Horizontal Abstract Photography

Chromogenic Print Face-mounted 4.5mm Plexiglas- Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition: 2/3. Paul Snell combines traditional and digit...

Boathouse, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by art...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

"The Clash Within Harmony #12591" features hues of grey and orange. This photograph is edition 1/9 +2 AP. Zhou Peng is a fine art photographer from Shanghai, China. Formally traine...

Water Reflection, Abstract Color Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered...

"Starburst" Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot wit...

Photon 06 (Abstract Photography) Chromogenic print. Edition 1/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

Manolo Chretien, France Monsters, Douglas DC-4, Dugny, Le Bourget, 2008 - Aero series (Air) 27 x 43 in Edition of 9 Dye Sublimation on Aluminum 35 x ...

Cyril Porchet Crowd #5, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Alessandro Puccinelli Mare #331, 2018 Seascape - From the Mare series - Framed 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Edition of 3 Archival Pigme...

Edition of 10 Signature label with name, title, materials, series, edition number and date. From Marcy Palmer's series, Unearthing. Marcy Palmer's Artist Statement: "The photogra...

Signed and dated verso 1961 Matted with archival board. Not framed The Art Institute of Chicago, Gift of Richard L. Menschel

The history of street photography has been characterized by a loose snapshot style where the central purpose was to capture random moments as they unfold in time. Little emphasis was...

Jose Bassit The secret life of Leaves 2, 2019 40 x 60 inches Edition of 7 Archival Pigment Print - Metallic Paper Framed

"Construction Site, Tucker, Georgia #3, 2019" is a drone photograph featuring hues of red, yellow, grey and tan. Edition of 5. This photograph may be available in additional sizes. P...

Matthew Conradt Connecticut Cough mixed media on Mylar 16 x 21 inches 2014 This item is not framed Matthew Conradt’s mixed media works investigate the current disarray of the Americ...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Cyril Porchet Crowd #3, 2012 50 x 62 inches 125 x 156 cm Edition of 7 C-Print Matt Plexiglas

Daniel Mansur Abstract Landscape #23 Canvas Fine Art - Framed Archival Pigment Print

Alessandro Puccinell A van in the sea #32, 2019 40 x 60 inches Edition of 5 Dye Sublimation on Aluminum Framed

Alessandro Puccinelli Chaosmos 66, 2018 20 x 40 inches Edition of 10 Archival Pigment Print 30 x 60 inches Edition of 5 Archival Pigment Print 35.5 x 71 inches Edition of 3 Archiv...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

27 x 44 in Edition of 9 EUR 3.200 35 x 57 in Edition of 9 EUR 5.200 48 x 71 in Edition of 9 EUR 6.800 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 8.800 Dye Sublimation...

27 x 44 in Edition of 9 EUR 3.500 35 x 57 in Edition of 9 EUR 5.500 48 x 71 in Edition of 9 EUR 7.100 Dye Sublimation on Aluminum 48 x 77 in Edition of 9 EUR 9.100 Dye Sublimation...

40 x 60 inches Edition of 3 Archival Pigment Print Framed

A marquee for an Art Deco Movie theater in Denton, Texas is photographed with meticulous precision by street photographer Mitchell Funk. Funk's approach...

"Removal of Self #60" Photography 16" x 20" inch Edition 1/1 by Ben Cope 2011 Photo on deconstructed paper 16” x 20” inch Ben Cope is a Georgia native graduating from Columbus Sta...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

Ola KOLEHMAINEN (*1964, Finland) MVSEVM XIII (Victoria & Albert), 2020 Archival Ink-Jet matt prints Dibond mount in Artist Frames Overall dimensions 120 x 275 cm (47 1/4 x 108 1/4 in...

Wherever you look, you see the Chrysler Building. In 1980, it was easier to see it because there was less clutter in the Manhattan skyline. From the Observation Deck of 30 Rockefel...

Deep Runners, Hand signed, dated,and numbered from limited edition. This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend. Eve Sonneman (born in Chica...

"Construction Site, Lilburn, Georgia #2, 2019" is a drone photograph featuring hues of orange, yellow, grey, green and brown. Edition of 5. This photograph may be available in additi...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/2 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

"Kirsten Dunst & Jesse Plemons at Gelson's Market in LA, 5/2/18" features hues of green, blue, yellow and purple. This photograph is an archival inkjet ...

"Construction Site, Stone Mountain, Georgia #13, 2019" is a drone photograph featuring hues of grey, orange and yellow. Edition of 5. This photograph may be available in additional s...

A transformative photograph with emotive color emerges from the lens of Photographer Mitchell Funk. For him, it's about capturing extreme light as it strikes form. In the present i...

