20th Century Art
Period: 20th Century
Color: Orange
The White Horse-Poster, New York Graphic Society. Printed in U.S.A.
Located in Clinton Township, MI
1970 New York Graphic Society Ltd. Printed in U.S.A. The poster measures 39 x 26.25 inches and is unframed. The image is in Good Condition. The border is in Fair/Distressed Condition...
Category
20th Century Art
Materials
Lithograph
Original Antique Advertising Poster Ovaltine Cold Refreshing Drink Art Deco
Located in London, GB
Original antique advertising poster for The Ideal Summer Drink Ovaltine Cold Delicious Refreshing Sustaining featuring a great illustration ...
Category
Art Deco 20th Century Art
Materials
Paper
Original Vintage Poster Philippines Northwest Orient Airlines Asia Travel Art
Located in London, GB
Original vintage Asia travel poster for the Philippines Fly Northwest Orient Airlines featuring illustrations depicting a farmer walking next to his o...
Category
20th Century Art
Materials
Paper
Nude and Bust - Original Pencil Drawing - 1996
Located in Roma, IT
Nude and Bust is an original drawing in pencil realized by an unknown artist in 1996.
The status of preservation Good.
The artwork is depicted skillfully through confident and stro...
Category
Modern 20th Century Art
Materials
Pencil
Shiny Nude (Stealingworth, 33)
Located in New York, NY
Tom Wesselmann
Shiny Nude (Stealingworth, 33), 1977
Silkscreen on glossy cast-coated Kromekote paper
8 × 8 inches
Edition 489/1000
Pencil numbered 489/1000 with artists printed name on the verso; Held in original stamped envelope
Distributed by the Museum of Modern Art; printed by Unity Engraving Co.
Unframed
"Shiny Nude" - a dazzling limited edition, pencil numbered print features all of the hallmarks of the risque art arising from the sexual revolution of the 1960s and 1970s- saturated lips, full pubic hair...
Category
Pop Art 20th Century Art
Materials
Screen
Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950),
Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco.
Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat).
Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing.
Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor.
In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987.
In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison.
In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...
Category
Pop Art 20th Century Art
Materials
Monoprint, Monotype
Vintage American School Precisionist Cat Portrait Original Oil Painting
Located in Buffalo, NY
Vintage American School cat portrait painting. Cubist / Precisionist style Oil on canvas. Unsigned. Framed. Image size, 29.25 by 23.25H.
Category
Abstract 20th Century Art
Materials
Canvas, Oil
Kuwana Station - Woodcut after Utagawa Hiroshige -1920s
Located in Roma, IT
Kuwana Station is an original modern artwork realized after Utagawa Hiroshige (1797 – 12 October 1858) in 1920s.
Original woodcut print oban yokoe. After the famous Tokaido series, ...
Category
Modern 20th Century Art
Materials
Woodcut
Original Vintage Poster French West Africa Map Afrique Occidentale Francaise Art
Located in London, GB
Original vintage poster featuring an illustrated map of French West Africa / Afrique Occidentale Francaise marking the capital cities, towns, ports, Sahara Desert and rivers in Mauri...
Category
20th Century Art
Materials
Paper
Original Vintage Comedy Movie Poster Sunday In New York Jane Fonda Roger Soubie
By Roger Soubie
Located in London, GB
Original vintage movie poster for an American romantic comedy film Sunday in New York / Un Dimanche a New-York directed by Peter Tewksbury and starring Jane Fonda as Eileen Tyler, Cl...
Category
20th Century Art
Materials
Paper
The Visit - Original Offset and Lithograph by George Grosz - 1923
By George Grosz
Located in Roma, IT
The Visit is an original offset and lithograph realized by George Grosz.
The artwork is the plate n. 11 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mali...
Category
Expressionist 20th Century Art
Materials
Lithograph, Paper, Offset
Nude - Drawing by Georges Gobo - Early 20th Century
By Georges Gobo
Located in Roma, IT
Nude is a Pastel Drawing realized by Georges Gobo (1876-1958).
Good condition on a yellowed paper.
Hand-signed by the artist on the lower right corner.
Georges Gobo or Georges Gob...
Category
Modern 20th Century Art
Materials
Pencil
Original Vintage Travel Poster French Line Ocean Cruise Plymouth Panama Spain
Located in London, GB
Original vintage cruise ship travel poster advertising Plymouth and Panama to the Spanish Main & West Indies The largest and fastest mail steamers from England by French Line (founde...
