19th Century Paintings

Antique Italian impressionist Venice cityscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely ...

Mark Milloff (b 1954) is an internationally exhibited American painter and art professor. He is best known for his heavily layered oil paintings. Beautifully rich layers of thick wh...

Oscar Regan Coast was an American landscape painter. This artist was trained and studied in both Paris and Rome. After his studies, he moved back to the United States and spent a maj...

"Little Girl with Big Pink Bow" is a charming 19th-century painting by the lesser-known artist Henry LaFant. This piece captures the innocence and simplicity of childhood, featuring a young girl adorned in a delicate white bonnet and a large pink bow...

Antonio Rodriguez Morey "Sunset Landscape" 19th Century Oil on canvas 24 x 14 in Antonio Rodriguez Morey (1874- 1967) was born in Havana on Ma...

Walter Blackman American, 1847-1928 Young Beauty Oil on canvas 20 by 16 in. W/frame 32 by 28 in. Studied under Gerome, Paris Exhibited: Society of America...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 h...

This beautiful impressionist oil-on-canvas painting entitled ‘Spring Air’ is over one hundred years old and is by the artist Isidoor Verheyden (1846-1905). Verheyden was a Belgian...

Using what Sarah Burn’s calls the nineteenth-century artist’s “transformative power of personal vision,” Luther Emerson Van Gorder created brilliant impres...

Jean Pradel French, 1835-1892 Port de Peche Mediterranean Oil on canvas 23 ¾ by 39 ⅝ in, w/ frame 33 ⅝ by 49 ½ in Signed lower right He exhibited in many salons including the Unive...

"Cattle Watering in a Summer Landscape" by Eduard Spoerer is an impressionistic antique painting measuring 23x36 in. It is framed in the original ornate...

Here is a fine, early American Impressionist painting of a Venetian Canal. The painting is oil on canvass measuring 36" x 28". Overall framed dimensions are 44" x 35". The painting i...

signed lower right

Signed and titled lower left: Gaston Roullet (indistinguishable) Valenciana

Signed lower left

Mary Cassatt 1844–1926 American Girl with a Banjo Signed (lower right) Pastel on board This important pastel entitled Girl with a Banjo by Mary Cassatt is a true masterwork from ...

Purchased at Drouot-Richeleu, June 15th, 2001 Commissaire-Prisseur: Maitres Marie-Francoise CHOCHON BARRE/ Jean-PhilliPpe ALLARDI Victor Gabriel Gilbert was a French painter whose ...

Pierre-Auguste Renoir 1841-1919 French Au bord de la rivière (Along the River) Oil on canvas "Renoir may be the only great painter who has never painted a sad picture." - Octave ...

‘Between Us’ is an Impressionist Figurative painting by Robert Gemmell Hutchison R.S.A. It is highly evocative of the Scottish Coast, a hopeful and optimistic oil painting. Hutchinson was born in Edinburgh in 1855 the first son of a brass-founder. After first training as a seal-engraver he was encouraged to pursue oil painting and trained under James Campbell Noble at the Trustees Academy on Picardy Place. He set up his own studio at 1 India Buildings (at the top of Victoria Street...

This exquisite pair of 19th century painting by John W. Morris (1865-1924) features dogs in a British Green landscape after a days hunti...

'La Feria' a very busy figurative middle eastern market scene with various characters. Jewellery seller, women, children and animals. John Haynes-William...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Mid 19th century French oil on canvas of a snow scene in the Jura by Gustave Courbet. Signed bottom right in his characteristic 'ox-blood' red. Our painting is very similar in compo...

'The Harvest' is a stunning pastoral scene by Victor Gabriel Gilbert. Victor Gabriel Gilbert was born in Paris, 13th February 1847. He studied for a perio...

