1990s Art

Modern Vintage Oil on Canvas, signed by the artist, Youri Panchine (Russian) in the bottom left. This jewel of a painting is rich in beautiful autumnal or fall hues. Here, the artis...

Heart is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print and increasingly desirable among collectors. This work captures Warh...

Yayoi Kusama Extremely scarce - true collectors item - one of only 30 in the entire world hand signed by the artist. Original Limited Edition hand signed and numbered Pumpkin (Red),...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

Barcelona Marina with Reflections, Mediterranean Harbor Oil Painting Artist: Rafael Durán Benet Title: Barcelona Harbor Medium: Oil on canvas laid on board Dimensions Height: 50 cm (19.7 in) Width: 61 cm (24 in) Signature Signed lower right “R. Durán”. Frame Unframed. Condition Very good condition. Stable support and well-preserved paint surface. Origin Spain. Period Late 20th century. Atmospheric harbor view of Barcelona painted by Catalan artist Rafael Durán Benet. The composition depicts a marina filled with small boats moored along a wooden pier, their hulls and masts reflected in the calm water of the harbor. The diagonal structure of the pier leads the viewer’s eye into the scene while the vertical rhythm of the masts creates a lively pattern across the skyline. In the background, the architecture of the Barcelona waterfront appears bathed in Mediterranean light, with palm trees and pale façades dissolving softly into the atmosphere. The painting is particularly notable for its treatment of water. Loose brushwork and subtle color variations capture the shifting reflections of boats, masts and buildings, creating a dynamic surface that gives movement and depth to the scene. Durán’s palette combines cool marine blues with warm ochres and oranges, evoking the luminous coastal atmosphere characteristic of the Mediterranean. The result is a vibrant harbor scene that balances urban architecture, maritime life and shimmering reflections. Rafael Durán Benet was a Catalan painter born in Terrassa who developed much of his artistic career in Barcelona. Specializing in urban landscapes and Mediterranean coastal scenes, Durán created numerous views of Barcelona’s harbor and the Catalan coastline. His work reflects a strong impressionist influence, focusing on the capture of light, atmosphere and reflections on water. Through a fluid brushstroke and a vibrant palette, he developed a recognizable style centered on the visual poetry of Mediterranean maritime life. Barcelona harbor painting Mediterranean harbor scene Barcelona marina painting Spanish impressionist painting Mediterranean marina art harbor boats oil painting Barcelona coastal painting European harbor painting...

“Nude with Blue Hair” by Roy Lichtenstein, from the Nudes series published by Tyler Graphics in 1994. A striking late-period work showcasing Lichtenstein’s signature Pop language — b...

Heart (Open Candy Box) is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and increasingly sought after by collectors. I...

A modern copy of the work by Richard E Miller by French artist, Arlette Berthelet-Auzolle (1928-2024) . A woman in a white dress and colourful navy bl...

Artist: Ramón Pérez Barril (Barcelona, 1950) Title: Mediterranean Forest Medium: Oil on canvas Dimensions: 65 × 50 cm (25.6 × 19.7 in) Signature: Signed lower right Period: Contempor...

Caroline's Torso is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 15 × 15 cm (11.8 × 5.9 × 5.9 in). Total height of the sculpture with base and shaft: 5...

This impressive large-format poster features Mark Rothko’s evocative painting Untitled (1962), capturing the essence of his signature abstract expressionist style. Published by Unive...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 50 gloss photogra...

