20th Century Art

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

In the 1970s, color photography was still not recognized as fine art. As a street photographer, Mitchell Funk breaks with traditional black and white photography and shoots on the ...

Technical Information: Julian Stanczak Median with Circles, from Variants 1970 Screenprint 28 3/4 x 28 3/4 in. Edition of 125 Pencil signed and numbered Accompanied with COA by Gre...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: Bougrelas and his Mother II, from: Series for King Ubu Bougrelas et sa Mère II, from: Suites pour Ubu Roi, 1966 Technique: Original Hand Numbered Lithograph in Colours on Arches Wove Paper Paper size: 54 x 75 cm. / 21.3 x 29.5 in. Image size: 41 x 63 cm. / 16.1 x 24.8 in. Additional Information: This original lithograph in colours is hand numbered in pencil from the edition of 75, at the lower left corner. There were also 25 hors commerce [out of trade] impressions. This composition was published unsigned and exists only in this form. The work was part of a portfolio entitled "Roi Ubu" [King Ubu] realised by the artist in 1966. It was printed by Atelier Mourlot, Paris and published by Tériade Éditeur, Paris. The paper bears the Arches watermark along the lower margin. Note: Ubu Roi (Ubu the King) is a play by Alfred Jarry...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

In the early in1970's Mitchell Funk was one of the very few photo innovators who used extreme late afternoon golden light. In "Hotel Dixie, 1975, the intense light not only illumin...

ca. 1965 Acrylic on canvas 54 1/4 x 54 in. (137.8 x 137.2 cm) Signed, verso

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

TECHNICAL INFORMATION Keith Haring Pop Shop IV (C) 1989 Screenprint 13 1/2 x 16 1/2 in. Edition of 200 Pencil signed, dated, and numbered Condition: ...

Jim's of Lambertville is proud to present this watercolor by Lloyd R. Ney (1893 – 1964). Called “Bill” by his friends, Lloyd Ney was one of the pioneers of Modernist art in New Hope...

This artwork titled "Asbury Park II" 1992 is an original color lithograph on Wove paper by noted American abstract expressionist artist, Michael Rubin, bor...

Artist: Robert Motherwell (American, 1915-1991) Title: "Untitled (Red)" Portfolio: London Series I *Signed by Motherwell in pencil lower right. It is also signed in the plate (printed signature) upper left Year: 1971 Medium: Original Screenprint on J. B. Green Double Elephant paper Limited edition: 32/150, (there were also 10 artist's proofs) Printer: Chris Prater of Kelpra Studio, London, UK Publisher: Marlborough Graphics, Inc., New York, NY Reference: Belknap No. 62, page 176-177; Engberg No. 90 Framing: Within its original frame - the artwork is floated, framed in a gold contemporary moulding with black fabric matting and gold filet Framed size: 51.38" x 38.38" Sheet size: 41.25" x 28.25" Image size: 36.25" 24.13" Condition: In excellent condition Rare Notes: Provenance: one owner ever - private collection - Detroit, MI; acquired from GMB Gallery Inc., Birmingham, MI in 1982 retaining its original receipt and appraisal. Numbered by Motherwell in pencil lower right. Comes from Motherwell's 1970-1971 "London Series" portfolio of five screenprints, (Belknap No. 60-64, page 176-177). The five works include "Untitled (Orange...

Silkscreen print on cardboard Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporat...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition.

TOMATO SOUP 1984 Poster da serigrafia originale Poster after an original silkscreen cm 100 x 65 Firma sul fronte a destra: Andy Warhol Signed on the right: Andy Warhol Poster orig...

This lithograph is from my private School of Paris collection of early, mid , late 20th Century artist. It is vibrant in color and a limited edition, hand signed. It is in very good ...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

Publisher GKM. Unframed. Edition of 150 ex. Paper: 300gr. Goya. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

Leslie Caron, 1954 Ormond Gigli US, Born 1925 Ormond Gigli became famous early on during the 1950s for his photographs of theatre, celebrities, dance, exotic persons & places. His work appeared prominently on covers & editorial pages of LIFE, TIME, PARIS MATCH, SATURDAY EVENING POST, COLLIERS, and other major international publications. Gigli's groundbreaking portraits include Sophia Loren (at age 21), Anita Ekberg, Marcel Duchamp, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini, Marlene Dietrich, Judy Garland, Sir Laurence Olivier, Alan Bates...