Category
20th Century Art
Materials
Paper
Rotation I, Geometric Abstract by Larry Zox
By Larry Zox
Located in Long Island City, NY
Artist: Larry Zox
Title: Rotation I
Year: 1978
Medium: Serigraph, signed and numbered in pencil
Edition: 160
Paper Size: 34 x 38 inches [86.36 x 96.52 cm]
Category
Abstract Geometric 20th Century Art
Materials
Screen
Flowers, (After) Andy Warhol -Pop Art, Tapestry, Edition, Contemporary, Design
By Andy Warhol
Located in Zug, CH
(After) Andy Warhol
Flowers, 1968
Hand Woven Wool Tapestry
183 x 183 cm (72 x 72 in)
Edition of 20
With the knotted name ‘ANDY WARHOL’ lower right and the embroidered annotation ‘WARHOL ©’ on the reverse
Published by Modern Master Tapestries, NY
Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognized.
The 1964 Flower series became one of his most iconic and successful works. Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colors, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colors of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge.
Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...
Category
Pop Art 20th Century Art
Materials
Tapestry, Wool
Original Antique Advertising Poster Maximilian Cafe Restaurant Afternoon Tea Art
Located in London, GB
Original antique poster advertising elegant afternoon tea at the Maximilian cafe restaurant with a dance band playing music in the afternoons and evenings - und dann ins Cafe Wein Re...
Category
20th Century Art
Materials
Paper
Untitled "Portrait of a Young Man (Carlo), " USA, 1950
By Andy Warhol
Located in Toronto, Ontario
Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making.
...
Category
American Modern 20th Century Art
Materials
Paper, Ballpoint Pen
Hummock
Located in Lawrence, NY
Ex collection Carolyn Dunlap Millet
Exhibited: Knoedler and Co, NY; Tibor de Nagy, Houston; Berry Campbell, NY
Walter Darby Bannard was a leading prop...
Category
Color-Field 20th Century Art
Materials
Acrylic
Execution - Offset and Lithograph by George Grosz - 1923
By George Grosz
Located in Roma, IT
Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz.
The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...
Category
Expressionist 20th Century Art
Materials
Lithograph, Offset
Quiet Sunday (Yellow), Hand-painted Lithograph by Wayne Ensrud
By Wayne Ensrud
Located in Long Island City, NY
A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934).
Quiet Sunday (Yellow)
Wayne Ensrud, American (1934)
Date: 1980
Hand-Painted Lithog...
Category
Contemporary 20th Century Art
Materials
Lithograph, Acrylic
Pierre Bonnard Ltd Ed Lithograph Printed at Mourlot Paris 1958 Father and Son
Located in Surfside, FL
This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928.
This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960
These are not individually hand signed or numbered.
On BFK Rives French velin art paper
Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse.
He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist.
From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married.
In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis.
Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov.
During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes.
In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday.
Bonnard particularly used the model of Japanese art in a series...
Category
Post-Impressionist 20th Century Art
Materials
Lithograph
Animal - Drawing By Reynold Arnould - 1970
Located in Roma, IT
Animal is a Black Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980).
Good condition on a yellowed paper.
Monogrammed and dated on the lower margin.
Reynol...
Category
Modern 20th Century Art
Materials
Paper, Permanent Marker
"The Waves" Abstract Geometric Screen Print, 7/30
Located in Soquel, CA
Colorful and bright limited edition abstract silkscreen print with fun colors and bold geometric shapes arranged in a lively, dynamic composition by Harvey Daniels (English, 1936-201...
Category
Pop Art 20th Century Art
Materials
Paper, Ink, Screen
Original Vintage London Underground Poster Chinatown Paint It By Tube Bellany
By John Bellany
Located in London, GB
Original vintage London Underground poster - Paint It By Tube at the Royal Academy Piccadilly nearest station Green Park. Colourful image of a waiter and people eating at a Chinese restaurant in Chinatown with food and games on the table including playing cards and a checkers / draughts board...
Category
20th Century Art
Materials
Paper
Soldiers - Lithograph by Luc-Albert Moreau - Early 20th Century
Located in Roma, IT
Soldier is an Lithograph on ivory-colored paper realized by Luc Albert Moreau.
The artwork is in good condition.
Hand-signature on the lower right corner, numbered on the left.
Lu...
Category
Post-Impressionist 20th Century Art
Materials
Lithograph
Original Vintage Travel Poster Jajce Yugoslavia Pliva Waterfall Bosnia Design
Located in London, GB
Original vintage travel poster for Jajce Jugoslavija featuring a scenic view of the walled town with red roof buildings, a church spire and trees leading down to the river and Pliva ...
Category
20th Century Art
Materials
Paper
1979 Original Poster by Bernard Villemot for Serge Diaghilev's Ballets Russes
Located in PARIS, FR
Beautiful poster by Bernard Villemot for Serge Diaghilev's Ballets Russes.
