Paint Portrait Paintings

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

A charming portrait of a young girl presented in the original, hand carved giltwood frame. Circle of John Opie (1761-1807) Portrait of a young girl, half length With old label to t...

Presenting "Unbound, 2024" by Andrew Gray, a piece from his 'Currents of Color' series. This acrylic on canvas measures 40 x 40 inches and is framed in a thin white border, bringing ...

Portrait of a Distinguished Gentleman by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private co...

These artworks are designed to function both individually and in multiple compositions, allowing for installations tailored to the space with as many artworks as desired. Please cont...

"Large Oil Painting On Canvas Belle époque Art Nouveau With Frame" Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Belle ...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Andrew Gray’s series "Currents of Color" finds a mesmerizing intersection in "Condition Week, 2024", an acrylic on canvas that stands out at 61 x 43 inches, framed elegantly to 62 x ...

Josine Vignon (French 1922-2022) ...

Andrew Gray's "Colored Floater, 2024" is a compelling acrylic on canvas that conveys the dynamism of the human form intertwined with the fluidity of water. Measuring 40 x 40 inches w...

This highly stylized portrait depicts a well dressed man in front of a mining property likely in West Virginia. It is very much in the manner of earlier American artists such as Gra...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Sunny contrasting girl portrait at the sea coast. The beautiful sea waves crushing on the coast. The sea wind is playing with hair. An artwork which brings summer and sea in to your ...

Portrait of Henri-Louis de la Tour d'Auvergne, Comte d'Evreux Studio of Hyacinthe Rigaud (1659-1743) Early 18th century French school, circa 1705 Oil on canvas Dimensions: h. 72 cm, w. 57.5 cm Louis XIV period gilded and richly carved wood frame with flowered corners. Framed: h. 96 cm, w. 80 cm Henri-Louis de la Tour d'Auvergne (1679-1753), Count of Evreux at the age of 24. The young man is depicted standing, seen at mid-height, turned three-quarters, against a background of a sky filled with cannon smoke. Head turned to the left, a large wig falling over his shoulders, a youthful face with plain cheeks, a delicate smile from thin lips, a gentle, benevolent facial expression. The right hand rests on the command staff in the foreground, while the left arm is bent and the hand rests on the hip. He is wearing a white sash of command, the floating drapery of which appears to his right. Fully armored, his only visible adornments are the blue velvet facings at the joins of the armor pieces and the sleeves of fine white lace. Power and charisma emanate from this military portrait. The young man's stature, bearing and head carriage convey the image of a valiant warrior. The theatrical lighting abundantly illuminates the face and creates strong metallic reflections in the armor. Despite his static stance, the hair blowing in the wind enlivens the painting, lending a dynamism and vigor that amplify the model's belligerent attitude. Our work is a studio version by Hyacinthe Rigaud, the original of which was executed by the artist himself in 1703. This original portrait of the Comte d'Evreux is now housed in the Gemälde Galerie - Alte Meister in the collections of the Kassel Museum. This portrait, one of the artist's most successful, was exhibited in 1704 at the Salon de l'Académie des Beaux-Arts and received rave reviews. As for the Compte d'Evreux, as soon as the original was created, he was satisfied with the artist's work and directly commissioned several replicas, which were executed by the studio between 1703 and 1705. These studio versions, as in the case of our painting, were intended as gifts from the Count to his wartime companions or members of his family. Our work is listed in the catalog raisonné of Hyacinthe Rigaud written by the artist's specialist Mr. Stéphane Perreau (published in 2004) Provenance: former private collection in Dijon, Burgundy Henri-Louis de la Tour d'Auvergne, le comte d'Evreux was the fourth son of the Duc de Bouillon, Godefroy-Maurice de La Tour...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

Portrait of a Noble Lady circa 1700 circle of John Closterman (German 1660-1711) oil on canvas, unframed canvas : 50 x 40 inches provenance: private collection, Somerset, England con...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

1930s Oil on canvas portrait by S Cousin. The painting is signed bottom right and the subject 'Henri Cousin' titled on the back of the canvas. An engaging and charming oil portrait ...

This piece belongs to the "Exchange Currency Series" created by Natasha Lelenco in 2024, starting from the concept of the "face" on coins. It is a unique work consisting of a meticul...

Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"Oil On Canvas From The Eighteenth Century Entourage De Largilliere With Frame" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portraits of Louise Elisa...

Josine Vignon (French 1922-2022) ...

