Board Portrait Paintings

20th-century English portrait of two Labrador Retriever dogs Sadie & Sophie Owning a painting of two English Labrador Retriever dogs by D.J. Holdsworthy from 1988 offers a unique op...

English mid century oil painting Portrait of a cute Corgi. Paintings of this breed are very rare and very collected. Kate Gray was a British animal portrait painter during the last...

English mid century oil painting Portrait of a Wire Haired Jack Russell terrier. Kate Gray was a British animal portrait painter during the last half of the ...

'Portrait of Young Woman', oil on board, German School (circa 1960s). A sensuous mid-century portrait of a young woman painted in the style of expressionists / cubists of the era. Un...

English mid century oil painting Portrait of a Miniature Poodle Kate Gray was a British animal portrait painter during the last half of the 20th century. She also painted flower subj...

Powerful oil on board original painting of a portrait of a man’s head by the American National Academy artist John R. Grabach. Signed lower left, “John R.Grabach N.A.” Signed verso ...

Acrylic on panel, 82cm x 62cm (118cm x 98cm framed). Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from...

Acrylic on panel, 56cm x 61cm, (67cm x 77cm framed) Born in Newport, south Wales, in 1951, the early part of his career was as a choreographer and stage director. Turning away from ...

ANGELA Size: 69 x 58 cm (including frame) Oil on Board A brilliantly executed mid-century modernist style figurative nude composition, painted in oil onto board. The focal point of...

Rabin Mondal - Face 17 x 12.5 Inches Acrylic on Board 2016 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They ...

Portrait. Cardboard, oil, 47x45 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always comes...

Daughter's portrait. Cardboard, oil, 98x77 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun a...

Lalu Prasad Shaw - Bibi - 21 x 15 Inches 2021 Tempera on Board ( Framed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

LONE Oil on Board Size: 52 x 44.5 cm (including frame) A very well done mid-century modernist portrait composition, executed in oil onto board. A single seated figure sits alone, l...

This incredibly striking portrait, painted in a fiery palette captures an intimate moment between the artist and sitter who were lovers. Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment Signed and dated 1987 to the reverse Oil on board 30 x 17¾ inches without the frame 35 x 23 inches with the frame Provenance: Gifted as a wedding present to Kit Hesketh-Harvey by his future wife. The artist was a friend of the couple and they had introduced Core to FFooks. Kit Hesketh Harvey co-wrote the screenplay (with James Ivory) for E.M.Forster’s Maurice and he had called upon Ffooks, who was renowned for his horsemanship, to be a stunt double for the equestrian scenes in this iconic film. Philp Core grew up in New Orleans, the son of a well-to-do family. At just seven he won the Vieux Carré Open Artists Competition. He was sent to a military academy, and from 1963 to the Middlesex School in Concord, Massachusetts. He attended Harvard University, where he won a number of art and literature prizes. As a schoolboy he self-published a booklet of drawings Palm Fronde Alphabet. An interest in Aubrey Beardsley and fin de siècle artists and writers, led to him spending time in Paris working with Philippe Jullian on his book The Symbolists, before returning to Harvard to complete an honours thesis on Belgian symbolist Fernand Khnopff. He graduated in 1973. Under the pseudonym Féllippé Fecit, he produced a series of erotic drawings for the poet John Glassco for his book Squire Hardman, and in 1968 in the Japanese style for The Temple of Pederasty, a free adaption by Glassco of a work by Japanese expatriate writer Ken Sato. Of this time, George Melly...

Oil mesures 36x23 cm. Frameless. Restored.

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautiful, expressive portrait of a young woman painted by the artist using her trademark vibrant c...

AFFECTION Size: 41 x 33 cm Oil on board A tender and captivating mid-century figurative painting, executed in oil onto board and dated 1944. A female figure in a flowing red dress ...

'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...

Wonderful English mid century oil painting Portrait of Golden Retriever puppy or dog. Kate Gray was a British animal portrait painter during the last half o...

A striking portrait of a young woman, or girl, in a deep red hat. Her eyes seem to be in a blueish shade, giving her an air of mystery, as she searches out of the frame. Ewart John...

