1910s Art

Medium: original lithograph. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Sheet size: 6 3/4 x 9 inches (175 x 229 mm). Not signed.

Medium: original lithograph. Printed on laid paper in 1919 and published in Berlin by Paul Cassirer. Sheet size: 6 3/4 x 9 inches (175 x 229 mm). Not signed.

Austrian Soldiers is a modern artwork by Gabriele Galantara (1865-1937) in 1916. The artwork was realized in China ink and watercolor on cardboard. ...

Llovera, bronze Manuel Martínez Hugué (Barcelona, ​​1872-Caldas de Montbui, 1945) was a Spanish painter and sculptor, representative of the Catalan Noucentisme of the early 20th century. His work can be summarized as a synthesis of classicism and primitivism within modernity. He is widely cited under the colloquial name of Manolo. Born in Barcelona, ​​his bohemian and marginal life and his visits to the Els Quatre Gats café in Barcelona earned him the friendship of Santiago Rusiñol, Joaquín Mir, Isidro Nonell and Pablo Picasso, among other artists. In 1900 he moved to Paris, where he lived for ten years. There he met Jean Moréas and Guillaume Apollinaire, in addition to working on the design of jewelry and small pieces of sculpture, among which La Llobera (1911, Barcelona, ​​Museum of Modern Art, and Young Seated (1913, Paris, Center Georges Pompidou)). Driven by a dealer, Hugué moved to Céret in 1910, where he brought together a diverse group of artists, including Juan Gris, Joaquín Sunyer...

Antique American impressionist mountain flower oil painting. Oil on canvas. Framed.

Parisian School Untitled, c. 1910 Oil on canvas 12 1/4 x 30 1/2 in. Framed: 15 1/8 x 33 1/4 x 1 1/2 in. Signed lower right: S. Bazzo

Jules Cheret (May 31, 1836 - September 23, 1932) was a French painter and lithographer who became a master of poster art. Often called the father of the modern poster. This piece is ...

#5-2779a River Crossing Equestrian painting, a 1910"s black and white oil on canvas , signed lower right by Clarence Rowe 1910. Age wear Unframed

A large, fresh and vibrant watercolour view of Warwick Castle which was painted in 1917. The view is captured in detail by Henry Charles Brewer RI who travelled widely and who exhib...

Antique French impressionist signed landscape oil painting. Oil on board. Signed. Framed. Image size, 15.5L x 11.5H.

Signed Lower Right by Artist Post Cover, October 1, 1910

This superb, large and vibrant Modern British figurative landscape oil painting is by noted Slade School artist Franklin White. Painted circa 1920 it was exhibited at the New England...

Leonetto Cappiello's original "Je ne fume que le Nil" poster, created in 1916 and printed by Vercasson in Paris, for Papier à Cigarettes Joseph Bar...

E. Lemielle's poster with the message "Souvenez-vous ! 1914 rien d'allemand!!! rien des allemands." (Remember! 1914 Nothing German !!! Nothing from the Germans) is a poignant artifac...

Sketch of a woman's head in profile Graphite on paper, c. 1900-1910 Unsigned Condition: Excellent Tiny tear upper right near hinge (repaired and bearly visible) Sheet size: 4 5/8 x 3...

A pair of candlesticks in great condition - no chips or cracks - from the famous Newcomb Pottery program in New Orleans. Beautiful buff grayish-blue glaze. Newcomb mark stamped on bottom. Came from a fine St. Charles Avenue home out of the estate of Chip Flowers of New Orleans, with lots of Newcomb pottery in the collection, including a Joseph Meyer bowl we have also listed on this site. Proudly presented by Guy Lyman Fine Art, New Orleans. If you are reading this it is probably because you are already familiar with Newcomb Pottery, but here's some information from Wikipedia, and there is a wealth of information about it online should you wish to learn more: "Newcomb Pottery, also called Newcomb College Pottery, was a brand of American Arts & Crafts pottery produced from 1895 to 1940.[1] The company grew out of the pottery program at H. Sophie Newcomb Memorial College, the women's college now associated with Tulane University in New Orleans, Louisiana. The Pottery was a contemporary of Rookwood Pottery, the Saturday Evening Girls, North Dakota pottery, Teco and Grueby. Newcomb College had been founded expressly to instruct young Southern women in liberal arts.[2] The art school opened in 1886 and production of art pottery on a for-profit basis began in 1895 under the supervision of art professors William Woodward, Ellsworth Woodward, and Mary Given Sheerer.[3][4][5] Potters Among the first persons to be hired by the Woodwards to assist with the new pottery...

Signed lower right, 'M. Bomund' for Marius Madsen Bomund (Danish, 1882-1963). Additionally inscribed, verso, 'Madsen Bomund', titled indistinctly, 'Studie fra ...' and dated 1915. M...

