Paint Portrait Paintings

A beautiful signed and dated 1957 Hungarian oil on canvas portrait of a lady wearing a yellow shirt, by Zsuzsi Roboz. Excellent quality work by this important female Hungarian pain...

This body of work was inspired by the wrongful execution of a fourteen-year-old George Stinney Jr. Two little white Girls, one age 11, and the other age 7, went missing one afternoo...

Incredible early American modernist portrait by Stephen H Booker (1933 - 2016). Oil on canvas. Signed verso. Finely framed. Measuring 24 by 28 inches overall and 16 by 20 paintin...

Finely painted antique American school oil painting. Oil on canvas. Framed. Measuring 29 by 38 inches overall and 23 by 32 painting alone. Unsigned. Painted in a striking Ashcan s...

Initialled 'R.M.' lower left. On canvas on stretchers.

Léon Gérard Crépy Lille 1872 – 1944 French Painter 'Young Girl with a Jug' Signature: signed top left 'LG. Crepy' Medium: oil on canvas Dimensions: image size 46,5 x 38,5 cm, frame...

An Angel Playing The Mandolin, 17th Century after the fresco by MELOZZO DA FORLI (1438-1494) Large 17th/18th Century Italian Old Master of depicting an Angel playing the mandolin, ...

This stunning British American Impressionist portrait oil on canvas painting is by Sir James Jebusa Shannon circa 1905. The painting is of the artist and his wife Florence and daught...

The painting conveys the idea that what we perceive as life may be an illusion, while the true reality remains hidden. At the center of the scene, a man and a woman stand by a pool, ...

To Hold or Just to Pet explores the delicate space between human emotion and animal presence. The woman bends toward the cat, yet stops just short of touch — suspended in that timele...

French school of the 20th century, portrait of elegant, oil on canvas monogrammed and dated E.B. 1931 lower left. The monogram E.B. is also repeated on the back of the canvas. The...

This artwork is inspired by one of the issues amongst many in the traditional Yoruba African society where I'm still growing up as the son of the soil. As I was growing up and up til...

Antique Cat Painting "Cat with Butterfly in a Meadow" Arthur Heyer 1872-1931 Oil on canvas Signed lower right "Heyer A." 25 1/2 x 21 (29 1/4 x 3...

A charming oil study depicting a woman gathering grape vines in a field. Part of a pair of oils depicting women harvesting. Unsigned. On panel.

The Old English Sheep Dog English School, circa 1950's period signed oil on board, framed framed: 10 x 8.25 inches board : 7 x 10 inches Provenance: private collection, UK Condition:...

Signed and dated divisionist oil on canvas figure in landscape by French post impressionist painter Henri Lebasque. This stunning piece depicts a young girl in a white dress wearing ...

French Bohemian painter (early 20th century) - Female nude. 100 x 70 cm without frame, 109 x 79 cm with frame. Antique oil painting on canvas, in a gilded wooden frame (some cracks...

Portrait of a Pekingese Dog English artist, late 19th century Watercolour drawing on board, unframed drawing: 7.25 x 5 inches Provenance: Private collection, UK Condition: This paint...

Original art by Daria Kusto. acrIcrylic on wotercolor paper. The magic flow reality... Shipped free well protected unframed.

She holds on to her integrity and purity. Lady in white captures a desire to be hidden, but her presence is revealed through her unquenched innermost beauty. Lady in white captures h...

Suchitra Bhosle's "Amidst Spring" is an original, handmade impressionist oil painting that depicts a portrait of a young woman, dressed in a white gown and walking into a flower fiel...

This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...

Ale Casanova's "Untitled II" is an original, handmade oil painting that depicts a nude male model stretching on a couch. Alejandro Casanova was born in ...

Pathfinder is Inspired by portraying the struggles, aspirations, and joys of women in my society, and to encourage viewers to connect with these experiences on a personal and emotion...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

5111 Lady with pearl necklace by Lynn Lemay Custom wood frame Image size 23.5x19.5"

French artist Natalya Mougenot continues her ongoing series dedicated to women, where she explores resilience, transformation, and the complexity of feminine strength. Each portrait ...

This artwork presents a mesmerizing fusion of abstract expressionism and classical portraiture. A ghostly visage emerges from a vibrant tapestry of colors and textures, blending soft...