Young painter is an artwork realized by an unknonw artist of the early 20th century. Oil painting on cardboard. A young woman with a delicate face is about to paint with a palette...

Genre: Portrait Subject: Landscape Medium: Oil Surface: Board Country: United States EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicenstein Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...

Lalu Prasad Shaw - Bibi - 15 x 22 inches Tempera on Board, 2020 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Pras...

A striking portrait of a young woman, or girl, in a deep red hat. Her eyes seem to be in a blueish shade, giving her an air of mystery, as she searches out of the frame. Ewart John...

Oil on canvas on board Image size: 15 3/4 x 21 3/4 inches (40 x 55 cm) Contemporary style frame This sensitive portrait captures the use of contemporary dress of this lady beautifu...

Genre: Modern Subject: Hasidic Rabbi preaching in Synagogue Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (189...

A wonderful self portrait of the artist holding his paintbrush--beautifully painted and signed lower left---Provenance: purchased directly from the artist in 1994

'Portrait of a Young Woman', oil on board, by Peter Robert Keil (1983). A wide-eyed woman gazes out to the viewer with an inquisitive gaze. The artist's use of exuberant colours beli...

Portrait is an original artwork realized by Virgilio Guidi in the half of 20th century. Tempera on board Good conditions. Includes frame. Hand-signed on the lower right. Virgili...

Born in Savannah, Georgia in 1912, abstract expressionist painter Morris Shulman studied at the National Academy of Design, Art Students League and Hans Hofmann School of Art in New ...

This portrait of a clown by Maurice Kish is part from a series of carnival figures, circus clowns and carousel horses and riders that he did in the 30s and 40s. The artist uses a vib...

DOUBLE SIDED PORTRAIT I Size: 48 x 30cm unframed Oil on board An intriguing double sided oil on board: one side depicts a pair of women looking into a book, and the other side featu...

Oil on canvas, on board Image size: 10 3/4 x 12 inches (27.25 x 30.5 cm) Original frame The Artist Joan Fairfax Whiteside was a prodigious artist and illustrator. Born into an emin...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Oval Portrait is an artwork realized by an unknown, mid-20th Century. Oil on canvas mounted on board. 47 x 37 cm. Good conditions.

Portrait is an original oil painting on cardboard, realized by an anonymous artists of the early 20th Century. Sheet size: 13 x 7.5 Good conditions with a trace of time. the artw...

Oil on board, signed bottom right Image size: 13 1/2 x 17 inches (34.25 x 43 cm) Contemporary frame The Artist Painter Carl Friedrich Felkel was born in 1896, in Stockerau, near Vienna, Austria-Hungary (now Austria) and was probably of Jewish descent. He initially studied under Walter Thor...

DOUBLE SIDED PORTRAIT II Size: 48 x 30cm unframed Oil on board An intriguing double sided oil on board: one side depicts a pair of women looking into a book, and the other side feat...

Portrait of a Woman with Brown Hair on a Red Background in Acrylic on Artist's Board Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The w...

Actress Oil on cardboard, 48x33,5 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the sun always c...

Portrait. On a yellow background 1950's, oil on cardboard, 49,5x35 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not ...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on board 8 x 9 7/8 in. Framed: 14 1/4 x 16 3/8 in. Signed lower left: A Smith Arthur Smith is a listed American paint...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Portrait Oil on cardboard, 100x92 cm The central focus of the artwork is a woman seated gracefully, elegantly adorned in a beautiful blue dress. Her presence dominates the composit...

Portrait of a Woman with Brown Hair on a Blue Background in Acrylic on Artist's Board Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The ...

Portrait of a Woman with Brown Hair on a Red Background in Acrylic on Artist's Board Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The w...

'Portrait of a Smiling Woman', oil on board, by Peter Robert Keil (1983). A cheerful look on the painting's subject puts a smile on the face of the viewer as well. Her beautiful blue eyes express a contentedness suggesting life is good...

'The Chess Match', oil on cardstock paper, by Raymond Debiève (1973). Rich colours, bold, painterly brush strokes and an unusual subject for a work of art, Debiève has created this s...

