Surrealist Paintings

GREGORY GILLESPIE (1936-2000) Goldie’s Dream, 1999 Oil on panel 20 1/8 x 19 5/8 inches Signed verso: Greg Gillespie Original frame PROVENANCE Forum Gallery, New York, New York (label verso) Nielson Gallery, Boston, Massachusetts (label verso) EXHIBITED Forum Gallery, New York, Gregory Gillespie: New Works, December 2 - 31, 1999 Gregory Gillespie, an artist whose probing, urgent, often bizarre paintings occupied a singular place in the history of late-20th-century representational art committed suicide in 2000 at the age of sixty-four. His art was known for an obsessive attention to realistic detail, but the term realist fit only a narrow swath of his sensibility. He once told an interviewer that he was seeking a reality ''beyond our sense,'' and he pursued it with a variety of artistic styles, techniques and references. He mixed his realism with Expressionist distortion and Surrealistic juxtaposition, just as he supplemented his meticulously applied oil paint with roiling brushwork, photomontage, collage, assemblage, thickly built-up surfaces and, recently, photocopied images. He also found inspiration in several centuries of European painters, including Balthus, Bacon, Beckmann, Bosch, Breugel, Van Eyck, Masaccio and Crivelli. He drew from, and frequently depicted motifs from, Indian sculpture, Tibetan mandalas...

Early Surrealist work from 1957 the heyday of Surrealism - where a young blond girl caught in a dream like state hugs a mountain that has a profile of a man's face. Work is framed in...

Signed lower right, 'ZEV' for Daniel Albert Harris (American, 1914-1986) and dated "1952-1953". A dramatic, Mid-century cityscape showing numerous figures, both concealed and partially-revealed, dispersed in a neo-classical townscape beneath a vibrant sunset. Born Daniel Harris, and adopting the name of Zev, Harris studied at the Masters Institute of the Roerich Museum in Hungary and at the National Academy of Design...

Surrealist painting from 1950 by artist Camilo of two relaxing harlequin performers by the seaside dressed in yellow and pink. Signed and dated by artist. Cleaned And Restored.

An oil painting by Ernst Neizvestny from 1984. An abstract modernist depiction of two figures in a dramatically expressive scene of pathos. Artist: Ernst Neizvestny Title: Kepmovr?...

Pedro Friedeberg original painting "Villas Equinocaballisticas". Ink and acrylic on paper. Signed by the artist. 13.4 x 10.2 in. image

A whimsical gouache painting by American female surrealist Martha Visser't Hooft depicting a butterfly in a patriotic color scheme. Martha Visser't Hooft was born in Buffalo in 19...

A mystical portrait of a woman holding a mask in a surreal, dream-like setting by Ramon Santiago. Artist: Ramon Santiago, American (1943 - 2001) Title...

Artist: Vladimir Ovchinnikov, Russian (1941 - 2015) Title: Flying Saucers Year: 1985 Medium: Oil on Canvas, signed Size: 52 x 23.75 in. (132.08 x ...

An oil painting by Andrei Medvedev from 1998. A surrealist portrait of a young girl and a kitten in the rococo style. Artist: Andrei Medvedev Title:Girl in Blue Dress...

Oil on canvas, signed lower right Dated '1932' and inscribed on reverse Image size: 28 x 22 inches (71 x 56 cm) This vivid painting depicts a beech tree at Hopetoun House on the outskirts of Edinburgh. Hopetoun House is a remarkable stately home that has been home to the Hope family since the late 1600s - it is filled with stunning collections and sits in majestic grounds. However, the colour pallet, low view point and stylised forms in this painting have transformed this picturesque pastoral scene into something psychedelic, other-worldly and uncanny. Harry Fabian Ware Harry Fabian Ware was a British post-impressionist artist who created bold artworks. Harry married fellow artist Armyne May Davidson on 1st August 1928 in Aboyne, Aberdeenshire. They both exhibited at the New Gallery, Edinburgh on 9th November 1935 alongside fellow artists James Cowie...

Leonor Fini creates a hybrid cat-woman-unicorn that is sexy and alluring. Signed lower right. Gouache and pen and ink on paper on heavy textured paper. The authenticity of this work has been confirmed by Richard Overstreet...

Turner's paintings were classically known for their surrealistic and contorted depictions of the human body.

Turner's paintings were classically known for their surrealistic and contorted depictions of the human body.

Paradise was found and it's in the mind's eye of Haitian painter Henri-Robert Bresil. His stylized renditions of a verdant world populated by birds of Paradise... Pink Flamingos and...

Artist: Gonzalo Endara Crow, Ecuador (1936 - 1996) Title: The Sailing Ship Date: 1982 Medium: Oil on Canvas, signed verso Size: 27 x 35 in. (68.58 x 88.9 cm)

Inscribed lower right, 'Kimball' for Harold Kimball (American, born 1929) and painted circa 1975. Born in New York City, Harold Kimball lived for sever...

