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Jacques Martin-FerrièresFleurs sur une table - Post Impressionist Still Life by Jacques Martin-Ferrieresc.1910
c.1910
$8,939.74
£6,610
€7,825.78
CA$12,359.97
A$13,845.24
CHF 7,272.02
MX$168,353.71
NOK 92,087.55
SEK 87,415.84
DKK 58,406.80
About the Item
Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with white trim beside a blue vase filled with white and red roases. Both are placed on a gold trimmed wooden table and set against a blue-green background. A stunning piece in this artist's distinctive style.
Signature:
Signed lower left
Dimensions:
Framed: 29"x25"
Unframed: 22"x18"
Provenance:
Private French collection
As the fourth son of the painter Henri Martin, Jacques Martin-Ferrières started learning from his father when he was very young. He devoted himself definitively to his great love, painting, once he had completed his studies in chemistry. These studies gave him an insight into the nature of pigments to the point where he was able to mix his own colours.
In addition to studying with and being profoundly influenced by his father, Martin-Ferrières studied with Fréderic Cormon (1854-1924) and Ernest Laurent (1859-1929). He exhibited regularly at the annual Salon des Artistes Français in Paris, where he became an hors-concours member. He won medals at the Salon in 1920 and 1923, and received a travel scholarship in 1924. In addition, Martin-Ferrières was awarded the prestigious Prix National in 1925 for Le Peintre, which was later exhibited at the Carnegie Institute in Pittsburgh. His important work, Marche d’Assisi, won him both the Gold Medal at the Paris Salon in 1928 and the Institut Français’ Prix Legay-Lebrun - it was acquired by the City of Paris. In 1937, Martin-Ferrières received a Gold Medal at the Exposition Universelle.
His earliest paintings were indoor scenes and portraits of women depicted against wide landscapes composed of expressive brush-strokes. He was inquisitive about everything: he was a musician and played both the cello and piano well; he loved going to the theatre and to concerts where he sketched face after face with a pencil that was as confident as it was witty. His first exhibitions at the Salon (1920, 1923) were a great success. In 1924 he was awarded a grant to undertake the traditional trip to Italy where he painted Venice, Florence, Rome and Assisi. This trip gave him a taste for travel and henceforth he spent his time criss-crossing Europe: Spain, Italy, Greece, Croatia, Scotland, Holland, Germany, Switzerland. He spent the summer travelling, taking up his paintbrush whenever a scene caught his eye, and the winter in his studio pouring his travel experiences into his paintings. Flowers often caught the attention of his eye for colour, whether in his own garden where they were deliberately planted to nourish future compositions, or in bunches gathered for the studio. In 1928 he undertook to decorate the church of St Christophe de Javel in Paris. The success of this series of paintings brought other commissions from St-Ouen, Romans-sur-Isère, Montauban and the church of St Louis in Marseille.
But the Great War halted his magnificent progress. As a result of injuries sustained during the war, Jacques gradually lost the sight of one eye. He would only resume painting in19 56, but this disability put an end to the large compositions in which he had expressed his vitality, talent and warmth tempered with wit that had been expressed so eloquently. He nevertheless resumed travelling, particularly in the United States where he exhibited regularly. He would continue painting and exhibiting until his death.
In 1956, the artist was made an Officer of the Légion d’Honneur. Major retrospective exhibitions of the artist’s work were held in Paris in 1939 and 1965.
Museum & Public Collections
Boca Raton Museum of Art, Boca Raton, Florida
Indianapolis Museum of Art, Indianapolis, IN
L’Église Saint-Christophe de Javel, Paris
Musée des Beaux-Arts de la Ville de Paris (Petit Palais), Paris
Musée Malraux, Le Havre
- Creator:Jacques Martin-Ferrières (1893 - 1972, French)
- Creation Year:c.1910
- Dimensions:Height: 29 in (73.66 cm)Width: 25 in (63.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very goof original condition.
- Gallery Location:Marlow, GB
- Reference Number:Seller: LFA04051stDibs: LU415315275352
Jacques Martin-Ferrières
A painter remarkable for his highly personal portraits, still-life and landscape views, Jacques Martin-Ferrières was the son of the great Post-Impressionist painter Henri Martin (1860-1943). He studied with his father and with Frederic Cormon (1845-1924). Like his father, Martin-Ferrières became a master at reproducing the scintillating effects of light on canvas. Despite his father’s strong influence, though, Jac developed a technique that was uniquely his own: paint is applied in swift and short brushstrokes of opaque color, at times overlapping and at times separated, revealing a pale ground layer and producing a mosaic-like surface. Martin-Ferrières was awarded many national prizes, including an honorable mention at the Salon of 1920, a silver medal in 1923, the National Prize in 1925, and a Gold Medal and Legay-Lebrun Prize in 1928. He was a regular and respected exhibitor at the annual Salon des Artistes Français. Martin-Ferrieres interrupted his painting career to serve in the French resistance movement during World War II. Although he lost an eye while a prisoner of war, he resumed his art efforts around 1950. His works were shown in Paris in 1965 at an exhibition of landscapes and snow paintings, displaying his use of the thick, impastic surface which gave his paintings depth and a shimmering quality. A retrospective of his work in Paris in 1965 confirmed his respected status. Selected Museum Collections: Boca Raton Museum of Art; Musée Malraux, Le Havre
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