1960s Art

Ingrid Morath sunbathes by a swimming pool next to the sea in Acapulco, 1961. Ingrid was born in Rio de Janeiro and lives in Mexico City. Portofino Villa Slim Aarons Estate Edition ...

Customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate C...

Skiers walk up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estat...

Erotic scene Wooden frame with glass pane 49.5 x 41.5 x 1.3 cm

Oil on artist canvas board by the well known artist Nicolas Cikovsky of a vibrant floral bouquet. Signed lower right. Condition is very good. The painting is housed in its original frame. Overall framed measurements are 21.75 by 17.5 inches Landscape and figure painter Nicolai S. Cikovsky, 1894-1984, was born in Russia, where he studied at the Vilna Art School, 1910-1914; the Penza Royal Art School, 1914-1918; and Moscow High Tech Art...

Art critic Hilton Kramer called the Greek-American artist Aristodimos Kaldi's paintings "beautifully executed landscapes in a lyric mode. . . all delicacy and nuance and romance. . . " Kaldis was a New York School painter...

This print is named Avion, meaning Airplane. It shows diverse, vertical colored stripes, some angular and some slightly curved. Different tones of blue dominate the foreground. Some...

Skiers walk up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estat...

Skiing at Sugarbush, a mountain resort in Vermont, April 1960. Visual Description: A skiier crests a snow-covered mountain in Sugarbush, Vermont, in 1960. Numbered and stamped by ...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Original oil on board painting by Frederick Tordoff. Signed lower right and titled verso. Overall size in gold and black nautical style frame 25 by 35 inches. Condition: good; no restoration. Frame has some old repairs. This painting depicts the second race of the 1885 America's Cup between Puritan of Boston's Eastern Yacht Club...

Skiers walk up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy, 1962. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sl...

Holidaymakers in a motorboat off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and sta...

A blonde skier on the slopes at Verbier, an Alpine village in Switzerland’s Valais Canton, in February 1964. Slim Aarons Verbier Skier Estate Edition E...

A one of a kind piece by world famous Israeli artist Mordechai Ardon. It is a framed oil on canvas painting. 65X54 cm (25 5/8 x 21 ¼ in). Signed and dated "Ardon 60" (upper right). S...

A woman shelters under a parasol on a beach on the Costa Smeralda, Sardinia, 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim...

Original vintage travel poster for Vendee France featuring a colourful illustration of a smiling man on a gondola boat with a seagull flying overhead, tal...

Oil on canvas painting by Heinrich Richter (German/Polish, 1920-2007). Painting is titled #50, signed and dated 1969. Heinrich Richter has had numerous solo and group exhibitions in ...

Skiing at Sugarbush, a mountain resort in Vermont, April 1960. Visual Description: A skiier crests a snow-covered mountain in Sugarbush, Vermont, in 1960. Numbered and stamped by ...

A woman shelters under a parasol on a beach on the Costa Smeralda, Sardinia, 1967. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim...

Original vintage Soviet propaganda poster - Glory to the birthplace of October the birthplace of Communism! / Слава родине октября родине коммунизма! Dynamic design featuring a hydro...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Ernst Fuchs (Austrian, 1930 - 2015) Sphinx in Pharao Sheet Nr. 6 from the Folio “Die Sieben Bilder und Sprüche der Sphinx”, published in Autumn of 1967 by Galerie Sydow in Frankfurt, Germany. • Aquatint Etching • Ed. 79/99 • Sheet ca. 59 x 41.5 cm • Plate signed • Signed & numbered by the artist in pencil Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, and one of the founders of the Vienna School of Fantastic Realism. I discovered him through H.R. Giger ‘s work, who himself was greatly inspired by the creations of Fuchs and on several occasions exhibited his friend ‘s art in his museum, the Château St-Germain, Gruyères, Switzerland. I actually own the original folio box...

Original oil on canvas painting of Abisko, Sweden by the well known artist, Kjell Leander-Engstrom of Sweden. Signed lower left. Signed, titled and dated verso 1965. Notice of artist...

Survol is an original color lithograph by Bill Hayter signed and titled in pencil by the artist and numbered 104/150. Published by La Vision Nouvelle, Paris, and printed by Etablissements Guillard, Cachen, France on Arches paper. In good condition. Stanley William Hayter (27 December 1901 – 4 May 1988) was an English painter and printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez...

This portrait of a Jockey is a nod to Pop-art and an avant-garde approach to abstract painting and exploration in the 1960's. A great painting for a contemporary setting or a family ...

Portrait of a Flagmaker is a striking pop art play done in the 1960's as the artist explored abstracted compositions that played off the work of such artists as Jasper Johns. A grea...