Mid Century Barcelona Harbor Sailboats Mediterranean Impressionist Oil Painting Artist: Rafael Durán Benet Medium: Oil on canvas laid on board Dimensions: 50 × 61 cm (19.7 × 24 in) Signature: Signed lower right Frame: Unframed Condition: Very good condition. Stable paint surface with visible original brushwork Origin: Spain Period: Mid-20th century Expressive Mediterranean harbor scene depicting sailboats moored in the port of Barcelona by Spanish painter Rafael Durán Benet. The composition captures the luminous waterfront architecture reflected across calm harbor waters, structured by vertical masts and rhythmic dock lines that organize the pictorial space with clarity and balance. Loose impressionist brushwork and a refined palette of blues, violets and warm reflected tones create a vibrant atmospheric surface characteristic of mid-century Mediterranean coastal painting. Particularly notable is the treatment of reflections, executed through layered strokes that enhance depth and movement while reinforcing the decorative strength of the composition. Barcelona harbor scenes remain among the most desirable subjects within Spanish Mediterranean painting due to their architectural identity and strong interior presence. This work belongs to the Catalan Mediterranean luminist tradition associated with Joaquim Mir and Eliseu Meifrèn. Its reflective harbor treatment also connects with the broader European marine painting lineage of Paul Signac and Henri Le Sidaner. Rafael Durán Benet (Barcelona, 1931–2015) was a Spanish painter recognized for Mediterranean harbor scenes, coastal landscapes and urban views of Barcelona. Working within the Catalan postwar impressionist tradition, he developed a luminous pictorial language centered on reflections, atmosphere and architectural shoreline compositions. His paintings of the Barcelona waterfront remain among the most characteristic subjects of his production and are held today in private collections across Spain and Europe. Barcelona harbor painting Mediterranean harbor scene Spanish coastal painting mid century Mediterranean art European harbor painting...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

A classic British fish & chips van, on a classic English day at Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss p...

This is an authentic Japanese woodblock print of Utagawa Hiroshige's "View of Tsukuda Island from Eitai Bridge" (Eitaibashi Tsukudajima). It was Woodblock hand printed in 1990s. It ...

Abstract I (Abstraite I) is an abstract sculpture by French contemporary artist Yann Guillon, made of bronze and finished with a black patina. Limited edition of 8 + 4 artist's proof...

This framed piece celebrates the beloved character Babar, the charming elephant who has captivated children and adults alike for generations. Created by Jean de Brunhoff in the 1930s...

This high-quality reproduction of Brown and Orange on Slate faithfully captures Mark Rothko’s signature exploration of color, light, and emotion. Rothko’s artistic process was deeply...

This rare exhibition poster, titled "Blue Umbrellas," commemorates the remarkable installation created by Christo and Jeanne-Claude in October 1991. The project featured 960 yellow u...

Title: Mediterranean Landscape with Olive Trees and Tower Artist: Valeri Farràs (L’Estany, Catalonia, 1950– ) Medium: Oil on canvas Support: Canvas on wooden stretcher Dimensions: 46...

Janus's Heads is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 54 × 26 × 17 cm (21.3 × 10.2 × 6.7 in). The sculpture is signed and numbered, it is p...

David Hockney, 'M' from 'Hockney's Alphabet', 1991 Edition of 250 From the special edition of Hockney's Alphabet, published in 1991, and signed on the justification page by the art...

This reproduction of Andy Warhol's iconic Campbell's Soup Can exemplifies his pioneering exploration of consumer culture and pop art. Originally created by Warhol in the 1960s, this ...

This museum-quality reproduction of The 1001 Nights is based on Henri Matisse’s original cut-out composition created in 1951 in his room in Nice, during the artist’s celebrated late ...

Constantly moving between the two- and three-dimensional worlds, Canova's painting reveals a profound preoccupation with space and time, themes that remain central to his work despit...

Inner Energy is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 35 × 29 × 22 cm. The sculpture is signed and numbered, it is part of a limited edition of 8 ed...

In The Road to York Through Sledmere, David Hockney transforms a familiar Yorkshire scene into something luminous and almost enchanted. The brilliant red brick of the buildings aroun...

Kate Moss London 1990 by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. 40 x 30" inches / 101 x 7...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Little Flower Princess" first released on "Milk & Honey" in 1981 . It was written when Lennon wa...