Sergei Pavlovich Diaghilev, usually referred to outside Russia as Serge Diaghilev, was a Russian art criti...
Category
20th Century Art
Materials
Paper, Lithograph
Orange Rectangles, Geometric Abstract by Cristofaro
Located in Long Island City, NY
Artist: Cris Cristofaro, American
Title: Untitled - Orange Rectangles
Year: 1978
Medium: Silkscreen on Arches Paper, signed and numbered in pencil
Edition: 50
Size: 22 x 30 in. (55.8...
Category
Abstract Geometric 20th Century Art
Materials
Screen
Original Vintage Fashion Advertising Poster Austin Reed Good Clothes Design Art
Located in London, GB
Original vintage men's fashion advertising poster - Austin Reed Good Clothes for Town and Country - featuring a stunning image of two elegantly dre...
Category
20th Century Art
Materials
Paper
"Woman From Chinle"
By R.C. Gorman
Located in Warren, NJ
In good condition some surface scratches
Measures 18x13
signed potters proof
International buyers must cover all shipping costs
Category
20th Century Art
Materials
Ceramic
Original Vintage Travel Poster Budapest Festival Hungary Magyarorszag Dance Art
Located in London, GB
Original vintage travel poster for the Budapest City Festival with Opera Ballet on 2 February 1939 at the German Theatre - Festball der Stadt Budapest mit dem Kgl. Ung. Opernballett ...
Category
20th Century Art
Materials
Paper
Alexander Calder Lithographic cover Derrière le miroir 1973
Located in NEW YORK, NY
Alexander Calder Lithographic cover: Derrière le miroir 1973:
Lithographic cover sheet; 15 x 11 inches.
Very good overall vintage condition.
Unsigned from an edition of unknown.
Por...
Category
Modern 20th Century Art
Materials
Lithograph
"Man with Beard"
Located in Warren, NJ
This is an Joseph Stella original pencil drawing “man with beard” . In good condition comes from joseph Stella’s estate. In good condition measu...
Category
20th Century Art
Materials
Paper
1964 Original poster of Kees Van Donne representing Brigitte Bardot
Located in PARIS, FR
Original poster of Kees Van Dongen representing Brigitte Bardot, for the exhibition of the painters witnesses of their time. Isis Kischka founded, with the art critic Jean Cassou and...
Category
20th Century Art
Materials
Paper, Lithograph
Nude in a Mirror
By Aaron Bohrod
Located in Fairlawn, OH
Nude in a Mirror
Ink and wash on paper, n.d.
Signed in red ink lower right (see photo)
Illustrated: Elliott & Wooden, page 153, a monograph on the artist's drawings
Note: a cop...
Category
American Realist 20th Century Art
Materials
Ink
Girl - Drawing By Reynold Arnould - 1970
Located in Roma, IT
Girl is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980).
Good condition on a little sheet of a notebook.
No signature.
Reynold Arnould was born...
Category
Modern 20th Century Art
Materials
Permanent Marker, Paper
Andy Warhol Gouache on Interview Magazine Back Page 1989 Modernism
Located in Soquel, CA
Andy Warhol Gouache on Interview Magazine Back Page 1989 Modernism
Portrait of Andy Worhol on Andy Worhol's Interview Magazine back page and painted over in Gouache by Ricardo (Richa...
Category
Modern 20th Century Art
Materials
Paper, Gouache
The Book of Love 10
Located in West Hollywood, CA
Robert Indiana
"The Book of Love 10"
1996; Screenprint in color on A.N.W. Crestwood Museum Edition paper
24 x 20 inches
Edition of 200
Unframed
Category
20th Century Art
Materials
Screen
Jon Anderson
By Paul Cadmus
Located in New York, NY
Jon Anderson
Signed in pencil, u.l.
Color crayon on paper
23 x 17 inches (58.4 x 43.2 cm)
This work is offered by CLAMP in New York City.
Category
Contemporary 20th Century Art
Materials
Paper, Crayon
Ex Libris Konyve - Original Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex Libris Konyve is an original Contemporary Artwork realized in the mid-20th Century.
Original B/W woodcut print on ivory-colored paper.
The work is glued on cardboard.
Total...
Category
Modern 20th Century Art
Materials
Woodcut
The Horse Trainer - Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
The Horse Trainer is an original Linocut Print realized by Mino Maccari in 1951.
Very Good condition.
No Signature.
Mino Maccari (1898-1989) was a...
Category
Modern 20th Century Art
Materials
Linocut
Dancer by John Torcapel - Gouache on paper 38x43 cm
Located in Geneva, CH
Work on paper
Category
Modern 20th Century Art
Materials
Oil, Gouache
Mars
Located in MADRID, ES
Mars
Category
20th Century Art
Materials
Acrylic
'Equestrian Actress', Modernism, Circus, Vietnamese, French, Horse, Acrobats
By Hoi Lebadang
Located in Santa Cruz, CA
Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left.
Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...
Category
Modern 20th Century Art
Materials
Paper, Lithograph
Original Antique War Era Advertising Poster Austrian War Welfare Exhibition WWI
Located in London, GB
Original antique World War One era advertising poster - Offizielle Kriegsfursorge Ausstellung Kriegsgraphik Osterreichisches Museum fur Kunst und Industrie Stubenring 5 / Official War Welfare Exhibition War Graphics at the Austrian Museum of Art and Industry (opened 1864; now the Museum of Applied Arts MAK) from 10 March to 22 April. Great design featuring an illustration of a warrior in a helmet holding a spear and shield with his shadow against the yellow background, the bold stylised title text above and on a diagonal box below with further information on the side. Artwork by the poster designer and theatre artist Jozsef Diveky / Joseph Diveky (1887-1951), a member of the Wiener Werkstatte group (the Vienna Workshop...
Category
20th Century Art
Materials
Paper
Original Vintage Travel Poster Zoo London Underground Gibbon Stanislaus Brien
By Stanislaus Brien
Located in London, GB
Original vintage poster for London Zoo featuring a great charcoal drawing of The Hoolock Gibbon swinging through trees by the Polish artist G Stanislaus...
Category
20th Century Art
Materials
Paper
"Oriental Dream", Arthur Secunda, Beverly Hills, California, March, 1980
Located in Clinton Township, MI
ARTHUR SECUNDA (American, b. 1927)
“Oriental Dream”, Arthur Secunda, Beverly Hills, California, March, 1980
Poster
39.625 x 23.875 in. Unframed
Plate signed
Publishing Information: P...
Category
20th Century Art
Materials
Lithograph
Red and Blue Spheres, from Derriere le Miroir #201
Located in Washington, DC
Artist: Alexander Calder
Medium: Lithograph
Title: Red and Blue Spheres
Portfolio: Derriere le Miroir #201
Year: 1973
Edition: Unnumbered
Framed Size: 21 1...
Category
20th Century Art
Materials
Lithograph
Original Vintage Soviet Propaganda Poster Our Women Are With Us USSR Army Design
Located in London, GB
Original vintage Soviet propaganda poster - Our Women Are With Us! - featuring the slogan below three images, the first depicting a young lady in front of a soldier wearing a budenov...
Category
20th Century Art
Materials
Paper
Large American Modernist Judaica Oil Painting Rabbinic Discussion
Located in Surfside, FL
Ervin B. Nussbaum was born in Columbus, Ohio on November 11, 1914. His father, Marger, had arrived as part of the great Russian Diaspora of the time, when many Jewish families set...
Category
Modern 20th Century Art
Materials
Board, Oil
Untitled (s)
Located in New York, NY
1964
Lithograph in black ink
23 1/4 x 16 1/2 in. (59 x 42 cm), unframed
From the open edition as issued
(Published by the Albertina Museum, Vienna, Austria)
Available for local p...
Category
20th Century Art
Materials
Lithograph
Hommage a Rene Char after Pablo Picasso
Located in New York, NY
This colorful lithograph after Pablo Picasso was printed by the Atelier Mourlot in Paris in 1964 and is unsigned*. This image is taken from a drawing in pencil and colored chalk enti...
Category
Modern 20th Century Art
Materials
Lithograph
California Poppies Watercolor
Located in New York, NY
Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining from tape to edges.
Category
20th Century Art
Materials
Watercolor, Board
Siren - Linocut by Mino Maccari - 1951
By Mino Maccari
Located in Roma, IT
Siren is a Linocut Print realized by Mino Maccari in 1951.
Not signed, very good condition.
Mino Maccari (1898-1989) was an Italian writer, painter, engraver and journalist, winner...
Category
Modern 20th Century Art
Materials
Linocut
Original Antique Advertising Poster PKZ Burger Kehl & Co Men's Fashion Design
Located in London, GB
Original antique men's fashion advertising poster for Marke PKZ Burger Kehl & Co features a great design by Stephan Krotowski (1881-1948) depicting a well dressed man wearing a long ...
Category
20th Century Art
Materials
Paper
Composition - Original Drawing - Mid-20th Century
Located in Roma, IT
Composition is an original Drawing in Pencil and watercolor realized by an anonymous artist in the mid-20th Century.
Good Conditions.
The artwork is depicted through strong strokes...
Category
Modern 20th Century Art
Materials
Pencil, Watercolor
Sundance
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
Color-Field 20th Century Art
Materials
Oil