1990s Art

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

Surreal Anthropomorphic Interior, Dalí Circle Cadaqués Spanish Oil Painting Artist: Antoni Pitxot Technique: Oil on cardboard Date: 1996 Signature: Signed “Pitxot 96” lower left Ins...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This image features the Puerto Rican Parrot, one...

Heart is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print and increasingly desirable among collectors. This work captures Warh...

“Nude with Blue Hair” by Roy Lichtenstein, from the Nudes series published by Tyler Graphics in 1994. A striking late-period work showcasing Lichtenstein’s signature Pop language — b...

This five-color offset lithograph, featuring a facsimile signature of Marc Chagall, masterfully captures a vibrant detail from his iconic Paris Opera ceiling. Printed on high-quality...

Caroline's Torso is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 15 × 15 cm (11.8 × 5.9 × 5.9 in). Total height of the sculpture with base and shaft: 5...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

Screen print on paper. Hand signed, titled and numbered. Edition of 299. Excellent condition. A striking large-format colour screen print by Italian artist Franco Costa, depictin...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

Yayoi Kusama Extremely scarce - true collectors item - one of only 30 in the entire world hand signed by the artist. Original Limited Edition hand signed and numbered Pumpkin (Red),...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 50 gloss photogra...

Artist: Ramón Pérez Barril (Barcelona, 1950) Title: Mediterranean Forest Medium: Oil on canvas Dimensions: 65 × 50 cm (25.6 × 19.7 in) Signature: Signed lower right Period: Contempor...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

Kate Moss Close Up London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches /...

North Yorkshire By David Hockney 1997 Medium: Offset Lithograph Paper Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Image Size: 19.75 x 24.25 inches ( 50 x 62 cm ) Edition Size: Un...

This framed piece celebrates the beloved character Babar, the charming elephant who has captivated children and adults alike for generations. Created by Jean de Brunhoff in the 1930s...

A classic British fish & chips van, on a classic English day at Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss p...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

Large Post-Impressionist Night Café Terrace Scene Oil Painting After Van Gogh, Expressive Impasto Oil on canvas Post-Impressionist style Contemporary European school Dimensions: 120...

Barcelona Marina with Reflections, Mediterranean Harbor Oil Painting Artist: Rafael Durán Benet Title: Barcelona Harbor Medium: Oil on canvas laid on board Dimensions Height: 50 cm (19.7 in) Width: 61 cm (24 in) Signature Signed lower right “R. Durán”. Frame Unframed. Condition Very good condition. Stable support and well-preserved paint surface. Origin Spain. Period Late 20th century. Atmospheric harbor view of Barcelona painted by Catalan artist Rafael Durán Benet. The composition depicts a marina filled with small boats moored along a wooden pier, their hulls and masts reflected in the calm water of the harbor. The diagonal structure of the pier leads the viewer’s eye into the scene while the vertical rhythm of the masts creates a lively pattern across the skyline. In the background, the architecture of the Barcelona waterfront appears bathed in Mediterranean light, with palm trees and pale façades dissolving softly into the atmosphere. The painting is particularly notable for its treatment of water. Loose brushwork and subtle color variations capture the shifting reflections of boats, masts and buildings, creating a dynamic surface that gives movement and depth to the scene. Durán’s palette combines cool marine blues with warm ochres and oranges, evoking the luminous coastal atmosphere characteristic of the Mediterranean. The result is a vibrant harbor scene that balances urban architecture, maritime life and shimmering reflections. Rafael Durán Benet was a Catalan painter born in Terrassa who developed much of his artistic career in Barcelona. Specializing in urban landscapes and Mediterranean coastal scenes, Durán created numerous views of Barcelona’s harbor and the Catalan coastline. His work reflects a strong impressionist influence, focusing on the capture of light, atmosphere and reflections on water. Through a fluid brushstroke and a vibrant palette, he developed a recognizable style centered on the visual poetry of Mediterranean maritime life. Barcelona harbor painting Mediterranean harbor scene Barcelona marina painting Spanish impressionist painting Mediterranean marina art harbor boats oil painting Barcelona coastal painting European harbor painting...

Abstract I (Abstraite I) is an abstract sculpture by French contemporary artist Yann Guillon, made of bronze and finished with a black patina. Limited edition of 8 + 4 artist's proof...

Janus's Heads is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 54 × 26 × 17 cm (21.3 × 10.2 × 6.7 in). The sculpture is signed and numbered, it is p...

