Abstract Geometric Paintings

acrylic on linen over panel Travis Rice received his MFA from Arizona State University’s Herberger Institute for Design and the Arts. Influenced by his background in architecture, h...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Work done in acrylic and spray paint. Black exterior frame Signature on the back

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvas...

Fibonacci (artist inventory no. 1419) is a unique medium size contemporary modern abstract geometric painting on canvas on panel by French artist Charles Bézie. The painting is a cha...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

"in City and in Forest 12" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University (M...

The painting is being offered with a work and authenticity certificate

Boris Margo (1920 -1995) Message I, circa 1970 Stretched canvas over relief 22 x 27 x 1 1/2 inches Best known as a painter of surrealist imagery, Boris Margo was born in Wolotschisk, Ukraine, in Russia. In 1919 he enrolled at the Polytechnik of Art at Odessa, and in 1924 received a grant to study at the Futemas (Workshop for the Art of the Future) in Moscow. A second grant enabled him to study the work of the Old Masters in the Hermitage Museum in Leningrad and to attend Pavel Filonov's Analytical School of Art in 1927. In 1928 Margo received a certificate from the Polytechnik and immigrated to Montreal, where he worked as a muralist for a year. Moving to New York City in 1930, he studied at the Roerich Museum, and two years later began teaching there. He began experimenting with celluloid and acetone in his printmaking and was also an early user of the decalomania technique in oil painting. In 1943 he became an American citizen. Five years later Margo founded a Creative Art Seminar (later called Artists Gallery) in Orlando, Florida, and a year later established a similar venture in Provincetown, Massachusetts. Margo's first solo exhibition was at the Artists Gallery in New York City. Other important shows were held at the Brooklyn Museum, the Tweed Gallery at the University of Minnesota, Duluth, and the Michael Rosenfeld...

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

Blue Infinite Waves. 2022 Painting /Wall Sculpture . Spray paint on Plexiglass, hand sculptured 42H x 42W x 7D Blue Infinite Waves is part of the serie Sculpture Waves. The art piece...

Signed lower right: "Jason Berger". From the estate of the artist.

2016 Oil on canvas 60 x 42 in. (152.4 x 106.7 cm) Signed, titled, and dated, verso

Désert (artist inventory no. 121) is a unique medium size contemporary modern abstract geometric painting on canvas by French artist Charles Bézie. The painting is an early career wo...

This work is a combination of two major series created by the artist - "Chaos and Control Theory" and "Geometric Abstraction" Series. It was created with the pages from an Oxford Dictionary of Quotations. This technique gives a special character to the work - you can play with it asking questions, pointing to any part of the work, and you will get a meaningful phrase or a word. The work has black, white, and grey colors with blue, yellow, orange, and black geometric forms on the top. Great for the modern interior. -- "Chaos and Control Theory" Series is about depth and space. It’s about information overload, and what information looks like when you take out a meaning. I create lots of layers, using found materials and printed materials. I do an abstract expressionism painting on a surface first before I apply the printed and found materials. And then I begin to organize the surface, ultimately thinking about balance and flow and how the piece is going to contribute to a space it is going to be hanging in. Within the "Geometric Abstraction" series, the image happens in a moment - I create geometric forms, combining them in eccentric and catchy compositions. Then I spend hours and hours perfecting the craftsmanship and attention to details and adjusting colors to create more balance and flow, more depth and space. Even though the works are two-dimensional, a viewer can look into them, can see “layers”. -- Zach Touchon is an American contemporary abstract expressionist artist and muralist based in Los Angeles, CA. Besides that, Touchon is also an actor, a singer, a screenwriter, and a writer. Zach Touchon is an artist in the second generation. By rethinking abstract expressionism ideas, using different media he creates large abstract artwork...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

White abstract geometric sculptural relief painting by Houston, TX artist Robert Preusser. This painting features textured three-dimensional abstracted...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

Colorful abstraction by Nicolas Dubreuille: "Ref. 596". Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograp...

Eye-pleasing example of understated and muted colors. Gouache on masonite Ex-collection the Society of Illustrators Meticulously rendered in a post-cubist manner in subtle earth ton...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Blue and purple toned surrealist still life with various shapes cut out of canvas adhered to the background canvas. Currently hung in a gold frame. Dimensions Without Frame: H 47 in x W 59 in x D .5 in. Biography: Paulo Laport...

Work done with aerosol on canvas. Black exterior frame Signed on the back

Work done with aerosol on canvas. Black exterior frame Signed on the back

Colorful abstraction by Nicolas Dubreuille : "Ref 598" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

Grey Graphite (Abstract Painting) Pigmented cement on foam panel with wood frame. Auville works with construction cement. Applying techniques used in the construction and ship buil...

This is a one of a kind original abstract mixed media still life on paper by San Diego artist, Viktoria Romanova. It is not framed but rather mounted on board. Its dimensions are 40"...

