Canvas Portrait Paintings

Title: Maternity Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 14.96 x 18.11 in Framing: Unframed Signature: Signed lower right: JVillar Date: Circa 1980s ...

In "What If," a mesmerizing artwork by the talented artist Obiora Anamaleze, a woman is depicted holding an apple with her face concealed by flowing l...

Vintage American modernist portrait of iconic artist Peter Max. Signed. Framed. Original oil on canvas.

"Flourishing," a masterpiece by Adegbola Deborah, is a visual testament to the profound philosophy that life's highest calling is not merely survival, but the active pursuit of thriv...

"Nkechi and Daniel," a heartwarming artwork by Ife Kalejaiye, brings to life the vibrant spirit and innocence of childhood friendship. The composition ce...

This painting depicts the enthusiasm, strength, and passion in getting things done with the readiness to achieve the dream of their talent and charisma Shipping Procedure Ships in ...

Gele is essentially a type of head tie worn by women in the Western African country of Nigeria. In contrast to the head ties worn in some other African countries, like Ghana, Gele is...

"Siren Storming" Pop Art Figurative in Acrylic on Canvas Bold pop art portrait by Hilary Druley (American, b. 1982). A woman is depicted in a hard-edged...

In creating this zebra portrait, I delved deep into the expressive power of oil paints, utilizing a blend of expressionism and figurative styles to capture not just the zebra's strik...

Why do we carry hatred in our hearts like a pregnancy of agelong years? Why do we fellowship in the cabals of backbiters when our friends find themselves at the peak of their worlds?...

Mira on Pink Dress is an original painting by Theophilus Madaki. Theophilus created Mira on Pink Dress Oil and Acrylic on a 32W by 41H inches primed canva...

"Self Love," a poignant creation by Adegbola Deborah, celebrates the essence of self-acceptance and the transformative power of embracing one's true identity. At the heart of this artwork is a young woman, beautifully depicted with a sense of authenticity that transcends societal norms and standards. The title, "Self Love," serves as a guiding principle for the viewers, emphasizing the importance of unconditional self-love. The accompanying message is a powerful reminder that true self-love goes beyond superficial aspects such as physical appearance. It encourages us to look within and understand the depth of our being, recognizing that our worth is not determined by external factors like the shape of our face, the size of our eyes, the length of our hair, or the quality of our clothes. The artwork's portrayal of the young woman becomes a visual narrative of empowerment through a positive mindset. The idea that one's self is a treasure reinforces the concept that within each individual lies a wealth of potential, unique qualities, and inherent value. The emphasis on self-love as the most important love of one's life underscores the significance of cultivating a compassionate and nurturing relationship with oneself. Adegbola Deborah's "Self Love" stands as a profound reminder to viewers to appreciate and embrace their authentic selves. In a world that often imposes unrealistic standards, this artwork serves as an empowering beacon, encouraging individuals to cherish their uniqueness, and fostering a deep connection with the essence of who they are. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Deborah is a very promising budding Nigerian artist who was fortunate to be born into the idyllic serenity of the agrarian town of Saki, surrounded by the immensely inspirational botanical splendor that the community had to offer. These assets combined to nurture the newly discovered talent waiting to be expressed by the young artist who was only fifteen then, having been born in the nineties. Deborah usually derives her creative impulse from nature, everyday experiences, her own sensitive reactions, and her unique interpretation of events and phenomena with a marked inclination towards realism. Hence Deborah's works are at once her own means of catharsis and a vehicle for the showcasing of nature's beauty and by extension human beauty with a particular emphasis on feminine charm. From another perspective, her works represent her own reaction to everyday emerging and re-emerging phenomena hence are inevitably her own self-disclosure. Having been raised within a polygamous home she finds herself equipped with the necessary native intelligence for a mature interpretation of experiences. Deborah is both a gifted artist and a talented scholar. She attended the Polytechnic Ibadan Eruwa campus after which she obtained a degree in fine arts from Olabisi Onabanjo University emerging as the best student at graduation. A prominent part of Deborah's style is the use of flowers or floral background patterns in her works. These serve to reflect her enchantment with nature. Also, traces of impressionism are to be found in her creations. In highlighting feminine assets she chooses to focus on women...

