1990s Art

'Middleton Farm, Comrie' represents Saltire Gallerie's Scottish landscape theme, 'A Sense of Place'. This is a contemporary painting (1996, dated verso), in a post-impressionist style by Scottish artist JD Henderson. The artist's signature is in the right lower corner. Including the frame the overall size is 25" high and 29" wide, using oil paint on canvas and presented in a gilt frame. This painting is one of three post-impressionist paintings by JD Henderson currently in Saltire Gallerie. Buy one, or buy two for a discounted price. Make an offer! All three are compatible and would work beautifully together. See 'Sunlit Path' and 'Kirkton Bridge' in the Saltire Gallerie storefront. JD Henderson's work has been exhibited in galleries in Scotland, particularly Glasgow. The post-impressionist style, use of color and emphasis on the subjects of Scottish scenery make this artist stand out among contemporary artists. Stone bridges, rural croft houses...

This painting is entitled money Moonfire. It depicts a campfire that has moons in the flames. In the background there is swirls depicting the rushing water of the Mississippi. Signe...

Ganesh Pyne - Untitled - 8.25 x 11 inches (unframed size) Pen & Ink on Paper Inclusive of shipment in roll form. Style : Initially, Pyne painted watercolo...

Work on canvas

Signed lower right, 'M.S. Bremer' for Marlene Bremer (German-American, 1937-2018) and painted circa 1995. Additionally signed, verso, 'Marlene Bremer'. ...

Landscape with trees. 1991, canvas, cardboard, oil, 34x49 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. Skride, L....

Sunny , Dacia,Summer,Russian,Sun GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United Sta...

Composition "68", ROBERT MARC Oil on canvas 22 x 31 cm (8 ⅝ x 12 ¼ inches) Signed lower centre, Robert Marc Numbered on the reverse, H966 Executed December 1990 Provenance Collectio...

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Unconscious Female Force Signed and dated lower right, canvas 43x51 with frame 45x53 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest hand pulled limited edition color etching 22 x 30 paper size 18 x 24 image size unframed edition signed ...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black...

Boris Akopian "Quiet street in Grimaud"

'Woman in Front of the Mirror', oil on canvas, by Vincent Tailhardat (circa 1990s). A nude woman seated in front of a mirror grooms herself while en...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Beautiful Bath, No. 23, 1996 - Etching - Sheet 42 x 30 cm - Plate 30.1 x 19.9 cm This pack is said to be Karl’s declaration of love to his chosen home city of Bath. Each card narrates a part of Bath’s rich history. The court cards depict portraits of personalities – real and legendary – who shaped the city of Bath as it is today. Finished, uncolored print likely to be a spare sheet (over production), which were never used. Depicted are the court cards of diamonds and clubs and of Karl himself, playing his Italian mandolin. Sheets is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Artist: Lennart Jirlow Medium: Original Lithograph, signed and annotated "E.A.", 1990 Dimensions: 21.3 x 29.8 in, 54 x 75.6 cm

The mermaid who couldn't climb the iceberg painting by Suzzane Law Image size: 12.6 in. H x 17.1 in W Framse size: 18.1 in. H x 22.4 in W x 1 in D W...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Morning Light (29 Palms, CA) - 1999 20x20cm, Edition 1/10, Archival C-Print, based on the Polaroid Certificate and Signature label artist Inventory #21068. Not mounted. Yet wher...

"Untitled", 1991 (for Parkett 27) Lithograph on newsprint with handtorn edges, printed on both sides and folded three times, hand-colored with coffee by the artist, 22 1/8 x 13 7/8” (56,7 x 35,4 cm), printed by Maurice Sanchez & Joe Petruzzelli, Derrière L’Etoile Studio, New York, Ed. 75/XXV unique pieces, signed and numbered Robert Gober...

Vintage American impressionist landscape "Aspen Grove" by Kenn Erroll Backhaus (Born 1951). Oil on board, circa 1990. Signed. Image size, 10L x 13H. Housed in a giltwood frame.