Ellsworth Kelly Blue Yellow Red (Gemini 1524), 1991 Lithograph on Rives BFK paper with blind stamps Signed and numbered 24/80 in graphite pencil; bears publisher's and artist's blind...

This vibrant image of the Statue of Liberty is one of LichtensteinÕs most patriotic and iconic compositions, blending Pop ArtÕs bold comic-inspired style with American symbolism. Pub...

Francisco Sanchis Cortés – Woman with Red Flower Medium: Oil on canvas Canvas dimensions: 73 × 54 cm (28.7 × 21.3 in) Framed dimensions: 91 × 72 cm (35.8 × 28.3 in) Signature: Signe...

The Group is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 40 × 21.5 × 5.5 cm (15.7 × 8.5 × 2.2 in). The sculpture is signed and numbered, it is par...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

This colourful contemporary pastel on paper in grid form is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colourist M...

From the Nudes promotional portfolio published by Tyler Graphics in 1994, this rare offset lithograph was issued as part of an informational set including a printed title sheet listi...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

Offset lithograph from Andy Warhol: Vanishing Animals, a portfolio of six works published by te Neues in 1992 and printed in Germany. This particular image features the whooping cran...

In the mid-1990s, David Hockney was deeply devoted to his two miniature dachshunds, Stanley and Boodge, who became his constant companions and artistic muses. Their presence inspired...

Go for Baroque is a striking example of Roy Lichtenstein's playful engagement with art history, where he reinterprets the ornate grandeur of Baroque style through the lens of Pop Art...

Happy world. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expa...

Vintage blank postcard featuring Roy Lichtenstein’s White Brushstroke #1 from his iconic Brushstroke series. Published by VG Bild-Kunst, Bonn in 1992 and printed in Germany, this ear...

Lithograph on paper. Hand signed and numbered in pencil. Image dimension cm 42,5x30. Edition of 499. Excellent condition.

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

In 1995, American sculptor Donald Lipski was commissioned to design the official poster for the French Open at Roland Garros. Known for his innovative installations and large-scale p...

Guillaume Corneille (1922-2010) Cat and Bird at the Sunset, 1991 Original color lithograph Signed and dated in pencil Artist proof On vellum, 53 x 76 cm (c. 21 x 30 in) Very good ...

Medium: lithograph (after the gouache). Printed in 1992 by l'Imprimerie Karcher and published by Nouvelles Editions Seguier in an edition of 1000 for the Sol LeWitt "Black Gouaches" ...

Crying Girl is one of Roy Lichtenstein's most iconic works, epitomizing his mastery of Pop Art with its bold Ben-Day dots, comic book style, and emotionally charged subject. This ima...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, ...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed by Frank Stella) Fra...

Title: Chanel Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 30 x 21 inches Condition: Excellent Inscription: Signed in the plate Notes: This special ...

Five Lemons A Pear and Egg : Fruits and Flowers Suite 1994 Print - Screen Print Paper size 22.75'' x 21.75'' inches Image size 12" x 12" inches Edition: signed in pencil, titled, d...

Andre Renoux la Tuile a Loup rue Daubenton - 1989 Painting Canvas Size 23.75'' x 15'' inches His art has been the subject of three monographs, numero...

Vintage offset lithograph postcard published by Nouvelles Images SA Editeurs. Printed in France. Presented in a white wood frame with a 1-inch front profile and a 3/4-inch side profi...

John Baldessari's Paradise is a thought-provoking piece that plays with the concept of utopia and the viewer’s expectations of imagery. Known for his witty and conceptual approach, B...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Sam FRANCIS Color explosion, 1992 Original lithograph Unsigned On Arches vellum 86.5 x 29.5 cm Numbered on the back Authenticated by Moulot blind stamp INFORMATION : Edited by Gale...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

Vintage American impressionist landscape oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 16 by 22 inches overall. Handsomely fram...