The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

THE CHILDREN Size: 36.5 x 66 cm (including frame) Oil on board A richly textured and endearing mid century modernist style figurative portrait, painted in oil onto board. Rendered ...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Avraham Goldberg, Painter. b. 1906, Poland. Immigrated to Eretz Israel 1919. Died in Tel Aviv, 1980. Studies: Art Academy, New York. Lived in Paris and Tel Aviv. Goldberg had thre...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named: nude with lace. The artist's signature, Santini, can be found in the bottom left corner of the artwork. Lovely romantic composition with a nude young lady kneeling and holding a piece of white lace. Flamboyant magenta red drape background. The painting remains in its original frame, which features delicately carved wood, a gesso finish, an off-white wood liner, and glass protection. The piece is in good condition but has a dark stain and some small chips on the edges of the original wood frame. Measurements: With frame: 22.75 in. wide (58 cm) x 26 in. high (66 cm) Opening view: 14.50 in. wide (36.5 cm) x 17.75 in. (45 cm). Artist Biography: Pio Santini (1908-1986) Pio Santini was born on April 17, 1908, close to Rome, in Tivoli, Italy. He showed a precocious and pronounced artistic taste and gifts, to begin with, drawing and painting. From his childhood drawings, as early as 5 or 6 years old, he was gifted and had a technique above the average. As early as 1933, Pio Santini moved to Paris, in the Montparnasse district, also known as The Artists Area, where he settled in his first Parisian studio. He is recognized as a member of the Academy of Paris, a significant art movement in the first half of the 20th century, alongside Amedeo Modigliani and other Italian artists. While attending the classes of the Estienne School for further training in plastic art, Pio Santini started to attract attention in various Parisian Salons (particularly the Winter Salon, the Independents Salon, and the French Artists Salon) and to find a place in the Parisian universe of painting, as is shown in the press of the time. The Second World War, which pitted his country of birth against his adopted nation, created conflicting emotions in him. During this time, the concept of a united and reconciled Europe took root in his mind. In a way, he played a part in the resuming cultural exchanges between France and Italy by founding the association The Romans in Paris after the war, and especially by creating and animating the Villa D’Este Prize for about ten years, rewarding each year a French artist or writer by offering, a one month stay at the Villa, in Tivoli. Later, the Montparnasse Prize would reward Italian artists in Paris, in the same way. While devoting himself to painting, he worked as an art illustrator for edition and press and left us a rich but unrecognized work from this period. In the early 1960s, Pio Santini decided, imperiously and bravely, to live on his painting. A member of the Society of Independent Artists since 1934, he then actively participated in numerous collective exhibitions in France and abroad. He regularly exhibited in Parisian Salons, most of which he was a member: the Independents Salon, the Autumn Salon, the Winter Salon, the National Salon of the Fine Arts, and the Comparison Salon. A regular participant in the prestigious Salon des Artistes Français, he was often rewarded: Great Price of the Salon in 1970, then in 1974, a gold medal in 1971, and Prize-winner of the Ernest Marché Prize in 1974. Pio Santini lived his last years in his house in Garches, near Paris. He worked there until the last moment and died of illness at the age of 78. Keeping himself a part of the avant-garde of contemporary art, Pio Santini developed a personal work of formal coherence very steadily. He is a two-time artist, one of the beginnings of his career, the Thirties, and the other one, his rebirth, the Sixties, when the artist can again devote himself to painting. Between these two periods, the Second World War badly hit the pictorial growth of Pio Santini. However, everything had started under the best auspices for the young painter whose desire to devote himself to painting is evident in his self-portrait of 1928 as a manifesto. In the 1930s, following the revolutions of cubism, abstraction, and surrealism, figurative and sensual...

This portrait of a clown by Maurice Kish is part from a series of carnival figures, circus clowns and carousel horses and riders that he did in the 30s and 40s. The artist uses a vibrant color palette and controlled brushstrokes to depict the subject in a realistic way. The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Albert Roca (1945) - accordionist with pipe oil on board painting Medidas óleo 47x34 cm. Medidas marco 62x48 cm. Painter of landscapes and figures, in who...

Albert Roca (1945) - Musicians - Oil on panel Oil measures 50x70 cm. Frame measures 53x73 cm. Painter of landscapes and figures, in whose characterization...