Alison Berrett ‘Cloisters of the Imagination’ The pale turquoise and darker cobalt blue of the background are colours we may associate with being outside and yet the textures and ar...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

Colorful abstraction by Nicolas Dubreuille: "Ref. 611". Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograp...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Work done with aerosol on canvas. Black exterior frame Signed on the back

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geometric principles: the c...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Blue Spaced form II [2022] original Acrylic on Canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:1.5cm Sold Unframed Please note that in...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height: 29.13 in ( 74 cm ), Width: 25...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

Painting of Ernő GOLDFINGER building with Le Corbusier flaking paint from the apartment studio in the painting.

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Ernő GOLDFINGER building BALFRON TOWER painted with Le Corbusier flaking paint from an apartment studio. 'Wylie shows the buildings as alive with use ...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height: 33.27 in ( 84,5 cm ), Width: ...

Dream in colors II . 2021 Mixed media on Plexiglass, hand sculptured 48H x 64W x 10D Sculpture Waves is a series of wall sculptures in which the explosive color, geometry and curves ...

Dessiner sur la Neige and Chalet les Marmottes Diptych [2020] original Acrylic on deep canvas Image size: H:40.64 cm x W:40.64 cm Complete Size of Unframed Work: H:40.64 cm x W:40.64 cm x D:2cm Frame Size: H:45.72 cm x W:45.72 cm x D:5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Chalet and groomed ski slope in the Alps. Winter Mountains and Snow landscape painting.

"Connections IV," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. ...

Reticulum is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2021. Original Oil Painting on Canvas. Hand-signed, titled and dated on the back of the canvas. Mint con...

Gray, pink, red, and yellow toned abstract contemporary painting by Chicago-based artist, Richard A. Johnson. Painting depicts various shapes and lines that appear to be floating above the canvas. Dimensions Without Frame: H 49.75 in. x W 55.88 in. Artist Biography: "There is something about the ocean that is so entwined with our makeup, that I can't help but be drawn to it. There really is nothing more powerful or hypnotic. The movement is ever changing and the attempt to capture that moment of change is what has engaged me in these pieces. There is something so ephemeral about all life that is perfectly captured in a wave. It only exists for a moment, but it's beauty and dynamism is so powerful that for that brief amount of time, nothing else matters. And yet, there is a subtlety, a moment of expansive calm, the monochrome of the colors and yet the exquisite and diverse play of tones. All of this captivates me and compels me to try and capture it all that on canvas." - Richard Johnson The luminescent beauty and lyrical quality of Richard S. Johnson's work is what captivates collectors today. "Old Masters" technical virtuosity, pre-Raphael romanticism, and contemporary expressionism and abstraction all combine to create his unique works of touching depth and artistry. Born in Chicago to an artistic family, his earliest reminiscences are of pouring through Charles Dana Gibson, N.C. Wyeth, and John Singer Sargent books on rainy afternoons. While still in grade school he won a scholarship to the prestigious Art Institute of Chicago. He later attended the American Academy of Art and upon graduation began a very successful career as an illustrator. Turning his attentions to fine art after winning a competition in International Artists Magazine, Rick was invited to Japan where his one man show was so successful that he has been invited back numerous times and has developed an international base of collectors. He has also won many awards in competitions here in the United States including the Award of Excellence, in the Oil Painters of America Midwest regional Juried Competition and People's Choice Award at the International Museum of Contemporary Master's of Fine Art in San Antonio, TX. Perhaps the term that best describes Rick's work is "Poetic Intimacy". His sure brush strokes, bold use of color and impasto, and delicate rendering of the human face and form all work together in a harmony that refuses to draw attention to themselves for their technical virtuosity, but rather to draw their viewer into the awareness that they are sharing one, serene, contemplative moment; that the light that pours over the subject's skin also caresses theirs. Rick's expressive skill for capturing the human form has brought him numerous commissions: - John F. Kennedy at the JFK Memorial Library in Boston. - A commemorative painting of the presidents from Eisenhower to Bush currently hanging at the President's Council on Physical Fitness in Washington D.C. - Rear Admiral Richard S. Truly, USN, the first commander of the NASA Space Shuttle...

This sculpture is part of the Sculpture Waves Series, featuring explosive colors against a black and white background. Through a fusion of geometry and curves, it creates a unique se...

M1 explores the assimilation of aerosol painting, charring and sanding techniques on wood. This ethereal and atmospheric painting solicits our visual perception by suggesting a discoverable lattice of motifs emerging out of defacement and obscuration. The evanescent color palette in this piece is neutral with subtle hues of skin tones, light pink, sand color, rich browns, siennas, highlighted with sfumato white. Artists that come to mind when viewing Melisa's work include Agnes Martin, Gerhard Richter, Sterling Ruby, Jack Whitten, Julian Stanczak, Garth Weiser...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...