"Eyes of the Gods" is a captivating artwork crafted by the talented artist Samson Tolulope Daramola. This piece showcases a young girl as its central subject, inviting viewers into a...

ANN SINGER "MAN PORTRAIT" ACRYLIS ON CANVAS, SIGNED CZECH, DATED 1983 35 X 29 INCHES Plus frame

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

Oil on canvas 2019 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art section at the Strasbourg Decora...

You must create your own destiny when life doesn't always go the way you have planned it. You must never give up on your dreams or allow depression to set into your life because suic...

The artwork titled "Influence" depicts a lady who appears to be lost in thought. She is portrayed with a blue and yellow color around her neck, which stands out against the grey background. The artwork is captivating, and it seems to tell a story of its own. The lady's posture suggests that she is deep in thought, perhaps reflecting on something significant. The blue and yellow colors around her neck add to the intrigue, leaving the viewer to wonder about their meaning. The colors are bold and bright, almost as if they are trying to break through the grey background. The title of the artwork, "Influence," adds another layer to the piece's meaning. It could be interpreted as the lady being influenced by something or someone, or perhaps she is the one who exerts influence on others. Either way, the title makes the artwork more thought-provoking and leaves the viewer with questions. The use of color in the artwork is striking. The blue and yellow around the lady's neck create a sense of vibrancy and life. The grey background, while muted, provides a subtle contrast that emphasizes the colors around her neck. The color choices are deliberate, each color has its own symbolic meaning. Blue is often associated with calmness, trust, and communication, while yellow is associated with optimism, happiness, and energy. The overall composition of the artwork is simple yet powerful. The lady is the focal point of the piece, and her posture and expression convey a sense of introspection. The blue and yellow colors around her neck draw the viewer's attention, and the grey background provides a sense of stillness and calmness. The artwork is open to interpretation, and the viewer may interpret it in different ways. Some may see it as a representation of someone deep in thought, while others may see it as a symbol of inner strength and influence. Whatever the interpretation, the artwork is visually striking and thought-provoking. In conclusion, "Influence" is a beautiful and thought-provoking artwork that portrays a lady lost in thought with blue and yellow colors around her neck on a grey background. The artwork's title and use of color add to its complexity, leaving the viewer with questions and interpretations. It is a testament to the power of art and its ability to evoke emotions and stimulate the mind. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Aba Linus...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All...

Every girl, Lady, or woman has the potential to make this world a better place. When you educate them, you educate a generation. A strong lady or woman builds her own world by follow...

Mixed Media. Pop Art. Humorous. On canvas. Play off First Class on Plane. Girl featured. Vibrant colors. About the Artist: NELSON DE LA NUEZ ...

"Ewa (Beauty)" is a captivating artwork that showcases the elegance and grace of a lady. Created by the talented artist, Gbemileke Blessing Adegboro this piece captures the beauty of a woman who exudes confidence, style, and sophistication. The artwork depicts a lady wearing a blue gown and carrying a small handbag with both hands in upfront. Her posture is upright, and her expression is serene and confident. The use of bright and bold colors, such as blue and gold, adds to the beauty of the piece and creates a sense of luxury and sophistication. The title "Ewa (Beauty)" is fitting because the lady in the artwork is indeed a sight to behold. Her striking features, such as her circle-like big earrings...

This original framed figurative painting by Natasha Lelenco blends surreal portraiture with botanical elements, capturing the essence of nature, transf...

Zero in Blue by Peter Max, German/American (1937) Date: 1985 Acrylic on Canvas, signed u.r. Size: 24 in. x 18 in. (60.96 cm x 45.72 cm) Frame Size: 26.5 x 20.5 inches

Where am from Bandana was once a common style, we called it Big Boy Style, then it’s seem to me like a style or fashion only, because our elder brothers only allowed to used it but n...

Signed verso, 'Ant McNaught', (American, born 1952), titled 'Camille VI', and dated 2018-2020. This California Post-Impressionist and Abstract Expressionist artist has studied at the Esalen Institute with Erin Gafill...