"Construction Site, Decatur, Georgia #4, 2017" is a drone photograph featuring hues of mauve, red and brown. Edition of 5. This photograph may be available in additional sizes. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, and David Hockney. Peter Essick is a photographer, author, speaker, instructor, and drone pilot who specializes in nature and environmental themes. Named one of the 40 most influential nature photographers in the world by Outdoor Photography MagazineUK, Essick has been influenced by many noted American landscape photographers from Carleton Watkins to Robert Adams. His goal is to make photographs that move beyond mere documentation to reveal in careful compositions the human impact of development as well as the enduring power of the land. Essick is the author of two books of his photographs, "The Ansel Adams Wilderness," and "Our Beautiful, Fragile World." He has had solo exhibitions of his work at the Booth Western Art Museum, Yoho National Park: A Canadian Gem, and at Lumière Gallery, Compositions in Nature. Essick has photographed stories for National Geographicon many environmental issues including climate change, high-tech trash, nuclear waste and freshwater. Other work has been published in international magazines. Essick's photographs are in public and private collections. Currently, Essick is working on a book of his photographs about Fernbank Forest, an urban old-growth forest in Atlanta, and will be published by Fall Line Press...

"Construction Site, Decatur, Georgia #5, 2017" is a drone photograph featuring hues of grey, white and brown. Edition of 5. This photograph may be available in additional sizes. Pete...

Street Art by the Rich. Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Large blue boxwood balls stand next to a long teal blue boxwood hedge Beautiful landscaping greets visitors as they approach sophisticated residences along Miami's fabled Collins Avenue. Hedge Fun...

"Kodak Sign, Atlanta, Georgia X 36" is a composite photograph with hues of red and orange. Peter Essick is a photographer, author, speaker, instructor, and...

"Construction Site, Lithonia, Georgia #1, 2017" is a drone photograph featuring hues of red, orange and grey. Edition of 5. This photograph may be available in additional sizes. Pete...

Allan Forsyth Eyes to the wind 228x76cm Archival Chromagenic Photographic Print Diasec Framed Edition 6 + 2 APs Allan Forsyth is an artist who explores a breadth of themes that is r...

"Construction Site, Mountain Park, Georgia #3, 2019" is a drone photograph featuring hues of turquoise, yellow, orange and blue. Edition of 5. This photograph may be available in add...

"Construction Site, Doraville, Georgia #2, 2019" is a drone photograph featuring hues of yellow, blue, white, orange and brown. Edition of 5. This photograph may be available in addi...

"Construction Site, Stone Mountain, Georgia #4, 2019" is a drone photograph featuring hues of yellow, blue, orange and white. Edition of 5. This photograph may be available in additi...

"Construction Site, Tucker, Georgia #6, 2019" is a drone photograph featuring hues of turquoise, orange, blue, black and grey. Edition of 5. This photograph may be available in addit...

"Construction Site, Stone Mountain, Georgia #6, 2019" is a drone photograph featuring hues of orange, grey and red. Edition of 5. This photograph may be available in additional sizes...

"Removal of Self #100" (FRAMED) Nude Photography Edition 2/3 by Ben Cope Photo on deconstructed paper 20” x 55” inch Comes in white frame and plexiglass Ben Cope is a Georgia na...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

"Emily Ratajkowski on a Boat in Positano, Italy, 6/23/17" features hues of red, yellow, orange and green. Spencer Sloan is inspired by the work of H...

"Seen and Unseen #4006" features hues of bright blue and green. This photograph is edition 2/7 +2 AP. Zhou Peng is a fine art photographer from Shanghai, China. Formally trained as...

Hilary Lloyd (British, b. 1964) Shopfront, 1999 Medium: Offset lithograph on card stock Dimensions: 21 x 26 cm Edition of 100: Hand-signed, numbered and dated Condition: Excellent

Signed, dated, titled and editioned by the artist on the back of the print. Stamped with title, date and edition on the back of the mount. Editions of 53.

"Kendall Jenner Out in Paris, 07/05/15 I" features hues of forest green, orange, yellow, gold, red, and turquoise. This photograph is an archival inkjet...

"Modernismo M2" Abstract Photography 40" x 80" inch Ed. 2/10 by Giuliano Bekor Print size 40x80 Inches trim bleed Artwork finished size 42x82 Inches Limited edition 2 of 10 Artis...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Edition 1 of 1 Archival print, sintra mount, polished acrylic. Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction...

A 19th-century red fire call box is smothered in street advertisements and graffiti. It dominates the left half of the composition. Behind i, a street-l...

Hand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy Whites