Woman with Candle by Branko Bahunek, Croatian (1935) Date: 1992 Oil on Canvas, signed Size: 21 in. x 18 in. (53.34 cm x 45.72 cm) Frame Size: 25 x 22 inches

Sunny face. Bilateral. Cardboard, tempera, 53x35.5 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) Beautiful Bath No. 23, 1996 - Etching - Sheet ca. 29.9 x 29.9 cm - No plate mark (trimmed sheet) This pack is said to be Karl’s declaration of Love to his chosen city of Bath. Each card narrates a part of Bath’s rich history. The court cards depict portraits of personalities – real and legendary – who shaped the city of Bath as it is today. Ufinished, proof print with depictions of the court cards of diamonds and clubs, but an empty cartouche where Karl himself will appear at a later state as the joker, playing mandolin. On one of the documenting photos you can see a photo copy of what the joker card would look like. Sheet is in good condition and suitable to be framed. Karl was a brilliant playing card maker and certainly one of the most genius artist-craftsmen I had the pleasure to learn about his work and know. He could do it all: Come up with the tale, weave meaning(s) into it, fill it with spirited characters of his liking, draw it, etch it, print it, colour it and handcraft the inks, paper and card into wondersome packs of playing cards, each of them living in their own, most exquisitely crafted boxes. Every pack a magical marvel, filled with the spirit of this genius card maker … All this he did using his Adana printing press, very simple hand tools and great skill. When Karl closed down his studio in St.Peter’s Terrace in Bath, England and moved to Poplar Close, he sold off work for which he felt he no longer wanted to be the custodian. So a number of prints reached the market then. Printed sheets by Karl Gerich...

Lilies and Seashell by Lu Haskew Oil 30x24" image size ​ Floral Still life ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly...

Measures 36" x 29" canvas and framed 45" x 37.5". William Michaut French artist born in 1947, known for impressionistic style still life oil paintings. The painting is signed lower r...

A colorful contemporary dog painting of Scottish Terrier dogs with accompanying text from a book is an inspirational departure from the tradi...

Hillview Motel (Stranger than Paradise) - triptych, 2003 Edition 6/10, 183x56cm installed, 58x56cm each, 3 analog C-Prints, hand-printed by the artist, based on the 3 original Pol...

Idyllic farm landscape with a palm tree by an unknown artist (Amercan, 20th Century). There is a tower that is the main focus of the piece, with a palm tree next to it. Behind the pa...

Dramatic western figurative landscape oil painting of three Treeing Walker Coonhounds (aka: Tennessee Lead) "treeing" a bear in a tree by western artist Kim L Powers (American, 20/21st Century). Signed "Powers 1993" lower right corner. Image, 29.5"H x 23.5"W. Long years on the Navajo reservation as a working cowboy/bull rider...

Albero provvisorio 1 is an original Contemporary artwork realized in 1995 by the italian Contemporary artist Leo Guida (1992 - 2017). Original mixed colored etching. Hand sign...

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Torbjorn Kvasbo (Torbjørn Kvasbø) Untitled #5 Medium: Stoneware, Woodfired Year: 1994 Size: 23 x 17 x 10 inches Comes with original papers COA provided...

Sometimes a single work of art sums up where an artist has gotten to; sometimes it prefigures to where an artist is headed. Matanza, a masterful work by Harriette Joffe (1935-2018), ...

Very rare ceramic by Gutai avant-garde artist Sadamasa Motonaga. Has a brilliant copper metallic background giving this piece a very strong presence.

This charming painting by Russian painter Evgeny Grichuk features costuming related to two stock characters from commedia dell'arte, with origins in the late seventeenth-century Ital...

Signed lower left, 'Glafke' for Edward Glafke (American, 1925-1997); additionally signed, verso, titled, 'Picking Wildflowers', and painted circa 1995. ...

Rene Genis (French 1922-2004) “Les Falaise Normande” / The Cliffs of Normand. A sea scape with high cliffs, the beach, and two fishermen. The cliffs are in browns, tans and olives a...

