1920s Art

Mily POSSOZ Young Girl with Fishes, 1928 Original pencil and charcoals derawing Signed bottom right Dated 1928 On paper 42 x 34 cm at view (c. 17 x 13 in) Presented in a wood frame ...

Photographer’s stamp on the verso

Photographer's embossment on recto.

Signed oil on canvas dated 1924 by French impressionist painter Jules Leon Flandrin. This stunning piece depicts the scenery of the bridge Pont Saint Michel over the River Seine in P...

Maurice Asselin (1882-1947) A Village Signed and dated 27, lower left Oil on canvas In good condition 50 x 61 cm In its original frame : 65 x 77 cm Maurice Asselin is a painter an...

Thilo Maatsch (* 1900 † 1983) Title: Abstract Geometric Composition Woodcut Year: 1925 Signed, dated Edition: unknown Size: 8.8 × 7.8 inches Thilo Fried...

Cast concrete Unique Reference: LH1/35 Provenance Mr & Mrs Rowland Howarth Thence by descent

Auguste RODIN (after) Lying Nude (1920) Lithograph and Stencil Printed signature in the plate Limited to 200 copies not numbered On thin vellum 27 x 37 cm (c. 11 x 15 in) INFORMAT...

Net fishing in summer at Jibiki. Charming summer scene of a beach in summer. Men in loincloths are joined by a couple who help them pull in a fishing net as a family walks by. The co...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

Skyline, New York. 1919. Etching and drypoint. McCarron 36. 8 7/8 x 10 3/8 (sheet 12 1/4 x 14 . 11 recorded impressions (intended edition 50. Lewis states that he destroyed 6 of the ...

Jean Dufy (1888-1964) "Les Cavaliers Dans La Parc" c. 1929/30 Oil on Canvas Signed Lower Left Provenance: Arthur Lenars & Co., Paris *This work has been authenticated by Jacques Ba...

Signed by the photographer.

"Les Usines En Banlieue" 1926 Gouache 31 x 40cm/approx. 12.5 x 16.75 inches Signed and Dated Lower Right Catalogue Raisonne: Petredies, Plate AG166, Page 190-191

Modernist winter landscape with figures by Abel Bertram (1871 - 1954). Watercolor and gouache on paper, circa 1920. Signed lower left,...

Georges Rouault (1871-1958) Woman cleaning her hair, 1929 Original etching & aquatint Printed signature in the plate On Auvergne vellum 28 x 20 cm (c. 11 x 8") This etching was edi...

An original oil on board by American artist George Renouard created Circa 1920.

Date: Circa 1922 Medium: Watercolor, Pen, Ink and Charcoal on Board Dimensions: 28.25" x 22.00" Signature: Signed Lower Right Proposed cover illustration for Judge magazine...

Vintage print from the collection of Greta Garbo.

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Cole Weston from the original negative. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

Micao Kono was born in Japan, but moved to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils ...

RENGER-PATSCH, Albert. Untitled 1925-30.Gelatin Silver print, 8 7/8 x 6 3/8";. Printed on Verso: Upper right hand corner: Stamped A. RENGER-PATSCH, Wamel-Dorf Ober Sest I.W.Bo...

Auguste RODIN (after) Young lady (1920) MEDIUM : Stencil LIMITED : 200 copies not numbered PAPER : thin vellum SIZE : 37 x 28 cm (c. 15 x 11") IN...

Reginald Marsh (1898-1954), Loco-Erie Watering, 1929, etching, signed in pencil lower right, and numbered (16) lower left. Reference: Sasowsky 85, fourth state (of 4). On Whatman pap...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed by Cole Weston from the original negative.

Cyril Power (1872-1951) color linoleum cut, The Carcase, circa 1929, signed and titled in pencil, from the edition of only several (Redfern 9). In good condition, with pinholes at lo...

John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches. Provenance: Hirschl and Adler Galleries, Inc., New York, New York. A fine bright impression. Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...

Jacques Villon after Maximillian Luce. Color etching and aquatint, 1929. Signed and numbered in pencil by Luce and Villon, edition 193/200. Published by Galerie Bernheim-Jeune, Paris. Ref: Ginestet/Pouillon 663. Jacques Villon (actually Gaston Emile Duchamp). He was the half brother of Marcel Duchamp and Raymond Duchamp Villon. His pseudonym was taken in honor of the French poet François Villon...

