Digital Abstract Photography

'Cicatrices 1' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Scars of birthing in the unfolding leaf pattern of the giant graceful Agave....

'To the moon and back' is a photograph of one of the summer evening sunsets. As you gaze at the horizon, you see a plane flying at the perfect horizontal line, set on its journey. Co...

Please bear in mind that all prints are produced to order and lead times are expected between 15-20 days. Wisley 7 is a vibrant Archival Pigment Print available in an Edition of 10...

"UNTITLED (Blue Erase)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials ...

"LUNCH", 2018, is a color photograph by Sophia Rauch, one in a series of "Ghost" pictures. It's an inkjet print on Hahnemeule Photo Rag Paper, and measure...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...

"UNTITLED (Horizon)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

"UNTITLED (Cut Lavender)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating material...

"GHOST SHOWS A PAINTING", 2018, is a color photograph by Sophia Rauch, one in a series of "Ghost" pictures. It's an inkjet print on Hahnemeule Photo Rag P...

"GHOST AT WORK", 2018, is a color photograph by Sophia Rauch, one in a series of "Ghost" pictures. It's an inkjet print on Hahnemeule Photo Rag Paper, and...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

Come With Me 1, 2011 - Fern Plants on Forest Floor in English Woodland Landscape by Ellie Davies Come With Me 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

Stars 4, 2014 - Stars and Trees in Ancient English Woodland and Forest Landscape by Ellie Davies Stars 4 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte Pape...

Edition of 50. All items are shipped as a print only and come unframed. Jo Crowther was born in York in 1963, and a childhood of much travelling resulted in her attending 14 differ...

Edition of 50. All items are shipped as a print only and come unframed. Jo Crowther was born in York in 1963, and a childhood of much travelling resulted in her attending 14 differ...

Edition of 50. All items are shipped as a print only and come unframed. Jo Crowther was born in York in 1963, and a childhood of much travelling resulted in her attending 14 differ...

This piece is a collaboration between Sarah Phyllis Smith and Douglas Degges. Douglas Degges (b. Shreveport, LA) is an artist and educator currently based in Mansfield Center, CT w...

The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections within currency what some might say the s...

Chromaticism III (2014-2019) 100 x 178 cm - original / single unique print + 1AP Museum-Quality Fine Art Printing. Ship in a well protected, solid tube. Original Warranty for all th...

Abstracted floral still life color photograph, yellow magnolias in an abstract motif Archival digital print 30 x 30 inches, edition of 30 Print is unframed and made to order Addition...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Katie Hallam Red Sea Digital Photograph A dramatic view of the oceans surface creating warmth and heat from a beautiful sunset. This direct photographic prin...

In this image, Jessie Spiess applies the multiple-exposure technique to the downtown of the City of Milwaukee as seen from the Milwaukee River. She often turns her camera to views of...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Duomo di Milano, the lauded Gothic masterpiece. Indeed, this particular view of the Duomo recall...

Flowered Umbrella by Denny Haskew Figurative Photographic Print 26x16" Framed in Black A woman photographed behind a waterwall taken during one of the artist's travels. ABOUT THE ...

Food, Abstract, Still Life, Lemons, Color Photography. lemon, lemon table, Daniel Epstein, color color photograph Price and size range (Custom mural sizes...

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 3 Landscape in broken Negative, 2020 Analogue film, ink print in Artist Frame Sheet 155 x 128 cm (61 x 50 3/8 in.) Edition of 6, pl...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee, emphasizing its many tall buildings. She often turns her camera to views of s...

This photograph was previously on display at Robin Rice Gallery as a part of the annual Summertime Salon. Tanya Malott has a talent for capturing the beauty of nature-many times thr...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

In this image, Jessie Spiess applies the multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She often turn...

"LB19" (FRAMED) Abstract Photography 68" x 48" in Edition of 4 by Giuliano Bekor 68" x 48" inch Printed on Metal Mounted on Dibond TRANSCENDENCE series If the human body contains...

Untitled (Claudia) 1999 Signed, titled, dated, and numbered in pencil, recto Iris print 30 x 22 inches (76.2 x 55.9 cm) This work is offered by ClampArt in New York City.

In this image, Jessie Spiess applies her signature multiple-exposure technique to the City of Milwaukee as seen from the Yacht Club on Lake Michigan. She often turns her camera to vi...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

Chromatism_I (2016-2019) 90 x 130 cm - original / single unique print + 1AP Museum-Quality Fine Art Printing Ships in a well protected, solid tube Original Warranty for all the artw...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

Ola KOLEHMAINEN (*1964, Finland) Oil on Canvas Nr. 2 Armenian Palace (converted to Mosque 1072 AD), 2020 Analogue film, ink print in Artist Frame Sheet 158 x 203 cm (62 1/4 x 79 7/8 ...

Ibirapuera Auditorium, Sao Paolo, 2012 Chromogenic Lambda print Edition of 5 120 x 150 cm The photographer is based in Florence, and is fascinated how hi...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the towering historic structure of the Milwaukee City Hall. She often turns her camera to views of s...

In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...

A photograph on fine art Baryta paper mounted to Dibond and floated in a black wood frame with a UV 70 Glass. A limited edition of 10 in total plus artist proofs. About the Artist:...

"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...

Rinko Kawauchi Untitled, from the series 'M/E', 2020 C-print Sheet 120 x 180 cm (47 1/4 x 70 7/8 in.) Edition of 3 (#1/3) Signed Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series of Halo 2017 Lambda print Sheet 50 x 75 cm (19 5/8 x 29 1/2 in.) Edition of 3 (#1/3) Kawauchi burst on the international scene in 2001 when she was awarded the Kimura-Ihei-Prize, Japan’s most important emerging talent photography prize, shortly followed by the simultaneous publication of three beautiful books, Utatane (Catnap), Hanabi (Fireworks), and Hanako, her very personal study of a young girl of the same name. Met with great critical acclaim, these “visual essays” demonstrate her finesse and skill of telling a photographic tale. Since this triple-debut, the artist has gone to publish another eleven books, the newest of which are Illuminance and Ametsuchi. Kawauchi, currently one of the most famed contemporary female Asian artists...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...

"Starburst" Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot wit...

Muralla – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2016] limited_edition and hand signed by the artist Photograph printed on 310gsm Hahnemuhele Germa...

Spencer Sloan is a mixed-media artist whose recent work, digitally manipulating paparazzi photographs into abstraction using a series of image-corrupting applications, stems from his...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Katie Hallam Connect Limited Edition Digital Photograph Edition of 25 Size: H 63cm x W 53cm X D 0.5cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Jessica Houston has traveled from pole to pole—using photography, painting, oral histories and objects—to evoke natureculture entanglements. Her multimedia projects often include sit...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays to strip back layers and show what is under the surface. Often, integral beauty adds intrigue to the familiar and challenges our automatic reaction to physical appearance by highlighting the beauty inside.  Society is being increasingly inhibited by security and surveillance. Take a flight or go into a high-profile courtroom and your belongings will be x-rayed. The post arriving in corporations and government departments is often x-rayed. Security cameras...

We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...