Original painting on canvas. Hand signed and dated on front. Hand signed, titled and dated on verso. Painting is stretched and framed as pictured. Please note there is a loose thr...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

Elvis, Metallic Silver and Black Full Length Silkscreen Painting by Charles Lutz Silkscreen and silver enamel painted on vintage 1960's era linen with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82" x 40" inches 2010 Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis are uncritical of a generated public image issued for mass consumption fails to appreciate the acuity of his specific re-presentation of the King. As with Marilyn, Liz and Marlon, Warhol instinctively understood the Elvis brand as an industrialized construct, designed for mass consumption like a Coca-Cola bottle or Campbell's Soup Can, and radically revealed it as a precisely composed non-reality. Of course Elvis offered Warhol the biggest brand of all, and he accentuates this by choosing a manifestly contrived version of Elvis-the-film-star, rather than the raw genius of Elvis as performing Rock n' Roll pioneer. A few months prior to the present work he had silkscreened Elvis' brooding visage in a small cycle of works based on a simple headshot, including Red Elvis, but the absence of context in these works minimizes the critical potency that is so present in Double Elvis. With Double Elvis we are confronted by a figure so familiar to us, yet playing a role relating to violence and death that is entirely at odds with the associations entrenched with the singer's renowned love songs. Although we may think this version of Elvis makes sense, it is the overwhelming power of the totemic cipher of the Elvis legend that means we might not even question why he is pointing a gun rather than a guitar. Thus Warhol interrogates the limits of the popular visual vernacular, posing vital questions of collective perception and cognition in contemporary society. The notion that this self-determinedly iconic painting shows an artificial paradigm is compounded by Warhol's enlistment of a reflective metallic surface, a treatment he reserved for his most important portraits of Elvis, Marilyn, Marlon and Liz. Here the synthetic chemical silver paint becomes allegory for the manufacture of the Elvis product, and directly anticipates the artist's 1968 statement: "Everything is sort of artificial. I don't know where the artificial stops and the real starts. The artificial fascinates me, the bright and shiny..." (Artist quoted in Exh. Cat., Stockholm, Moderna Museet and traveling, Andy Warhol, 1968, n.p.). At the same time, the shiny silver paint of Double Elvis unquestionably denotes the glamour of the silver screen and the attractive fantasies of cinema. At exactly this time in the summer of 1963 Warhol bought his first movie camera and produced his first films such as Sleep, Kiss and Tarzan and Jane Regained. Although the absence of plot or narrative convention in these movies was a purposely anti-Hollywood gesture, the unattainability of classic movie stardom still held profound allure and resonance for Warhol. He remained a celebrity and film fanatic, and it was exactly this addiction that so qualifies his sensational critique of the industry machinations behind the stars he adored. Double Elvis was executed less than eighteen months after he had created 32 Campbell's Soup Cans for his immortal show at the Ferus Gallery, Los Angeles in July and August 1962, and which is famously housed in the Museum of Modern Art, New York. In the intervening period he had produced the series Dollar Bills, Coca-Cola Bottles, Suicides, Disasters, and Silver Electric Chairs, all in addition to the portrait cycles of Marilyn and Liz. This explosive outpouring of astonishing artistic invention stands as definitive testament to Warhol's aptitude to seize the most potent images of his time. He recognized that not only the product itself, but also the means of consumption - in this case society's abandoned deification of Elvis - was symptomatic of a new mode of existence. As Heiner Bastian has precisely summated: "the aura of utterly affirmative idolization already stands as a stereotype of a 'consumer-goods style' expression of an American way of life and of the mass-media culture of a nation." (Exh. Cat., Berlin, Neue Nationalgalerie (and traveling), Andy Warhol: Retrospective, 2001, p. 28). For Warhol, the act of image replication and multiplication anaesthetized the effect of the subject, and while he had undermined the potency of wealth in 200 One Dollar Bills, and cheated the terror of death by electric chair in Silver Disaster # 6, the proliferation of Elvis here emasculates a prefabricated version of character authenticity. Here the cinematic quality of variety within unity is apparent in the degrees to which Presley's arm and gun become less visible to the left of the canvas. The sense of movement is further enhanced by a sense of receding depth as the viewer is presented with the ghost like repetition of the figure in the left of the canvas, a 'jump effect' in the screening process that would be replicated in the multiple Elvis paintings. The seriality of the image heightens the sense of a moving image, displayed for us like the unwinding of a reel of film. Elvis was central to Warhol's legendary solo exhibition organized by Irving Blum at the Ferus Gallery in the Fall of 1963 - the show having been conceived around the Elvis paintings since at least May of that year. A well-known installation photograph shows the present work prominently presented among the constant reel of canvases, designed to fill the space as a filmic diorama. While the Elvis canvases...

