Rita Guile

Woman In The City

2018

Katrina Revenaugh Get Happy Diptych Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in (each) Overall Size: 24x40in (if hung horizontally) Signed: ...

Katrina Revenaugh Get Happy No. 2 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2018 Size: 24×20in Signed: On Verso COA provided Ref.: 924802-1950 *on Birch Pan...

Katrina Revenaugh Day Dream No. 7 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in Signed: On Verso COA provided Ref.: 924802-1939 *on Birch Pa...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Heather Farrell Title : I Blame Eve Materials : Acrylic on birch board Date : 2020 Dimensions : 3' x 4' (36 x 48 in.) Description : Animals and humans often acting the same - same ki...

Katrina Revenaugh Double Time No. 2 Archival Pigment Ink, Acrylic, Oil Pastel, Tissue and Spray Paint on Birch Panel Year: 2021 Size: 30×24in Signed: On Verso COA provided Ref.: 9248...

Endless Night was painted by Troy Smith in acrylic on a Birch panel. The long arching palette strokes reach from one edge of the painting to the other. Blending only two colours, bla...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Andrzej Michael Karwacki EQ Redefined, 1600-10-2 Original Abstract Art Mixed Media – Acrylic Paint and Resin on Board Artwork Size: H 91cm x W 61cm x D 5cm Sold Unframed (Please note...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

"Warm Tides" is a contemporary acrylic mixed media on panel by Audra Weaser, with asymmetric organic shapes in shades of yellow and gold with a shimmering, clouded background of blue...