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Sandra Cohen"when we arrive in the middle of nowhere", Abstract, Flowers, Acrylic Painting2022
2022
$1,200
£890.94
€1,038.19
CA$1,665.99
A$1,863.51
CHF 969.78
MX$22,940.47
NOK 12,337.64
SEK 11,575.14
DKK 7,745.90
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About the Item
Sandra Cohen’s “when we arrive in the middle of nowhere” is a 12 x 12 x .25 inch acrylic painting on tempered hardboard, in green, blue, pink, red, orange, and white. Abstracted wild flowers and greenery wave under a blue springtime sky, where a tiny plane is landing. A circular pattern of arrows moving in opposite directions is overlaid in white and intertwines with itself and the fine red lines that grow like stems outward from its unseen center. Inspired by the song “Autopilot” by Queens of the Stone Age. This painting is unframed and the signature is on the back.
Sandra Cohen’s dreamlike painting and mixed media work explores the paradoxical nature she finds everywhere. Cohen layers a constantly shifting ground of memory with snippets of lyrics, invasive ‘earworms’, and the human tendency to create order from chaos. Music is intimately entwined with memory for Cohen, who has been a performing musician and songwriter. She also has a deep interest in science, especially the concepts of modern physics. Using techniques that vary from wet to dry and tight to loose, and processes that may weave between digital and tactile, the act of creating the work also reflects what she hopes emerges: glimpses of a true/false spectrum wavering into being as lustrous, rhythmic, and often darkly humorous hybrids. Cohen is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Sandra Cohen (1962, American)
- Creation Year:2022
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Cohen_when we arrive1stDibs: LU500313057682
Sandra Cohen
Sandra Cohen’s dreamlike painting and mixed media work explores the paradoxical nature she finds everywhere. Cohen layers a constantly shifting ground of memory with snippets of lyrics, invasive ‘earworms’, and the human tendency to create order from chaos. Music is intimately entwined with memory for Cohen, who has been a performing musician and songwriter. She also has a deep interest in science, especially the concepts of modern physics. Using techniques that vary from wet to dry and tight to loose, and processes that may weave between digital and tactile, the act of creating the work also reflects what she hopes emerges: glimpses of a true/false spectrum wavering into being as lustrous, rhythmic, and often darkly humorous hybrids. Cohen is represented by Fountain Street Gallery in Boston, MA.
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