A fresh and contemporary piece honoring charitable, revolutionary and patriotic women in the US, "The American Women" by Charles Warren Mundy (American, b. 1945), provides a nod towards the pop art movement. Pictured in this unique painting are Harriet Beecher Stowe...

"The Polo Player" Pierre Bosco, (1909-1993) Oil n canvas Signed lower right 15 x 12 inches Pierre Bosco showed an interest in art at an early age. His commitment and dedication to ...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Kaufman Or Steve Kaufman, 1960–2010 American pop artist, filmmaker, photographer and humanitarian.In 1975, Kaufman participated in a group graffiti Street Art show at the prestigious Whitney Museum of American Art.Kaufman participated with nine other New York City students in a cultural art exchange with students in Japan, resulting in his attaining a scholarship to the Parsons School of Design. As a teenager Kaufman was going to Studio 54 and associating with people from the 1970s New York City art community. Kaufman attended Manhattan's School of Visual Arts (SVA), where he met contemporary artists such as Jean-Michel Basquiat. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked as Warhohl's assistant at his studio, The Factory, producing original paintings and silkscreens. Kaufman designed theme parties for various nightclubs, sold his paintings to Calvin Klein and Steve Rubell, and participated in a group art show with pop artist Keith Haring, whom he had met at the SVA. Kaufman created the graphics for NBC's Saturday Night Live. Kaufman graduated from SVA with a Bachelor of Fine Arts degree and held art shows in London. Leaving Warhol's Factory, Kaufman established his own SAK Studio, hiring homeless New Yorkers to assist him. He painted portraits of three homeless persons for Transportation Display, Inc. that where later shown in 46 cities on bus billboards, helping to raise $4.72 million to benefit the homeless. Kaufman crated the first “Racial Harmony” mural in Harlem to raise attention of inner-city problems. He showed at the White Gallery as a tribute to those who died from AIDS. The “Say Without Art” tribute was based on this show. Kaufman also exhibited his works at the Loft Gallery in Tokyo, Japan.In 1993, Kaufman moved his studio to Los Angeles and began painting in a new style he called 'comic book pop art'. He used images of Superman, Batman, Spider-Man and others from both DC comics and Marvel comics. To assist him in his studio, Kaufman hired more than 100 ex-gang members released from prison.In 1995 Kaufman published works for Martin Lawrence Limited Editions, hand-embellishing works including limited editions of Beethoven and Marilyn Monroe. He painted portraits of Muhammad Aliand John Travolta, "who autographed their editions." Becoming the first artist create a bridge between Marvel Comics (Spiderman) and DC Comics (Superman), Kaufman worked with comic book artist and creator Stan Lee. Kaufman."As Warhol's assistant, I learned to silkscreen with oils that will last forever. Since his death, Steve Kaufman’s artwork has appeared in several television programs, art hotels...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Awofadeju Solom...

Oil paint on canvas Hand signed on the back by the artist “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tried to captur...

"Portrait of Willy" by Samson Tolulope Daramola is a captivating artwork that masterfully captures the essence and personality of a young lady named Willy. Daramola's artistic prowes...