A wonderful drawing by Keith Haring on the first page of a catalog of his artworks exhibition. printed by Tony Shafrazi Gallery, New York, 1982 Signed lower right. Hand signed Marker...

Additional Information: Work is titled BLUE PISSOIR. Certificate of Documentation to reverse states: “This work was donated by the artist, courtesy of Luhring Augustine Gallery, to b...

Sku: YY5001-B Artist: Andy Warhol Title: American Indian (Red) Year: 1977 Signed: Yes Medium: Offset Lithograph Paper Size: 50 x 34 inches ( 127 x 86.36 cm ) Image Size: 28 x 23.25 i...

Artist: Joan Miró (Spanish, 1893-1983) Title: "Untitled (page 20, 21)" Portfolio: Derrière Le Miroir: Hommage à Aimé et Marguerite Maeght (No. 250) *Issued u...

Carle Vernet print Les Jockeys Montes Art Sz: 5 1/2"H x 9"W Frame Sz: 14"H x 17"W w/ French mat & birdseye maple frame Antoine Charles Horace Vernet, better known as Carle Vernet...

(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...

Charles Hinman On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...

Printed on French Arches paper. Hand signed and numbered 11/35 Artist's Proof Seong Moy was born in Canton on April 12, 1921 but he immigrated to the United States in 1931, settlin...

Plate VI, from Joan Miro by Jacques Prévert and Georges Ribemont-Dessaignes, a book published by Maeght and Printed by Mourlot in 1956. Reference: Mo...

The visible of the invisible - Red composition is an original contemporary artwork realized by Italo Bressan in 1989. Mixed colored screen print. Hand signed and dated on the lower...

This work is from the series Formulation Articulation consisting of 127 original silkscreens, selected from forty years of Albers' study of the conceptual relationship between color ...

These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful. Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf. Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude California State University, Northridge, 1968-1970 SELECTED ONE AND TWO-PERSON EXHIBITIONS Griffin Museum of Photography, Winchester, MA, From Lead Into Gold Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration. Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration Cypress College, Paris Polaroids: Art In The City Of Lights Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space (20-year survey with catalogue) Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue) Richard Green Gallery...

Original vintage advertising poster for Het Vaderland een goede krant / The Fatherland A Good Newspaper featuring a fun design depicting a kangaroo with a joey in its pouch, both rea...

Work part of the series "New International Abstraction" produced from 1972 to 2002 accompanied by certificate of authenticity on photograph issued by the Sarenco Foundation. Coming f...

An original abstract expression 1984 Olympic poster by Sam Francis (American, 1923-1994). Featuring a red background with geometrical abstract des...

This artwork, titled "Ceremonial Landscape" c.1980 is an etching with embossing on Arches paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “21/30 e.v.”. The meaning of e.v. is “edition varied.” It indicates the artist varied the ink or paper or some other aspect of the printing process to create more than one image. The image is 18 x 15 inches, sheet size is 30 x 22.25 inches. It is in excellent condition, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

BEARD, Peter [205] pp. Arena Editions 1999 First Edition 7 1/4" x 8 1/4" w/ Acrylic 'Red Hand-Print' Inscribed: from Peter [Beard] 205 W 57th [NYC] thanks for all Feb 15, 20...

Artist: Josef Albers (German-American, 1888-1976) Title: "JHM - II" Portfolio: Josef Albers Honors the Hirshhorn Museum and Sculpture Garden *Monogram signed and dated by Albers in p...

Art Sz: 23"H x 14 1/4"W Alexander Warren Montel (1921-2002)

Artist: (after) Andy Warhol (American, 1928-1987) Title: "Playboy: 35th Anniversary" *Signed by Warhol in the plate (printed signature) lower right Ye...