Raoul Dufy, 'La Danse' (Dance), woodcut, 1910. A proof impression before the second edition of 220 in 1953; with the estate stamp 'ATELIER RAOUL DUFY' in the lower right margin; the blind stamp 'GG' in the lower left sheet corner. Annotated 'E/Z' in pencil, beneath the estate stamp; and 'bois original' in the margin, lower left. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper; the full sheet with wide margins (3 1/2 to 6 3/4 inches); slight toning at the bottom and right sheet edges, well away from the image, otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 5/16 x 12 1/2 inches (313 x 318 mm); sheet size 19 3/4 x 25 3/4 inches (502 x 654 mm). Collections: Art Gallery of New South Wales (Australia), Brooklyn Museum, Cleveland Art Museum, Fine Arts Museums of San Francisco, Minneapolis Institute of Art, Museum of Fine Arts, Boston, The Nelson-Atkins Museum of Art, Nasher Museum of Art (Duke University), Toledo Art Museum. From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Peche' (Fishing), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Peche' and 'L'amore'. Collections: Brooklyn Museum, Art Gallery of New South Wales, Cleveland Museum of Art, Dallas Museum of Art, Fine Arts Museums of San Francisco, Minneapolis Art...

Medium: original lithograph. Printed in 1910 in sanguine ink and published in Paris for Gazette des Beaux-Arts. Image size: 5 3/4 x 4 3/4 inches (146 x 122 mm). Not signed.

This early painting by the artist done in 1911 is illustrated in the monograph by Lloyd Goodrich, KENNETH HAYES MILLER, figure 3.

"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...

Medium: engraving (after the painting). Engraved by French artist Henri Bérengier (1881-1943) after the Manet painting. Printed in 1910 on watermarked BFK Rives paper and published i...

Stein am Rhine, 1912 Watercolor on paper 7 x 5 in. Mat: 10 3/4 x 8 3/4 in. Inscribed lower right: Stein a/Rh, Juni 1912 At the point where Lake Constance again becomes the Rhine Riv...

Leonetto Cappiello's 1912 original poster, "Agua de Vilajuiga," is a timeless gem in the world of vintage advertising. This iconic artwork not only promotes a ...

Frank Milton Armington, Canadian, 1876 - 1941 Pont Royal , Paris, 1918 Oil on board 13 x 16 in 33 x 40,5 cm Signed and dated on the lower left: Frank M. Armington 1918 Titled and s...

Signed Lower Left by Artist “‘Georgy Porgy’ said he, ‘You can just bet your small life, I will — And there’s my hand on it, old chap’” Magazine cover: : “The Money Moon”, author: Je...

A superb, richly-inked impression of this very scarce, important German Expressionist lithograph on smooth, cream wove paper. Edition of approximately only 20. Signed in pencil. Publ...

CHARLES SIMS, RA, RWS, RSW (1873-1928) Drapery Study for the Royal Academy Arts & Crafts Mural Pencil, squared for transfer Unframed, in conservation mount 17.5 by 24 cm., 7 by 9 ...

Manierre Dawson Upper Street, 1912 Oil on board 10 x 15 inches Provenance: The artist Estate of the artist Private Collection (gift of Lillian Dawson, widow of the artist) Hollis Ta...

Medium: original lithograph. Catalogue reference: Guerin 265. This lithograph was executed by Aristide Maillol in homage to Paul Cezanne. Printed in 1914 and published in Paris by Be...

Birger Sandzén 1916 woodblock 2nd state proof printing with artist-applied ink on the print (as he worked out his 3rd state on this print) make this a one-of-a-kind piece. No toning...

A rare original signed Art Deco gouache on paper by Erte (Romain de Tirtoff) . This stunning theatrical costume design is signed Erte at the lower right. The piece is 20 by 18 fram...

Medium: original etching. Published in 1912 by Gazette des Beaux Arts. Plate size: 5 x 9 1/4 inches (128 x 232 mm) on cream laid paper. Signed in the plate, not by hand. The Gazett...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29...

Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm). From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'. Collections: Cleveland Museum of Art, Minneapolis Art...

This charming French Impressionist watercolour painting was painted in 1914 and is indistinctly signed. The composition is a market scene with various stalls under trees. The colouring is lovely and it is housed in a superb, gilded oak frame...

Medium: lithograph (after the drawing). This composition was executed by Paul Signac in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare ...

This stunning oil painting was painted circa 1911 and is signed lower right. The painting depicts a Scottish interior- a small occasion or card table surrounded by a variety of mahog...

Signed "A. B. Frost" Lower Right by Artist "Jes tak' yo coat off, end dem collars end cuffs, end go out in de yard end cut de grass." Illustration for "As Long as You's Single Dere'...

A superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil. This etch...

Dudley Hardy Hall's 1915 poster for "Coca Wine - The Elixir of Life" provides a captivating glimpse into a bygone era of advertising. This unique beverage combined wine with cocaine, with one prominent brand being Vin Mariani...

Original American Red Cross vintage poster. Linen backed and ready to frame. The Red Cross nurse warming thousands, feeding thousands, hea...