The ageless beauty of a black woman is a testament to the strength, resilience, and grace that radiates from within her. It transcends societal standards and embraces the unique features and rich heritage that make her truly captivating. Her skin, like the midnight sky, possesses an enchanting depth and a velvety smoothness that seems untouched by time. It carries the echoes of countless generations, telling stories of endurance and triumph. With every smile and laugh line that dances upon her face, she embodies the wisdom and joy accumulated through a life well-lived. Her eyes, like pools of wisdom, sparkle with an unwavering confidence and a profound understanding of self. They hold the secrets of her ancestors, revealing a strength that has weathered storms and preserved traditions. They reflect the beauty of her soul, which shines brightly through the hardships she has overcome. Her hair, a crown of...

In such a world, so chaotic. Snares and spells revolving. Finding one’s peace can be very demanding. Living life, very. Man cannot live without a pacifier, one that helps him recove...

Ceravolo's Mono Print with iridescent acrylic hand work is titled "RED POW" with YELLOW burst. based on his "Batman and the Movie Star" original painting on canvas. This canvas measures approx. 28x40" framed. Ceravolo has created several unique monoprints based on his "Batman and the Movie Star" painting all with different "POW" and burst colors. This one is RED POW with a Yellow burst. All of these monoprints have an iridescent painted Bat Signal in the sky hand painted by Ceravolo. One of The Hampton's most popular urban Pop artists Ceravolo's work has been exhibited alongside Warhol and Peter Max for years, his paintings are collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Monoprint features Batman driving his Batmobile with a sultry Movie Star sitting next to him while at the same time there is a "Bat Call" signal in the night sky signaling him that there is a need for his help in Gotham City. Along with those two distractions the gopher "G" is standing next to Batman on the side of the Bat Mobile. While this is all going on Batman is thinking...."I must concentrate on driving" Maybe this is a typical night for Batman in Gotham City. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.

original oil paintings on canvas hand signed no frame required NO frame is required if you decide to hang it on the wall as it is. certificate of authenticity is included in the p...

In this piece, I sought to capture the ethereal blend of nature and the human spirit. Using oil paints, I layered textures and colors to create a surreal, vintage atmosphere where th...

A confidant is someone you trust deeply and confide in. They typically share personal thoughts, feelings, and secrets that you might not feel comfortable sharing with others. Dependi...

Art is a form of expression that can take many shapes and forms. One such form is painting, and Esther Obiwuru is an artist who has created a powerful piece of artwork titled "Sittin...

Masri is a passionate Italian, US-based artist whose work has been exhibited in USA, the UK, Germany, Lebanon, Italy and Norway. His work is varied and known especially in Europe, and in Major collections - Ellen Degeneres, Ringo Starr, Al Gore and many more. Harnessing an insatiable desire for artistic discovery, innovation and perfection, he dives into experimentation with openness and enthusiasm. The works he produces as a result are bright, expansive and bold. Masri has developed a style that captures Mideastern mood with A Lucien Freud brush touch. The painting comes with a certificate of authenticity and a letter of appraisal. Artist statement: "I live four seasons every day - it is a humongous world of perceptions, conceptions, and achievements; a world of renewable psychological input and output fraught with flowing emotions, endurance, and pain. " Represented by American Art Gallery...

'Nude at the Window Overlooking Sacré-Coeur', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). Although later in Latapie's career he embraced cubism and abstraction, t...

Technical Sheet - Title: *The Secret in Her Eyes* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 24 x 20 inches - Framing: Unframed - Style: Romantic realism...