This exhibition card was produced by Brooke Alexander Editions in connection with Series of Ten Woodcuts in Three Color States, associated with the work of Donald Judd. Published by...

Robert Harrison (Born 1949) San Antonio Artist Image Size: 18 x 24 Frame Size: 24 x 30 Medium: Oil on Canvas Signed "Sea of Blue" Bluebonnets Biography Robert Harrison (Born 1949) Ro...

Offset lithograph mimeograph on green apple paper Pencil signed and numbered 9/300 Provenance: Opus Art Limited This work has been elegantly floated and framed in a wood frame under ...

The Road Across the Wolds reflects David Hockney’s lifelong connection to the Yorkshire landscape, with sweeping roads, undulating fields, and expansive skies that evoke both movemen...

This rare exhibition poster, titled "Blue Umbrellas," commemorates the remarkable installation created by Christo and Jeanne-Claude in October 1991. The project featured 960 yellow u...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

Felix the Cat is a funny-animal cartoon character created in the silent film era. The anthropomorphic black cat with his black body, white eyes, and giant grin, coupled with the surr...

Limited-edition poster published by the Israel Museum, Jerusalem, after Chagall’s beloved composition celebrating love and dreamlike flight over his native Vitebsk. Produced by the m...

This vibrant image of the Statue of Liberty is one of LichtensteinÕs most patriotic and iconic compositions, blending Pop ArtÕs bold comic-inspired style with American symbolism. Pub...

Constantly moving between the two- and three-dimensional worlds, Canova's painting reveals a profound preoccupation with space and time, themes that remain central to his work despit...

Crying Girl is one of Roy Lichtenstein's most iconic works, epitomizing his mastery of Pop Art with its bold Ben-Day dots, comic book style, and emotionally charged subject. This ima...

George Dannatt (1915-2009) Deflection of Light - Venice No 1 1995 Mixed crayons on paper Image: 26.4 x 19.6 cm Mount: 40.0 x 32.4 cm Reference no: 1233/1 George Dannatt’s lon...

Kate Moss London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches / 101 x 7...

original acrylic paper painting. virtual framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. T...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Barbara Keidel Park XV & XVI - SET Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) (each) Signed and dated in pencil (each) Addition...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Little Flower Princess" first released on "Milk & Honey" in 1981 . It was written when Lennon wa...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

John Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches: W: 54 inches: D: 10 inches John A. Okulick...

This work is one of six image variations from Andy Warhol’s James Dean portfolio, with layout and design created by Roger L. and Nance Schlaifer...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

This limited edition print reproduces one of Piet Mondrian's rare and intimate flower paintings, offering a glimpse into the artist’s softer and more expressive side. While Mondrian ...

In 1995, American sculptor Donald Lipski was commissioned to design the official poster for the French Open at Roland Garros. Known for his innovative installations and large-scale p...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, ...

Robert Rauschenberg (1925-2008). "Arts for Act (1994)." Original offset lithograph poster created for the "Arts for Act." 1994. Signed in the plate (Bold Yellow), Additionally si...

Nizza (Nice, South of France) by Artan Shabani, signed and dated 1999 signed oil on canvas, framed framed: 28 x 32 inches canvas : 20 x 24 inches inscribed verso Provenance: private ...

Jeronimo Elespe (b.1975). Untitled (Ring Binder Landscape), 1999. Oil on canvas measures 38 x 50 inches. Signed upper margin en verso. Jeronimo Elespe (b. 1975) lives and works in M...

This evocative poster reproduces Ina, en contre-jour, a celebrated photograph by renowned French photographer Jeanloup Sieff, known for his poetic, sensual, and psychologically charg...

Jean-Michel Basquiat (1960-1988) Crowned T-Rex, 1997 Lithograph Printed signature in the plate On paper 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra Authentica...

This striking reproduction of Wassily Kandinsky's "Murnau" captures the vivid color palette, bold geometry, and dynamic composition that define the artist’s most celebrated expressio...

This early 1990s photograph, captured by society photographer Slim Aarons, features guests by the swimming pool on a terrace at the Hotel Bel-Air on Cap Ferrat on the Côte d'Azur, so...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Poster created for the exhibition The Lens of Impressionism, held at the Dallas Museum of Art in 1997. The image features a detail from Gustave Courbet’s A Bay with Cliffs, highlight...