PS 243 La Contrebasse d'Ingres Such as Odalisque from Ingres or the photography composition from Man Ray, the most important point is the round shape of the body. The pale body sha...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

What for? Yes, I'm alive, I take walks, go to cafes, and even hang out with friends, but inside everything is dead. There are no plans, no hopes, no desires... One question: Why? For...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Nicely painted mid century modernist interior portrait oil painting by Sadie Skoletsky Rosenblum 1899-1987. Great color and composition. Framed.

The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...

This magnificent oil on panel portrait, presented by Titan Fine Art, is a splendid example of the sumptuous female portraits that were painted for members of the upper echelons of society during the early part of the 1600’s. The artist has rendered this portrait with meticulous attention to detail and the surface effects of the fine materials. The elaborate lace coif and cuffs are painstakingly delineated, as is the bold black damask, and sumptuous gold decoration of her skirt and stomacher, which is wonderfully preserved and quite remarkable considering the age of the work and the fact that darker pigments are particularly vulnerable to fading and wear. This work with its spectacular depiction of costume is of absolute quality, it can be rated as one of the best works in the artist’s oeuvre and as such it is an important and splendid example of Dutch portraiture. The Dutch Golden Age of painting was a period in Dutch history, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middleclass patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Dress was a key component in portraits, and the exuberant attire reiterates the incredible wealth of this woman. The sitter will have visited the artist’s workshop and inspected examples on display. They would have chosen the size and the sort of composition and on that basis negotiated the price – which would have also been determined by the complexity of the clothing and the jewels that were to be depicted, and by the materials to be used. When all was considered, this portrait would have cost the sitter (or her husband) a substantial sum. The colour black was regarded as humble and devout yet at the same time refined and sophisticated and the most expensive colour of fabric to dye and to maintain. Citizens spent fortunes on beautiful black robes. Such uniformity must also have had a psychological side-effect and contributed to a sense of middle-class cohesion; the collective black of the well-to-do burgess class will have given its members a sense of solidarity. The colour was always an exciting one for artists and when this portrait was painted there were at least fifty shades of it, and as many different fabrics and accoutrements. Artists went to great lengths to depict the subtle nuances of the colour and the fabrics and textures and how they reflected light and it was an ideal background against which gold and crisp white lace could be juxtaposed to dramatic effect. The sitter is either a married women or a widower as is evident by the clothing that she wears and the position, toward her right, it is highly likely that this portrait was once a pendant that hung on the right-hand side of her husband’s portrait as was convention at the time. She wears a vlieger which was a type of sleeveless over-gown or cape worn by well-to-do married women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. Three-piece vlieger costumes of this kind were standard items of clothing in portraits of the women of the civic elite in the period 1600-40 and was a variant of the Spanish ‘ropa’ and served as a trademark of well-to-do married burgher women. Girls and unmarried woman, including beguines, wore a bouwen (a dress with a fitted bodice and a skirt that was closed all round) instead. This clear distinction between apparel for married and unmarried women is clear not only from inventories and trousseau lists, but also from contemporary sources such as the Dutch Spanish dictionary published by Juan Rodrigues in 1634. In it, a bouwen is described as a ‘ropa de donzella’ (over-gown worn by a virgin) and a vlieger as a ‘ropa de casada’ (overgown worn by a married woman). It is striking how few women are depicted wearing a bouwen, unless they are part of a group, family or children’s portrait and it can therefore be assumed that independent portraits of unmarried women were seldom commissioned. It is also believed that the clothing worn in these portraits existed and were faithfully reproduced when cross-referenced with the few exact documents. These sources also demonstrate that clients wanted their clothing to be depicted accurately and with this in mind precious garments and jewels were often left in the painter’s studio. The prominent white lawn molensteenkraag (or millstone ruff) is held up by a wire supportasse and was reserved only for the citizens that could afford this luxurious item that often required 15 meters of linen batiste. The fabulous wealth of this sitter is also evident by the elaborate lace coif and cuffs which have been exquisitely depicted; lace was often literally copied by artists in thin white lines over the completed clothing. The gold bracelet with jewels is a type that was evidently fashionable as it is seen in a number of portraits during the 1610s and 1620. Clothing and jewellery were prized possessions and were often listed in inventories of estates and passed down from generation to generation. There were a great number of jewellers of Flemish origin working at all the courts and cities of Europe, competing with the Italians, and then the French, adapting themselves to the tastes and positions of their patrons and the raw materials available in the country where they worked. The fashion for jewels “in the Flemish style” succeeded that of the Italian style. Cornelis van der Voort, who was probably born in Antwerp around 1576, came to Amsterdam with his parents as a child. His father, a cloth weaver by trade, received his citizenship in 1592. It is not known who taught the young Van der Voort to paint, but it has been suggested that it was either Aert Pietersz or Cornelis Ketel. On 24 October 1598 Van der Voort became betrothed to Truytgen Willemsdr. After his first wife’s death he became betrothed to Cornelia Brouwer of Dordrecht in 1613. In addition to being an artist, Van der Voort was an art collector or dealer, or both. In 1607 he bought paintings from the estate of Gillis van Coninxloo, and after an earlier sale in 1610 a large number of works he owned were auctioned on 7 April 1614. Van der Voort is documented as appraising paintings in 1612, 1620 and 1624. In 1615 and 1619 he was warden of the Guild of St Luke. He was buried in Amsterdam’s Zuiderkerk on 2 November 1624, and on 13 May 1625 paintings in his estate were sold at auction. Van der Voort was one of Amsterdam’s leading portrait painters in the first quarter of the 17th century. Several of his group portraits are known. It is believed that he trained Thomas de Keyser (1596/97-1667) and Nicolaes Eliasz Pickenoy (1588-1650/56). His documented pupils were David Bailly (c. 1584/86-1657), Louis du Pré...

Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Art Nouveau portrait oil on canvas mounted on panel "The elegant with the...

Portrait of an Elegant Lady by John Arthur Machray Hay (Scottish, 1887-1960) signed and dated 1910 oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, UK c...

"Going for a Swim" Oil on Canvas Figurative Painting 2023 Artwork on supported wooden frame. Ready to hang. "A quiet moment for introspection and disconnection. The elongated limbs and disjointed composition reflect the inner turmoil and fragmented self." Tam Ess...

Hunt Slonem "Winter" White Bunny A gestured bunny rabbit in black on a white background. Framed in a vintage gold frame. Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting...

Hunt Slonem "3 Flights" White Butterflies on Yellow Black outlined white butterflies on a yellow etched background in an antique frame. Unframed: 12.5 x 10.5 inches Framed: 17.5 x 1...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

'Portrait of a Man Playing Guitar', oil on board, Berlin School (circa 1960s). Clearly inspired by Georges Braque's (1882-1963) and Juan Gris' (1887-1927) works, this painting is sim...

LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the following museums: Mosca, T...

'The Harlequin', oil on board, by Richard Mandin (1952). Harlequin's traditional diamond patterned costume, bicorn hat, and the wooden sword that denoted his buffoonery have appealed...

'Portrait of Young Woman', oil on board, German School (circa 1960s). A sensuous mid-century portrait of a young woman painted in the style of expressionists / cubists of the era. Un...

Oil on canvas by Antoni Pitxot. Canvas measurements: 41 X 33 Cm Measures with frame: 52 X 44 Cm Dalí's friend and collaborator and member of a family of artists, the artistic produc...

Presented by Titan Fine Art, this elegant and beautiful portrait depicts Abigail Hay, Lady Dupplin, Countess of Kinnoull; it is an excellent example of English portraiture from the f...

In this intimate acrylic embodiment, I capture a solitary figure amid a blossoming embrace. The poised stillness of the subject contrasts with the whimsical dance of flora, evoking a...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

Human Faces Abstract Collection - HFC 9 - Limited Edition Textured Canvas Print Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstrac...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

'Who but a fool would be king for a day?' Inspired by a quote from the artist's favourite film, this playful painting invites you to superimpose your own story. Painted with thick vi...

FIGURATIVE painting of fantastic beings. The described artwork is a 52" x 32" vertical oil painting on canvas, part of the artist's figurative collection exploring the intricate rela...

Lando Landozzi (Pisa 1887 - Livorno 1959), Ulvi Liegi Oil painting on panel 58 x 43 cm signed lower right.

Valarie Wolf's "Approach with Caution" portrays a bay horse, possibly startled or cautious, a horse painting which sparks a conversation or contemplation. For horse lovers, this pa...

This piece is one of the latest additions to the "Exchange Currency Series" created by Natasha Lelenco in 2024, inspired by the concept of the "face" on coins. It is a unique work co...

Giuseppe Gandolfo (Catania 1792 - 1855), Portrait of a lawman in his study Oil painting on canvas 87 x 68 cm signed and dated 1831 (or 1851) lower left, always in the lower left co...

HEY. Original street art painting PAJARES Done in mixed media on canvas and collage. PAJARES, Juan Manuel (Lleida 1957 ) Pajares was introduced to the impact of large-scale canvas pa...

The Young Artist by Thomas Kent Pelham (act.1860-1891, British) signed oil on canvas, framed in a beautifully ornate gilt swept frame framed: 34 x 42 inches painting: 28 x 36 inches ...

Read the Signs Year 2020 Part 1. Signed with the artist's initials lower right Signed with the artist's "Yummy" drystamp lower right corner Watercolor on Arches paper Archival framin...