Framed Size: approx. 37 x 55 inches Canvas Size: approx. 24 x 41.5 inches Thomas Rose Miles (British, 1844 - 1916) The grandeur of the oceans has always inspired artistic endeavors. Over, under and upon the boundless seas, dramatic vignettes take shape, and humans set to capture the array of the aquatic muse. Thomas Rose Miles was one such inspired artist, to illustrated the strength of his muse, who wrote poetic verse on the verso of nearly every painting he performed. The sea's beauty is most often shown in direct competition with its power and unpredictable nature on his canvases and watercolors. He includes the human element, usually over-matched yet persevering against the heavy swells and weather-driven might, carrying on the Marine Art Legacy that was birthed in the best of the Dutch Maritime...

'Marchande de Fleurs' a Parisian street scene with soldier, figures & beautiful flower-cart Gabriel Gilbert was renowned for his paintings of Parisian market scenes, of which this is a fantastic example. Gilbert’s works sit alongside Monet’s and Van Gogh’s in galleries and collections across the world. He established himself as a painter of French genre scenes...

A lush verdant painting of three nude bathers in a French river. It speaks of summer days spent wild swimming, picnics filled with cheese & wine and hear...

Charles Harold Davis (1856-1933) "Gray Brothers" Oil on Canvas Signed Lower Left Canvas Size: 30 x 24 inches Framed Size: 35 x 30.5 inches Born in Amesbury, Massachusetts, Charles ...

William Henry Howe (1846-1929) "Made in the Shade" 1887 Oil on Canvas Signed and Dated Site Size: approx. 14.5 x 21.5 inches Frames Size: approx. 17.5 x 24.5 inches Provenance: Private Collection, St. Louis, Missouri thence by descent William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders. He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889. Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...

Wilfrid Constant Beauquesne (1847 - 1913) "Franco-Prussian Battle Scene" c. 1900 Oil on Canvas Signed Lower Right Site Size: approx 22 x 28 inches Framed Size: approx 35 x 40 inches French artistry was deeply influenced by three wars during the 19th century and, accordingly, the artistic imagination was not lost upon the public. "Patriotism comes to the aid of battle painters," a contemporary remarked, "presenting them with a sympathetic public already fascinated by the subject." After the brief Franco-Prussian conflict of 1870, French painters were particularly anxious to retrieve national pride by presenting works which reflected their own national heroism versus enemy brutality. Known for his scenic depictions of this war, Wilfried Beauquesne, a native of Rennes, France, was undoubtedly influenced in his selection of subjects by his instructors at the Ecole des Beaux Arts in Paris. Vernet-Lecomte and Horace Vernet were both well known military artists. Vernet had actually lived and worked during the period of Napoleonic conflicts - being awarded the Legion of Honor by the Emperor's own hand. Beauquesne exhibited regularly at the annual Paris Salon between 1887 and 1899, as well as throughout Europe. In 1890, illustrating the fortunes of life, The Art Amateur ran the following item in its "Gossip Column:" "A queer story comes to me from Paris. A commission agent made a bargain with a poor painter, living out at Saint-Maude, to paint military subjects for him, at two francs an hour. The agent changed the signature to that of Gaubault, and sold the pictures to various dealers. On day, by chance, the poor painter came to Paris, went to the Salon, and was astonished to see one of his pictures there. He look at the catalogue, and found the name of the artist and the address of the dealer where he was to be found, The poor artist went to the dealer and introduced himself saying, "I am Gaubault." "Most happy to make your acquaintance," replied the dealer. "Your pictures sell very well, and I have been wanting to see you for the last six years." "But my name is not Gaubault, it is Beauquesne." Explanations followed. The dishonest commission agent disappeared; and Beauquesne restored his real signature on the pictures, which had made his pseudonym almost famous...

Tonalist ancient cityscape painting by 19th century artist Andrew Melrose. Gorgeous oil painting of an ancient city on water with tones of orange, ...

Signed lower left A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he maintain...

An exceptional early watercolor by Scottish artist Andrew Black. "Scottish Marine", is an original watercolor, signed, c.1885, with an image dimesnion of 4 x 6 inches.