Hamilton Hamilton

Two Girls

This impressionist oil painting landscape with two people under an orchard tree was done by American artist John Fulton Folinsbee (1892-1972). Folinsbee was born in Buffalo, New York, spending much of his life in the New Hope, Pennsylvania area, becoming well known for his impressionist landscape paintings and later in life, industrial street genre paintings. Provenance: The painting has been included in the catalogue on Folinsbee. It was painted circa 1916 and exhibited at Smith College in 1916 and sold at that exhibition.This is from the catalogue: In the Orchard...

A wonderful early 19th century large oil on canvas naive portrait of two children, a boy and a girl, attributed to American artist Arthur Armstrong (1798-1851). Armstrong was born in...

A fine impressionist oil marine sailing painting by Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and studied first at the Adelaide’s Pri...

A fine impressionist painting of figures dancing by American artist Wayman Elbridge Adams (1883-1959). Adams was born in Muncie, Indiana, studied at the Herron Art Institute in India...

This artwork titled "Sisters" 1989, is an oil painting on canvas by noted Polish/American artist Miriam Briks, b.1957. It is signed and dated at the lower left corner by the artist. ...

William Oliver British, (1823-1901) Confidences Oil on canvas, signed Image size: 40.75 inches x 27.75 inches Size including frame: 47.75 inches x 34.75 inches A delightful genre painting of two women with flowers by William Oliver. The young women can be seen in a garden setting posed next to an arrangement of spring flowers on a wooden stool. One of the women is shown seated on a grassy bank wearing a white dress with flowers in her hair. The other, dressed in green stands beside her holding a posy of flowers. William Oliver was born William Oliver Williams at Worcester in 1823 to William and Jane Williams (née Oliver). Both his parents were from Wales but had relocated to Worcester where his father worked as a chemist before becoming a surgeon. Oliver showed a talent for art at an early age and when the family later moved to Birmingham he began working at the Government School of Design, where he later became the assistant master. In 1848, he moved to London where he enrolled at the Royal Academy and was admitted to the RA school on 16 December, 1848. Whilst there, he married Jane Hughes on 30 December, 1852. The couple lived in St Pancras and went on to have 10 children. Two of their sons, William Oliver Williams, known as Oliver Rhys (1854-1907) and Reginald Arthur Williams or Reginald Arthur (1862-1899), also became artists. Oliver began exhibiting in 1851 under his full name William Oliver Williams at the British Institution and in 1858 made his debut at the Royal Academy. He also exhibited around the country at the Royal Birmingham Society of Artists, Glasgow Institute, Manchester Art Gallery and the Walker Art Gallery, Liverpool. In the early 1850’s he won a commission from the Arundel Society to travel to Italy to draw Giotto’s fresco in Padua and other classical works. He later used his knowledge to incorporate Roman and Greek themes into his paintings, particularly fabrics and costumes. Sometime during the early 1860’s he was declared bankrupt and moved his family to Corwen in Wales and later to Aberystwyth near to be closer to where his parents had retired. Perhaps prompted by this, he began signing his works William Oliver from 1867 and resumed exhibiting at the Royal Academy and elsewhere. By 1872, his circumstances had improved and he returned to London, residing in the St John’s Wood area. He spent his final years living at 41 Queens gate Gardens, Kensington where he died on 16 April, 1901. Examples of his work are held by a number of public collections including the Aberystwyth University School of Art, Atkinson Art Gallery, Birmingham Museum, Bradford Museum, Kirklees Museum, Manchester Art Gallery, National Museum, Cardiff, Parc Howard Museum, Sewerby Hall Museum, Sheffield Museum, Stockport Heritage Services, Sunderland Museum, Thirlestane Castle and the Walker Art Gallery. Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

5071 Antique French oil painting set in a ornate gilt frame Image size 10x7.5"

Donald Roy Purdy is an American painter whose work evolved through a range of styles and subjects over the course of his long career. Born in 1924, the self-taught artist seldom us...