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Period: 20th Century
Untitled - Black and White Op Art Print with Red Frame
Located in New York, NY
Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity.
Italian photographer Enzo Ragazzini...
Category
Op Art 20th Century Abstract Photography
Materials
Archival Paper, Giclée
Untitled - Black and White Op Art Print with Red Frame
Located in New York, NY
Limited edition of 10 and 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity.
Italian photographer Enzo Ragazzini...
Category
Op Art 20th Century Abstract Photography
Materials
Archival Paper, Giclée
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Digital Pigment
Morocco 93 by Aaron Siskind, 1982, Photogravure
Located in Dallas, TX
Morocco 93 by Aaron Siskind presents an abstract image, a close up of a textured rock slab. Small dark square holes scatter across the rock. The subject is cropped, emphasizing the t...
Category
Modern 20th Century Abstract Photography
Materials
Photogravure
"Mystic Sunset" Explosion of Shapes & Colors, Mixed Media Photography
Located in Detroit, MI
"Mystic Sunset" belies the title of sunset, which usually conjures images of the quiet settling of the day. This abstract explodes with action and flashing colors of white and yello...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Mixed Media, Photographic Film
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Digital Pigment
Three Pattern Interference- Yellow, Blue and Purple Photographic Op Art Sphere
Located in New York, NY
Limited edition of 10. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity.
Italian photographer Enzo Ragazzini...
Category
Op Art 20th Century Abstract Photography
Materials
Archival Paper, Giclée
Vintage Large Format Abstract Unique Color Photo Polaroid Photograph Ellen Carey
By Ellen Carey
Located in Surfside, FL
Untitled, Unique photograph. Center panel from larger scale installation. Shot in the 20X24 format. (this measures about 20X20 inches)
Ellen Carey, American artist and photographer.
Ellen Carey resides in Hartford, Connecticut, and teaches at the Hartford Art School. She holds a B.F.A. from the Kansas City Art Institute, Missouri, and an M.F.A. from State University of New York at Buffalo. Her photographs have been exhibited at numerous galleries and museums, including the International Center for Photography, New York and the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. She has received many grants from her home state of Connecticut as well as the Massachusetts Council of the Arts, New Works Grant, New York State Federation for Artists Grant; and a National Endowment for the Arts Award. Her photographs are in the permanent collections of The Art Institute of Chicago; the Baltimore Museum of Art; Brooklyn Museum of Arts; Chase Manhattan Bank; Coca Cola Corporation; Fogg Art Museum; George Eastman House; International Center for Photography; and the Los Angeles County Museum of Art, among others.
Abstract photography, sometimes called non-objective, experimental, conceptual or concrete photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. Some photographers pushed the boundaries of conventional imagery by incorporating the visions of surrealism or futurism into their work. Man Ray, Maurice Tabard, André Kertész, Curtis Moffat and Filippo Masoero were some of the best known artists who produced startling imagery that questioned both reality and perspective.
Both during and after World War II photographers such as Minor White, Aaron Siskind, Henry Holmes Smith and Lotte Jacobi explored compositions of found objects in ways that demonstrated even our natural world has elements of abstraction embedded in it. Beginning in the late 1970s photographers stretched the limits of both scale and surface in what was then traditional photographic media that had to be developed in a darkroom. Inspired by the work of Moholy-Nagy, Susan Rankaitis first began embedding found images from scientific textbooks into large-scale photograms. By the 1990s a new wave of photographers were exploring the possibilities of using computers to create new ways of creating photographs. Photographers such as Thomas Ruff, Barbara Kasten, Tom Friedman, and Carel Balth were creating works that combined photography, sculpture, printmaking and computer-generated images.
Any boundaries that remained between pure artists and pure photographers were eliminated by individuals who worked exclusively in photography but produced only computer-generated images. Among the most well-known of the early 21st century generation were Gaston Bertin...
Category
Abstract 20th Century Abstract Photography
Materials
Polaroid
Large Diptych "Deep runners" Photograph Signed Surrealist Photo Lithograph
By Eve Sonneman
Located in Surfside, FL
Deep Runners, Hand signed, dated,and numbered from limited edition.
This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend.
Eve Sonneman (born in Chica...
Category
Contemporary 20th Century Abstract Photography
Materials
Paper, Color
John Baldessari, Throwing Three Balls in the Air to Get a Straight Line
Located in Hamburg, DE
John Baldessari (American, 1931-2020)
Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973
Medium: Complete set of twelve offset lithographs i...
