: Signed Lower Left Story illustration for “Sons” by Pearl S. Buck, published in Cosmopolitan, October 1932, pages 66-67. "Sons" serves as the poignant sequel to Buck's story The Good Earth...

An important American modern landscape by Ashcan school artist Alexander O. Levy. This painting was featured in the retrospective for the artist held at the Burchfield Penney Art Ce...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

This painting by Bernhard Oscarsson (1894-1977) is a captivating visual narrative of Stockholm's serene beauty. Oscarsson, a student of Caleb Althin's painting school and the Royal S...

Date: 1930 Medium: Oil on Canvas Dimensions: 40.00" x 30.00" Signature: Initialed and Dated Lower Right of Right Canvas Woman with suitor/explorers wearing pith helmets Pub...

Original cover for Good Housekeeping magazine, published March 1931

Artist: Reginald Marsh, American (1898 - 1954) Title: Brooklyn Bridge and Lower Manhattan II Year: 1938 Medium: Watercolor on Paper, signed and dated l.r. Size: 14 in. x 20 in. (35.5...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Walter Emerson Baum (1884 - 1956). Born in Sellersville, Pennsylvania, Walter Baum was one of the only members...

Oil on canvas painting of a still life with white vase by the American artist Margaret Fulton Spencer.Signed middle bottom. Titled verso. In original condition; unlined. The painting is housed in a art nouveau reproduction frame. Overall 27.25 by 23.25 inches. Biography forMargaret Spencer The niece of painters Thomas Alexander...

The Artist captures a "caught moment" of cloths blowing in the wind. It's being witnessed by an inquisitive bird, while be ducklings and a cute kitty cat accompany her. Signed lower...

Work on wood Dimensions with frame : 63.5 x 49 x 3 cm This work of art features a bouquet of lilies elegantly arranged in a clear glass vase. The flowers, delicately painted in shade...

Work on wood This captivating portrait depicts a melancholy young face, executed with a remarkable mastery of shades of gray and brown. The artist uses a deft brush to capture the su...

Date: 1934 Medium: Gouache on Pencil on Board Dimensions: 19.25" x 19.75" Signature: Inscribed and Signed Illustrated for "The Sea Remembers" by Gordon Malherbe Hillman, American Ma...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Judy and Rita on Porch at Afton, c. 1936, oil on canvas, 24 x 36 inches, title inscribed on tacking margin; “Judy” and “Rita” inscribed verso, NB: purchased together with The New Roa...

Antique European modernist landscape painting. Oil on board, circa 1930. Unsigned. Image size, 20.5L x 17.5H. Housed in a period giltwood frame.

Oil on plywood realized by Armando Cermignani (1888-1957) in 1930s. Hand signed and dated. Excellent condition. Armando Cermignani was an Italian painter, engraver, ceramist and p...

A. E. Halliwell (1905-1987) Spring Gouache 26 x 15 cm Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British artist, illustrator, and designer best known for h...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 26.00" x 32.00", Framed 40.00" x 36.00" Two men in deck chairs. One of the men is looking very sick and pale, grippin...

Story illustration for “The Lively Lady” by Kenneth Roberts for The Saturday Evening Post, published March 21, 1931, page 18. The full caption reads: “We could sell that ship for fo...

Consigned to the gallery By Decent H&N Fine Art, Newport Beach, CA; From Katherine A. Norris Legacy Collection, Newport Beach, California; Rick Hill, San Diego, California by descent from his mother a former pupil of Alfred Mitchell...

Artist: Reginald Marsh, American (1898 - 1954) Title: Locomotive Year: 1932 Medium: Watercolor on Paper, signed and dated l.r. Size: 14 in. x 20 in. (35.56 cm x 50.8 cm) Frame Size: ...

French Landscape with Silver Birch Trees in Dappled Light French Post-Impressionist, circa 1930's Oil on board, unframed Board: 19.5 x 24 inches Provenance: Private collection Condit...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintin...

Beautiful landscape of simple Danish farmhouse by Peter Nielsen (Danish, 1873-1965). Signed and dated "P. A. Nielsen 1933." Presented in a giltwood frame. Image, 11.5"W x 18"W. Pai...

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: The Organ Grinder with a Parrot, 1932 Technique: Signed Oi...

This superb Art Deco British portrait oil painting is by noted Scottish artist David Cowan Dobson, better known as Cowan Dobson. Painted in 1931, it is a portrait of a striking darkh...

In the depths of the Great Depression, American women sought escape from their worries. For 25¢,“Hearst’s International Cosmopolitan” magazine delivered. The magazine published ficti...

Jim’s of Lambertville is proud to offer this artwork by: Henry Hudson Baker (1900 - 1957) Henry Baker, an Ivy League graduate from Yale University, was born in Dunkirk, New York, in 1900. Baker was one of New Hope's important modernist painters as well as a talented musician residing in the area from 1932-1950. After graduating from Yale, Baker studied at the Art Students League in New York and upon the suggestion of his close friend, artist Ralston Crawford, he came to Merion, Pennsylvania, to study at the Barnes Foundation. While there, Baker befriended Edith Wood, a student from the Pennsylvania Academy. Miss Wood, familiar with the New Hope art colony and its charming surroundings, thought it might appeal to Baker. It did, and soon after his arrival to New Hope in 1932, Baker purchased and restored a beautiful old colonial home. Two years prior to Baker's arrival, a break had occurred between impressionist and modernist painters. His first participation with the New Hope artists...

'Mediterranean Landscape', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of Prov...

Swiss painter and designer born in 1880. Died in 1954. Work on canvas Golden plaster moldings frame 70 x 62 x 6 cm

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Lloyd Goff studied at the Art Students League, and has work in the collections of the Smithsonian American Art Museum, Whitney Museum of American Art, and T...

Ferdinand Burgdorff (American, 1881-1975) Winter Water, c. 1930 Oil on masonite Signed lower left, titled verso 40 x 46 inches 43 x 49.25 inches, framed Written Verso: Along the Pac...

Studio Interior Scene Mid 20th Century American Modern WPA Still Life Realism The painting measures 10 x 12 inches. Framed, the work is 13 1/4 x 15 1/...

Clarence Keiser Hinkle: 1880-1960. Well listed California artist with Auction records up to $76,000 but sells for much more in galleries. This fabulous fresh to the market oil on mas...

Presenting an original painting by WPA artist Ted Gilien. Book of 1000 Sorrows, is an original oil on canvas, signed, dated 1936, beautifully framed, a testament to peace, as the ...

La obra va fechada por el artista en la parte inferior y fechada en Olot del año 1937 (plena guerra civil) El estado de conservación de la pintura es bueno Se presenta enmarcada M...

Sierra Peak California Mountain and Stream 1930s 1930s painting of the California Sierras by Southern California artist Aaron Roberts (American, 19...

Date: 1939 Medium: Oil on Canvas Dimensions: 32.00" x 32.00" Signature: Signed Lower Right This illustration was featured in the September 1939 issue of Ladies' Home Journal. P...

Mid-20th century Impressionist scene, French landscape with cottage The painter was active around the middle of the 20th century, painting landscapes, portraits, and city scenes. ...

Medium: Oil on Canvas Sight Window 28.00" x 22.00" Signature: Signed Lower Right

Work on canvas

Whitehall Building, July 1939 - Harbor Seascape with Tugboat in Watercolor Detailed harbor landscape by Ernest Clegg (British, 1976-1954). The Whitehall Building towers over the sce...