The artwork titled "Nirvana" is a stunning representation of a woman with a sophisticated hairstyle and a fabric costumed suit. This piece of art is an unapologetic celebration of feminine power and grace, and Fatunmbi Anjolaoluwa Grace has expertly captured the essence of womanhood in every brushstroke. The sophisticated hairstyle of the woman in the artwork is a testament to the artist's skill and attention to detail. The intricate braids and weaves symbolize the many challenges that women face in their daily lives, yet they still manage to maintain their composure and elegance. The hairstyle is a reflection of the woman's inner strength and determination. The fabric costumed suit adds another layer of depth to the artwork. The suit is designed to fit the woman's body perfectly, highlighting her feminine form and celebrating her womanhood. The fabrics used are luxurious and elegant, further emphasizing the woman's sophistication and grace. The name "Nirvana" is fitting for this artwork, as it symbolizes a state of perfect happiness and enlightenment. The woman in the artwork exudes a sense of peace and contentment as if she has reached a state of enlightenment and is at one with herself and the world around her. Some may argue that this artwork objectifies women, but I firmly believe that it celebrates their beauty and strength. Women should be proud of their femininity and should not be ashamed to celebrate it. Fatunmbi Anjolaoluwa Grace has created a stunning representation of a woman who is comfortable in her own skin and is not afraid to express her feminine power and grace. Furthermore, the artist's choice to create this artwork with a woman of color is significant. The representation of diverse women in art is essential in promoting inclusivity and challenging the traditional beauty standards that have been set by society. In conclusion, the artwork titled "Nirvana" is a beautiful celebration of feminine power and grace. The artist has expertly captured the essence of womanhood in every brushstroke, from the sophisticated hairstyle to the fabric costumed suit. This artwork is an unapologetic reminder that women are beautiful, and strong, and should be celebrated for who they are. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Anjolaoluwa Arike Fatunmbi is an artist based in the southwest city of Ibadan, Oyo state, Nigeria. Her medium of art is expressed in traditional Adire and Ankara fabric with a blend of acrylic on canvas. Her journey into art began at an early stage while watching her father work on various forms of art as a seasoned professional. For, Arike, Art was second nature as she lived and dreamed of art in an environment beaming with top professionals and ardent art enthusiasts. As she advanced in age with a broader exposure to the vicissitudes of life and a deeper understanding of how human nature transcends and reinvents in a constantly changing circle, her works are consciously impacted by her cultural roots and personal experiences. Arike’s textile art is composed of intricate compositions of layers of fabric, flowery patterns, and detailed attention to the markings of the female features. Her pieces are reflective of her personality as she loves to incorporate vibrant colors and whimsical designs. With her early start in the Art scene, Arike has been able to apprentice under renowned masters in the Art sector like the globally acclaimed proponent of Contemporary Black Art, Oluwole Omofemi. Her work was selected for the prestigious Art fellowship themed: Telling textile tales. The program sponsored by the British council had in attendance notable heavyweights like Uzoma Samuel and Laura Jones among other participants. She successfully presented papers on the forms of Art she practice and the ethics guiding her creative enterprise. She has also been greatly inspired by leading female artists in the likes of Marcellina Akpojotor, Bisa Butler...

'Fake Smile' by Via Li is a compelling figurative acrylic and mixed media painting that captures a poignant commentary on an emotional facade. Measuring 30" x 24", this artwork uses ...

Original acrylic painting on canvas. Hand signed on front by Peter Max. Canvas size 36 x 24 inches. Custom frame with hand painted filet. Frame size approx 46 x 33.75 inches. Stu...

Oil and oil stick on canvas Interpretation of beating and blinding of Issac Woodard sparking awareness of civil rights violations in the American south

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is not stretched. Artwork is in excellent condition. Original Steve Kaufman Art Studio Certif...

'Father Series No. 8' by Duan is a compelling addition to the 'Father Series,' skillfully capturing the essence of a man with a profound portrayal. In this piece, the subject, seemin...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size 47 x 47 inches. Canvas is not stretched. Artwork is in excellent condition...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

Denied Warhol Repent & Sin No More Black and White Painting by Charles Lutz Silkscreen and acrylic on canvas with Denied stamp of the Andy Warhol Art Aut...

Original painting on canvas. Hand signed and dated on front; signed, titled and dated on verso by Britto. There is also a signed and dated dedication on verso by Britto. Canvas siz...

Unique hand painted silkscreen on canvas. Hand signed on verso by Steve Kaufman. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

Andres Conde at play with his favorite subject, women. Here the artist creates a beautiful and coy femme fatale in pop realism. Sul Americana is Portugues...

This piece depicts famous artist, Jean-Michel Basquiat. Done with beautiful expressive colors and a distinctive street art design, this piece pops with energy and romantic beauty. It...