Signed & Dated Lower Left by Artist The Saturday Evening Post cover, October 18, 1913

Lucy Kemp-Welch 1869-1958, was a British artist who specialised in painting horses and was one of the best known female painters of her time. This portrait is of a working horse and ...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Christuskopf (Christ Head)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 227, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 3.63" x 3.38" Condition: Toning to sheet (as normal). One tiny pinhole top margin. In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page which is actually the title page. The cover page in pictures is not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Anna Milo Upjohn was an overlooked female illustrator in the school of Jessie Willcox Smith. Her work displays a deep academic knowledge evident in her stylized illustrations of children and engaging their world. Signed lower right- 'A.M.UPJOHN" unframed. She was an assignment artist for renowned women's publications such as The Woman's Home Companion and children's books, as well as commercial assignments.s for the Red Cross. Unframed Anna Milo Upjohn (1868–1951) was an American artist, illustrator, author, and relief worker who, late in her long career, became known for paintings, drawings, and illustrations she made for the American Red Cross. After graduating from high school, she studied art briefly in New York but obtained most of her training in Paris from Claudio Castelucho and Lucien Simon.[1] In the early years of the twentieth century, she became known both for her portraits and paintings of children and for her book and magazine illustrations. Finding herself in France at the outset of the First World War, she devoted herself to relief work first among the refugees in Paris and later among the devastated villages in France and Belgium. Having spent the first half of her adult life as an independent professional, she served as a staff artist for the American Red Cross between 1921 and 1931. She traveled extensively during her adult life and lived mostly in New York City; Ithaca, New York; and Washington, D.C. Early life and training During the 1870s, Upjohn's family lived with her grandfather, a well-known architect named Richard Upjohn who had retired to a scenic home in Garrison, New York. Richard Upjohn's biographer says when she was about five she would accompany him as he sketched and painted. She questioned him about his color choices and learned that artists often chose colors different from the ones present in the subjects they painted. He also showed her engravings of famous paintings, explaining what made them great and where they fell short in his view.[2] Her family was living in Fond du Lac, Wisconsin when she graduated from high school in 1887.[3] A few years later, the family moved to New York, where, in the early 1890s, she took classes at the Cooper Union Woman's Art School.[4] She began her foreign travels in 1893 and during the next few years studied art in Munich, Florence, and Paris.[5] In 1902, she took an illustration class at the National Academy of Design and the following year won the Academy's Suydam silver medal for her work.[6] Between 1909 and 1912, she studied and traveled in Europe's other major cities.[7] In 1922, Upjohn told a reporter that she had studied art "in many places, usually for a few months at a time and disconnectedly, but what counted most was the work she did in Paris under Castelucho and Lucien Simon.”[1] Born in Barcelona, Castelucho's birth name was Claudi Catelucho Diana, but he went by his surname alone. In Paris during the early years of the twentieth century, he and Simon both trained private students and both taught at two mondernist alternatives to the École des Beaux Arts: the Académie Colarossi and the Académie de la Grande Chaumière.[8] Upjohn did not say whether she took private lessons, classes, or both. Career in art Image No. 1, Anna Milo Upjohn, Young Boy Going Fishing, 1910, oil on canvas, 25 x 30 inches In 1890, at the age of twenty-one, Upjohn completed a painting of angels for St. Paul's Episcopal Cathedral in Fond du Lac, Wisconsin. Her uncle Richard M. Upjohn had designed the building and her father was currently its rector (having succeeded John Henry Hobart Brown...

A fine impressionist painting of a Venetian canal by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA and later beca...

This early 20th-century oil painting by Danish artist Carla Colsmann Mohr (1887-1974) depicts a view from Amager towards the centre of Copenhagen, Denmark. It was exhibited at the pr...

Ex Libris - Pie Perite Patienter Collectis J. Souverein is a Modern Artwork realized in 1914, by M. Pot Van Regteren Altena, from Nederland. B/W Woodcut on ivory paper. Signed on p...

A stunning impressionist oil painting by listed female artist Clara Elizabeth Sackett.

"California Landscape" is a painting by California Impressionist William Wendt. The painting is signed lower left, "William Wendt 1917". The frame...

This early 20th-century oil painting by British artist Henry John Kinnaird (1880-1920) depicts a quaint pastoral scene in Sussex, England. Tranquillity, harmony and abundant beauty ...

Charles Cardale Luck was a Swedish artist who grew up in Sweden but moved around to, among other places, France and England - where he became associated with the Cornwall art movemen...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Stehendes nacktes Mädchen im Profil (Standing Naked Girl in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 220, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Sheet size: 8.5" x 5.38" Image size: 6.5" x 3.57" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Egon Tschirch's original poster entitled "Englands Absicht: Geschlossen Wegen Mangel an Arbeit" is a work that reveals the artist's talent for combining visual aesthetics with politi...

The European Macabre Dance N.12 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Origina...

Medium: original lithograph. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the Germ...

Signed Lower Right by Artist This piece was created as an illustration for John Fleming Wilson’s short story Somewhere at Sea, published in the May 1917 issue of Redbook Magazine. T...