Pair of pen & ink drawings c1924 depicting The Winning Owner, HH The Aga Khan & 4"H x 2 1/2"W A Popular Light-Weight, Gordon Richards 4 3/4"H x 3 1/4"W Art Sz: 7"H x 5"W Fram...

Edition of 400 copies. One of the 350 copies on Pur Fil Lafuma-Navarre paper. Includes 5 original etchings and many illustrations by Jules Pascin. Original paperback cover. Perfect c...

This lithograph is a piece of my private collection from artists of the 20th Century. It is original, signed by artist and numbered 217/220. It is vibrant in color and in very good...

Colourful decoupage harlequin portrait by Colobesa? '89 Art Sz: 8 1/2"H x 5 1/2"W Frame Sz: 13 1/4"H x 10 1/4"W w/ chrome frame w/ red & yellow mat

Classic PDB 'Here's to the Horse' print depicting seven equine pursuits Print Sz: 19 1/2"H x 13 1/2" Frame Sz: 15"H x 19"W w/ birdseye maple frame

Work on canvas

Rhoades Coat-of-Arms in red & silver colour gouache c1950s Art Sz: 7"H x 5"W Frame Sz: 14"H x 12"W w/ period ornamental frame

11 colourful Player's Cigarettes cards custom framed including The Jockey & The Polo Player Image Sz: 13 3/4"H x 8"W Frame Sz: 20"H x 14"W

NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century Eugene Savage (1883 – 1978) 1939 World’s Fair Mural Study 45 x 30 inches Oil on Canvas Signed lower right The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available. Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting. BIO Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy. While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States. After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild.. Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions. By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack. However the mural images were reproduced and distributed by the shipping company including nine of the mural scenes that were made into lithographed menu covers in 1948. The American Institute of Graphic Arts awarded certificates of excellence for their graphic production, and the Smithsonian Institute exhibited the works in 1949. Today Savages' Hawaiian Art production is held in high regard by collectors of Hawaiian nostalgia. In later years the artist focused his attention on a theme that dealt with the customs and tribal traditions of the Seminole Indians of Florida. He produced many variations of this theme throughout his lifetime, and the pictures were usually modest scale easel paintings, precise and carefully delineated. Many of these pictures incorporate Surrealistic elements and show some minor stylistic influences of the painters Kay Sage...

c1930s menswear advert easel card (in perfect/ as new condition) for a tailoring company out of Rochester, NY featuring a stylish gent in elegant tailored sport jacket & gabardine tr...

Carrousel silk c1980s scarf w/ (9) vignettes of equestrian images Scarf Sz: 36"Sq Frame Sz:38"Sq w/ gilt bamboo frame

c1930s laminate advert board featuring dashing gent in double-breasted suit w/ straw boater Art Sz: 17 3/4"H x 11 3/4"W Frame Sz: 18 3/4"H x 12 3/4"W Fashion Park Clothes was a R...

A vintage screen print poster by minimalist, op artist Joseph Albers from 1968. The piece advertises and exhibit of paintings and graphic works at Denise Rene, a Paris Art Gallery. ...

John Grillo Untitled Op Art Mid Century Modern, 1969 Color silkscreen on art paper with deckled edges Signed and dated lower right; numbered 6/9 lower left Limited Edition of only 9 Unframed The present work is a dazzling, extremely rare 1960s screenprint...

Artist: Robyn Denny, British (1930 - 2014) Title: The Paramount Suite (Orange) Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 32/75 Size: 26 x 34 inches

Parisien Chez Larue restaurant 3, Pl de le Madeleine b&w c1920s advert sheet featuring three male diners wooing a lady at table by Pierre Fali donne de l'esprit Image Sz: 9 3/8"H x ...

Acrylic on canvas. Signed and dated lower right, titled verso. 69 x 68.25 in. 70.5 x 70 in. (framed) Custom framed in a solid maple floater. Provenance Private Collection, Hilton ...

Original color vernis-mou (soft-ground etching), 1971. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Metka Krašovec is one of the most important p...

30.8 Lbs Base to Collar 67"H Top: Back Center Seam 30" Sleeve Seam 26" Shoulder Blade 18" Trousers: Inseam 30" Outseam 42" 3 Button-Fly Front