Medium: Oil on Canvas Sight Size 53.00" x 136.00", Framed 66.00" x 149.00" Signature: Signed Lower Left Interwoven Stocking Company Advertisement Reproduced on gift boxes, Advertisement appeared in Saturday Evening Post, December 8, 1928, pg.2 The long lost NC Wyeth...

Provenance: The Artist and thence by descent

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

This photograph belonged to Greta Garbo, and was likely the “first print” made by the photographer given directly to Garbo personally.

In his autobiography, A Life in Photography, Steichen gave a vivid recount of this sitting: 'When Garbo came in to pose for the Vanity Fair photograph, I asked her to sit on the c...

In his autobiography, A Life in Photography, Steichen gave a vivid recount of this sitting: 'When Garbo came in to pose for the Vanity Fair photograph, I asked her to sit on the c...

Presenting an original pastel on paper by Fernando Luziarte. "Les Amie" is an original pastel, signed, dated 1924, with an image dimesnion of 19 x 25 inches, offered in good origi...

Benton Murdoch Spruance (1904-1967). Out of the City, 1930 (FL #33) Ed. 28. Lithograph on wove paper, plate measures 9.75 x 12.25 inches. Signed in pencil lower right. Titled and numbered 27/28 lower left. Sheet is not glued. Biography: Birth place: Philadelphia, PA Death place: Phila. Addresses: Germantown, PA; Phila. Profession: Lithographer, painter, educator Studied: Univ. Penn. School FA; PAFA with D. Garber (Cresson traveling scholarship); G. Harding; R. Nuse; A. Lhote in Paris. Exhibited: many nat. print exhs., 1929-65; Phila. Pr. Club,1929 (prize), 1932 (prize), 1929 (prize), 1941, 1953, 1956; WC Ann., 1937 (prize); WMAA, 1933-45; AIC, 1937-38, 1941; PAFA Ann., 1939-53 (gold medal 1946); Corcoran Gal. biennial, 1941; Laguna Beach AA, 1943, 1944; Audubon Artists, 1947; LOC, 1948; Boston Printmakers, 1949; Phila. Art All., 1951; NAD, 1953, 1957, 1959; Am. Color Pr. Soc., 1954, 1960, 1961; SAGA, 1955, 1962; Calif. Etchers, 1959; Bay PM, 1959; Joslyn Mus. Art , 1954 (retrospective); Mt. Holyoke, 1954 (retrospective); Swarthmore, 1954 (retrospective); Woodmere Art Gal., Phila., 1960; Phila. Sketch Club, 1965 ( Medal for Distinguished Service to Art); Phila. Art All., 1965 (Medal of Achievement). Solos in numerous colleges, universities, galleries & museums nationally, 1954-65. Other awards & medals: Pennell medal, 1937; Eyre medal, 1939; Beck medal, 1946; Guggenheim Fellowship, 1950, 1963; hon. D.F.A., Phila. College of Art, 1962; PAFA Fellowship, 1964 Member: NA; SAGA; Phila. Pr. Club; Phila. Art All.; Am. Artists Congress. Work: MoMA; WMAA; CI; LOC; NGA; PMA; SAM; PAFA; NYPL; AGA. Murals, Municipal Court Bldg., Phila.; Philadelphia House...

Presenting a lovely self portrait by Swiss artist Juliette Calame’. “Auto-Portrait” is an original vintage oil on panel, signed, c.1925, with an image dimension of 29 x 19.5 inches.

An original oil on canvas by French artist Jean Jannel, known for his figurative, genre portraits. Le Miroir, is an original oil on canvas, signed, c.1930...

Micao Kono was born in Japan, moving to work in Paris in the 1920's. His style, a mixture of Japanese watercolor and figurative Art Deco. He often mixed egg tempera into his oils to ...

Presenting an exceptional Art Deco original pastel by Spanish artist Fernando Luziarte. "Femme et Chien", is an original pastel, signed, dated 1924, with an image dimension of 19 ...

Presenting an exceptional and rare mixed media watercolor by Belgian artist Edmond Vandercammen. Vandercammen was classically trained and well ...