Marino Marini- From Color to Form VII Color lithograph on Arches paper (with watermark), 1969. Printed by Mourlot, Paris, published by Société Internationale d'Art XXe Siècle, Paris,...

Roger Bohnenblust, born August 15, 1929 in Mulhouse and died May 30, 1979 in Friborg, is a Swiss painter, designer and engraver. Roger Bohnenblust w...

Image dimensions: 23.6 x 23.2 cm. De Profundis Clamavi is a beautiful original colored serigraph on paper, realized by the Italian artist and one of the ...

Walking Up Cortina D'Ampezzo Skiers walk up a mountain in Cortina D’Ampezzo, a ski resort in northern Italy, 1962. Photo by Slim Aarons Slim Aarons Chromogenic C print Printed L...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...

A blonde skier plants a ski on the slopes at Verbier, an Alpine village in Switzerland’s Valais Canton, in February 1964. Slim Aarons Verbier Skier Esta...

Yachting Trip Selvaggia Borromeo wades ashore from her yacht during a holiday on the Costa Smeralda in Sardinia, August 1967. Slim Aarons Chromogenic C print Printed Later Slim A...

Artist: Richard Lindner, German/American (1901 - 1978) Title: How it all Began from the "After Noon" Portfolio Year: 1969 Medium: Lithograph on Arches, signed and numbered in pencil ...

Original vintage drink advertising poster for The Vineyards Of France / Les Vignobles De France Production Metropolitaine featuring a colourful pic...

Artist: Max Ernst Medium: Lithographic Poster Ed of 500, 1964 Dimensions: 29 x 20 in, 74 x 50 cm

Beautiful poster made by Jean Jacquelin 🇫🇷 (1905-1989) a famous French poster artist, who puts in image the mythical liner France (third of the name, ...

Surrealist ad where a gloved human hand rises in pictorial height to the size of a chemical plant. Tension is created as Drafsman's Pencil is about to t...

Mammoth, California Vintage Ski Poster, USA 1967 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado Vintage travel poster for Mammoth, California ski resort...

Robert Indiana New York City Center of Music and Drama (Hand signed limited edition), 1968 Color Silkscreen 35 × 25 inches Edition 23/144 Hand signed and dated lower right recto; num...

Work on paper Golden wooden frame with glass pane 51 x 60 x 1.5 cm

Original vintage winter sport poster for the 8. Interski Aspen Colorado USA 1968 19-28 April. Great design depicting two skiers in red skiing down a slope across each other to form the number 8 in the snow...

Geometric Composition is an original contemporary artwork realized by Aldo Moriconi in 1967. Mixed colored enamel on wood. Hand signed and dated on th...

Audrey Hepburn posed in a wide-brimmed hat for her role in "Breakfast at Tiffany's". The film received five nominations at the 34th Academy Awards: Best Actress (for Hepburn), Best ...

Walking Up Cortina D'Ampezzo Skiers walk up a mountain in Cortina D’Ampezzo, a ski resort in northern Italy, 1962. Slim Aarons Chromogenic C print Printed Later Slim Aarons Esta...

Original vintage film poster for the Russian release of a Yugoslavian comedy Comrade President Centre Forward - Председатель центр нападения direc...

"If I create from the heart, nearly everything works; if from the head, almost nothing." - Marc Chagall This original lithographic poster was created by Marc Chagall in 1960 for an exhibition celebrating his stained glass windows at the Cathedral in Metz. The show featured ceramics...

Original vintage anti-war political poster criticising the Vietnam War (1955-1975): Fly Far-FarEastern Airways this vacation visit beautiful Vietnam styled in a satirical travel post...

Original vintage travel advertising poster issued by French Railways SNCF to promote its services to the south of France - Go by train to the Basque Coast - featuring a colourful design by Jean...

Erotic scene Work on paper Wooden frame with glass pane 49.5 x 41.5 x 1.3 cm

Lithograph Edition of 80

Artist: Robert Indiana, American (1928 - 2018) Title: 4 Square from the American Dream Portfolio Year: 1963 (1997) Medium: Screenprint Edition Size: 395 (unnumbered) Image Size: 14 x...

Harold Cohen Richard III, 1967 Screenprint, edition of 40 27 x 30 1/2 in. / 68.6 x 77.5 cm

Original rare early vintage car advertising poster for Porsche - Offnet die Welt / Opens the World - featuring a bold graphic design by Hanns Lohrer (1912-199...

Slim Aarons Poolside At The Von Pantzs 1967 (printed later) Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Bathers by th...

Original American Lobby Card of "The Beatles' - Yellow Submarine", 1968 Keywords: The Beatles, Movie, Music, Film, Musicfilm, Cinema, Lobby Card, Lobby Cards, Comic,