Evocative Brutalist modern figurative abstract bronze cast and solid walnut sculpture by an unknown artist (20th Century). Two small abstracted figures, a man and a woman, stand toge...

Boris Akopian "Relaxation"

Large-Scale Work on Paper of Courtyard and Trees Chinese Tradition A Chinese painter cannot avoid confronting and interpreting the Classics. Whether we invoke them by heart or emul...

"A Majority of One" is a large, vertical acrylic painting with a photograph portrait of Tupac Shakur and a number of found metal objects integrated into t...

Peter Halley Painting as Sociogram: The Kitakyushu Municipal Museum of Art, Japan (Hand Signed), 1997 Double-sided offset lithograph poster (hand signed by Peter Halley) 11 3/4 × 8 1...

Stefanelli depicts two dynamic figures in the act of worshipping. The bright orange background is painted with visible strokes of various density to further amplify the energy of the...

Christo and Jeanne-Claude The Pont Neuf Wrapped, 1975-85 Photo: Jeanne-Claude, 1976 Year: 1991 Size: 24.1 x 36.6 inches Unsigned COA provided --------------...

Raquel. Images of woman on abstract background. Mixed media on panel. Measurements: 81 x 65 x 0.5 cm / Framed 103 x 87 x 5 cm In inches: 31.89 x 25.59 x 0.2 " / Framed 40.55 x 34.25 x 1.97 " "Raquel" was painted by Goyo in 1999 ( signature and date in right down corner) using a mixed technique. On abstract background that plays with colors, shapes, and volumes, Goyo portrays a beautiful woman's face with a penetrating gaze. There, almost like a collage, an academic female...

Compelling and large scale neo-expressionist figurative painting by San Jose, California area artist Daniel David Fuentes (American, 20th century), Circa 1995. Unsigned. From a colle...

Views of Bath No. 33, 1990 - Etching - Sheet ca. 39.5 x 26.2 cm - Plate ca. 32.7 x 23.7 cm Produced in 1990. It seems there are two versions of this pack. This proof sheet depitcts...

Francesco Iacurto, Canadian, 1908-2001 Charlevoix, 1991 Oil on canvas 20 x 24 in Signed lower right ; signed, dated and titled verso Framed

One of the "Women of Abstract Expressionism" Caradoc Ehrenhalt would often accompany his mother, the artist Amaranth Ehrenhalt, on her visits to the Louvre in Paris and the Metropoli...

1998 Signed and dated, l.r. Conté crayon on paper 22.5 x 15 inches, image

Seated Mother And Child, Modern Pre Columbian style large sculpture edition 1/30, artist signed. Walter Bastianetto is an Italian born sculptor who moved to Mexico in the 1970s an...

This painting is entitled white night gig at the offshore. The image shows two men singing into the microphone. Behind them is a silver lattice. In the background there is three s...

"Old Semmut" is reminiscent of Stefanelli’s travels to the Philippines during the war. The artist’s contrasting palette conveys a dichotomy. The dark at the top of the painting allud...

Signed indistinctly lower right, (Matt Baum?) and dated 1994. N.B. The photo of the signature detail is included for clarity and has not been color corrected. A very large (6'6" x 6'6") and vibrant still-life showing a close-up selection of fruit cups...

The Flowers Bed. 1998. Oil on linen, 50x60.5 cm

A very striking and expressive work in terms of color! This has a contemporary and upbeat feel and attractiveness to the abstracted female form coming into a room. Would brighten and bring any room into the contemporary realm and bring a very fresh dash of vivid color. Ralph Della-Volpe was a noted Post - War artist who started out with the Abstract Expressionists and then like Milton Avery and Wolf Kahn and others - chose to revert back to bringing some representational form back into his work. Color was his driving passion and he often used high keyed...

This interesting and fabulous color palette work is classic Della-Volpe. Known as a "Colorist" and for his figurative works that convey just the right amount of information! Often ...