The Crucifixion French School, circa 1830's circle of Eugene Delacroix (1798-1863) oil on canvas, unframed canvas: 37.5 x 22.5 inches provenance: private collection, northern France ...

'Prisms of Identity: A Portrait Series V', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

Portrait of a Woman with Red Hair in the Style of Modigliani (Green Background) Portrait of a woman in the style of Amedeo Modigliani by an unknown artist (20th century). The woman...

Portrait of a Noble Lady European School, 18th century oil on canvas, framed framed: 37.5 inches canvas: 30 x 24.5 inches provenance: private collection, France condition: very good ...

Original oil painting on canvas. Hand signed and dated lower front; hand signed, titled and date on verso by Mark Kostabi. Canvas Size: 23.5 x 17.75 x 1.5 inches. Frame Size: 25 x...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by note female Suffragette artist Emily Mary Osborn. Painted in 1877 it was exhibited at the RA...

Masri (Lebanese, born 1965) "Masri" 2023 Oil paint, Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right and back of the painting. Masri’s "Masri" is a striking ...

Portrait of a Gentleman French School, 18th century oil on canvas, unframed canvas : 25 x 20 inches provenance: private collection, France condition: the painting is in sound conditi...

A large, life-sized, oil-on-canvas portrait of two lovely women perusing a newspaper called the "Journal Amusante." Still attached to the back is the tag from the venerable Manheim g...

Truth never dies …Like a seed buried deep, it will sprout again Through fire and darkness, her eyes do not look away. Lies can burn, time can hide, but truth lives on, waiting to be...

Faceless Wonder Woman Female POWER Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. ...

A delightful Victorian oil study of a young boy selling fruit on a street corner. The basket of fruit has been painted with fine attention to detail and the child's face is almost an...

Portrait of Cud Colley - the Whitby Fisherman by Henry Borrows (British, painted 1878-1891) signed oil on canvas, framed dated 1891 framed: 27 x 21 inches canvas : 22 x 16 inches Pro...

Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...

This sumptuous Scottish oil painting is by noted artist Robert Hope. It was most recently part of the Paisley Art Institute Collection, formerly held by the Paisley Museum and Art Ga...

17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...

Artist/ School: French School, 18th century Title: The Garden of Gethsemane Medium: oil painting on wooden panel, unframed. painting: measurem...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Superb Mid to Late 19th Century Portrait of an Elegant Young Woman The sitter is an elegant young woman in her finest dress and jewelry. Original oil on canvas. Dimensions 22" x 27...

This rather special Italian Old Master religious portrait oil painting is attributed to a follower of Giovanni Battista Salvi, or Sassoferrato as he is better known. Painted circa 17...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

A beautiful large early 19th century Georgian oil on canvas portrait of a young lady wrapped in silk. Excellent quality portrait which is indistinctly inscribed on the reverse with ...

Learn from the past, Live in the present, Hope for the future, Do your best today, Never give up, Improve your tomorrows. Shipping Procedure Ships in a well-protected tube from Nige...

Work on wood Golden wooden frame 54 x 47 x 4 cm

"Where Silence Meets Soul" is a contemplative piece that invites viewers to step into the sacred space within. This artwork was inspired by the idea that silence has the power to awa...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the su...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

She holds on to her integrity and purity. Lady in white captures a desire to be hidden, but her presence is revealed through her unquenched innermost beauty. Lady in white captures h...

Tribute to Michelangelo III is a unique painting by contemporary artist Hongyu Zhang. The painting is made with Indian ink, pastel, acrylic, engraving and collage on cardboard mounte...

Kelly Birkenruth's "Adam" (2024) is an original oil painting on panel, measuring 14 x 11 x 2 inches. This striking artwork features the detailed portrayal of a male torso, emphasizing the muscular structure and the subtle interplay of light and shadow on the skin. The background’s soft, muted tones contrast beautifully with the lifelike depiction of the subject, highlighting Birkenruth’s technical skill and artistic vision. The painting is framed, with overall dimensions of 15 x 12 inches, enhancing its elegant presentation. Known for her ability to capture the human form with both realism and sensitivity, Birkenruth's "Adam" is a compelling addition to any art collection. Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved...

The Pieta, 17th Century circle of TINTORETTO (1518-1594) Large 17th century Italian Old Master depiction of The Lamentation Of Christ, oil on canvas. Excellent quality and large s...