The burning of desire and the subsequent extinction of the flames leads to purification of the soul. Artwork Details: Tawatchai Somkong "Season of the Brilliant Purple Sky" 1998 ...

Léopold Survage (1879-1968) Porteuse 1962 oil on canvas 100 x 81.3 cm signed and dated ‘Survage. 48.’ (lower right) Price: $63,000 USD (inc. 5% UK imp...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Certificate of authenticity from the Agustin Fernandez Foundation is included.

Untitled is an original oil on canvas realized by Roberto Sébastian Matta in 1996. It comes with a certificate of authenticity by Matta's son ...

A monumental oil painting by Benjamin Benno, American (1901 - 1980) measuring 80 x 67 inches, framed to 84 x 71 inches. Signed and dated 1938. By the early 1930s Benno had establis...

Born in 1946 Alfredo Sasso trained at the Carrara Academy of Fine Arts. From 1971 to 1973 he worked as an assistant to Jacques Lipchitz for the construction of three major monuments...

Siegfried Reinhardt "Surreal Landscape and the Artist with his American Underslung and Rolls Roys" 1948/50 Oil on Panel Signed and Dated Twice Lower Right Panel Size: approx. 11 x 24 inches Framed Size: approx. 13.5 x 26.5 inches Siegfried Gerhard Reinhardt born July 31, 1925 in Eydkuhnen, Germany, died October 24, 1984 in St. Louis, Missouri was a prolific artist and teacher based for most of his career, 1955-1970 at Washington University in St. Louis, where he had taken his Bachelor of Arts degree in English Literature in 1950. He was also a prominent member of the St. Louis Artists Guild. He was the son of Otto Frederick and Minni (Kukat) Reinhardt, and emigrated with them in 1928 (naturalized in 1936). His best-known work is perhaps the series of murals he executed at Lambert International Airport illustrating the history of aviation. He was a pioneer in combining elements of realism and surrealism in a style known sometimes as superrealism. From 1949 to 1984 he worked with Emil Frei in the design and execution of stained glass windows, including the (1960) Easter Window in the Lutheran Church of the Resurrection, in Sunset Hills, Missouri, of which Reinhardt said: "The 'flame' symbolizes the Holy Spirit as it descended in tongues of fire over the heads of the disciples in the miracle of the upper room in the presence of the Lord Jesus...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Artist: Martin Barooshian, American (1929 - ) Title: Creatures of Prometheus Year: 1957 Medium: Oil on Canvas, signed, titled and dated Size: 31 x 41 in. (78.74 x 104.14 cm) Frame Si...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Surrealist and naturalistic painting of a painting of Native Americans emerging from a painting hung on the wall. Painting has various still life elements including a satchel and a c...

RICHARD KIRK "WHITE MANTILLA" OIL ON CANVAS, SIGNED, TITLED AMERICAN, C.1960 36 X 23 INCHES Original Frame Richard Kirk Born 1932 Kirk was born in West Virginia in 1932. He ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Artist: Mark Kostabi, American (1960 - ) Title: Baltic Angst Year: 1989 Medium: Oil on Canvas, signed and dated l.r. and signed, titled and dated verso Size: 70 in. x 48 in. (177.8 ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Artist: Mark Kostabi, American (1960 - ) Title: Time Bond Year: 1988 Medium: Acrylic on Canvas, signed verso Size: 84 x 48 in. (213.36 x 121.92 cm)

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Artist: Mark Kostabi, American (1960 - ) Title: Balancing the Budget Year: 1988 Medium: Oil on Canvas, signed l.l. and verso Size: 60 x 84 in. (152.4 x 213.36 cm)

Artist: Mark Kostabi, American (1960 - ) Title: Ruins Year: 1989 Medium: Oil on canvas, signed verso Size: 62 x 68 inches (157.5 x 172.7 cm)

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Many-Headed Man Year: circa 1980 Medium: Acrylic and Mixed Media on Paper Mounted to Masonite, signed l.r. Size: 56 x 42 inches Fr...

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Malabarista Haciendo su Acto Sobre un Helado de Fresa Year: 1975 Medium: Acrylic on Canvas, signed l.r. Size: 48 in. x 63 in....

Surrealist American oil painting depicting a young girl and her doll. Oil on canvas, circa 1970. Image size 16"L x 20"H.

Presenting an exceptional mid century oil painting by American artist Robert McIntosh, "The Picnic, is an original oil on panel, signed and dated 1950. ...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined pa...

Signed lower right, 'A. Úbeda' for Augustin Úbeda (Spanish, 1925-2007) and painted circa 1965. Formerly in the collection of Jean Negulesco, the artist and Hollywood Film Director....

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler: Visionary seems the right word for describing his vivid, unusual and technically refined painting...

In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined pa...

Presenting a monumental early oil painting by Cuban artist Yuri Martinez Ramos. "La Carpa", The Tent, is an original oil on canvas, signed, dated 1997, ...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Presenting an exceptional and rare mixed media watercolor by Belgian artist Edmond Vandercammen. Vandercammen was classically trained and well ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...