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Johnathan BallPaul
About the Item
48" x 40" Unframed
Original - Oil and Acrylic on Canvas
Hand Signed by Johnathan Ball
- Creator:Johnathan Ball (1983, Canadian)
- Dimensions:Height: 48 in (121.92 cm)Width: 40 in (101.6 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Toronto, CA
- Reference Number:1stDibs: LU2177213294782
Johnathan Ball
Johnathan Ball has been working for more than 15 years to establish a style of painting that transforms the language of the street into a hybrid form of abstraction and urban realism. From the outset, JBall has sought to interpret his experience of cities that have served as crossroads in his life, from Toronto to New York to Miami the urban experience is a central theme in his work. Not always bound to one genre he also works from iconic images and film stills while purposefully engaging with the rich history of painting since the rise of abstraction in the 1950s. His work provides markers of time, engages the viewer with mood and line tracing the painting providing an artist lead tour of the work. JBall is also well known for his sculptural work. Sculpting anatomical forms using them as an entirely new canvas for his painting. His sculptures are an accent to his painted works, sometimes bringing levity. JBall is an active muralist working with community programs such as Toronto’s Street Art initiative, as well as private commissions. His notable patrons include The Mayor of Toronto, Universal Music, Blattner energy, and IMT Corporation. JBall (born Toronto, ON 1983) studied at York University, Toronto, where he received his Bachelors in Fine Arts degree, graduating with honors. He was also the recipient of the Ontario Arts Council emerging artist award. Johnathan is currently represented by the Liss Gallery in Toronto, Canada, where he lives and works.
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By Johnathan Ball
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Original - Oil and Acrylic on Canvas
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Category
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Materials
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Green Oleander
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Original - Oil and Acrylic on Canvas
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21st Century and Contemporary Portrait Paintings
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Original - Oil and Acrylic on Canvas
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Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata.
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1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata.
1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata.
1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata.
Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation.
Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school.
As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work.
Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy.
For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration."
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From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi.
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