Category
Contemporary 20th Century Abstract Photography
Materials
Offset
Vintage 20X24 Format Polaroid Signed Surrealist Photograph Eve Sonneman Photo
By Eve Sonneman
Located in Surfside, FL
This is from a show at Sidney Janis Gallery and is from the estate of Joan Sonnabend.
Eve Sonneman (born in Chicago on 1946) is an American photographer and artist. She did a series ...
Category
Contemporary 20th Century Abstract Photography
Materials
Color, Polaroid
Figures on New York Steps in Gold Chiaroscuro Caravaggio Light
Located in Miami, FL
Inspired by the drama of chiaroscuro painting by Caravaggio, Mitchell Funk captures figures on the steps of Bryant Park in Manhattan. Unified by the late golden rays of the sun and t...
Category
20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Untitled from the Dysmorphologies Series Abstract Large Color Photograph
Located in Surfside, FL
This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered.
Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College.
Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...
Category
Contemporary 20th Century Abstract Photography
Materials
Metal
Contemplation by Ida Lansky, c. 1950's, Vintage Silver Gelatin Print
By Ida Lansky
Located in Dallas, TX
Contemplation by Ida Lansky depicts a group of three statues. The figures are turned towards each other and away from the viewer, as if talking in secret.
This photograph is listed as a 9.5 x 7.5 inch vintage silver gelatin print. It is signed and titled in pencil on mount margin by the artist.
Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing.
Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Nor- man, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele.
From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron...
Category
Modern 20th Century Abstract Photography
Materials
Silver Gelatin
Illusion by Ida Lansky, ca. 1950's, Vintage Silver Gelatin Print, Photography
By Ida Lansky
Located in Dallas, TX
Illusion by Ida Lansky depicts a glass vase in front of a window with blinds. The background is distorted through the glass, abstracting the image by emphasizing the varying tones and shapes.
Illusion by Ida Lansky is listed as a 9.5 x 7.5 inch vintage gelatin silver print. This photograph is signed and titled in pencil on mount margin by artist.
Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing.
Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Nor- man, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele.
From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron...
Category
Modern 20th Century Abstract Photography
Materials
Silver Gelatin
Dreamy Romantic Sunset over Ottawa Canada - Red and Oranges
Located in Miami, FL
Two light sources reveal that this is not a straight shot. As a pioneer of multiple-exposure photography, "Romantic Sunset over Ottawa Canada" is typical of Mitchell Funk's experime...
Category
Post-Impressionist 20th Century Abstract Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
Noguchi Cube in Negative Color
Located in Miami, FL
Generations ahead of his time, Mithcell Funk rejects straightforward documentary photography and interprets the Noguchi Cube in a style as fresh and inventive as the Cube itself.
It...
Category
Futurist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Multiple Exposure of Colorful Flowers St. Patrick's Cathedral
Located in Miami, FL
It's 1971, and most photographers were shooting in black and white. Fine Art Photography was not yet in the mainstream vocabulary of museums — almost no art galleries considered or ...
Category
Abstract Impressionist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Vintage Silver Gelatin Photo of Ibram Lassaw Modernist Sculpture (Photograph)
By John Reed
Located in Surfside, FL
Galaxy in Ursa Major with Zabriskie Gallery stamp and Ibram Laassaw stamp verso.
The Photographer is John Reed. An East Hampton Photographer who shot Jackson Pollock, Lee Krasner, Larry Rivers, Philip Guston, Conrad Marca-Relli, Syd Solomon, and James Brooks amongst other art luminaries.
This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp.
Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Silver Gelatin
POSTWAR Rare BRILLO Andy WARHOL Index Book Brillo Hologram
By Andy Warhol
Located in New York, NY
An original hard copy of Andy Warhol's Brillo book.
11.25" h x 8.75" w.
Wear consistent with age and use. Some wear at corners, as in the images.
Andy Warhol, an American artist,...
Category
Post-War 20th Century Abstract Photography
Materials
Lithograph
Untitled (artichokes) by Ida Lansky, ca. 1950, Vintage Silver Gelatin Print
By Ida Lansky
Located in Dallas, TX
Untitled (artichokes) by Ida G. Lansky features a detail shot of whole and cut up artichokes. The tones of this photograph are reversed, creating an abstract image from a common object. The produce is lit dramatically from the side, emphasizing it's intricate details.
Untitled (artichokes) by Ida G. Lansky is an 8 x 10 inch vintage silver gelatin print. This photograph includes the artist's stamp in black ink on print verso.
Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing.
Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Nor- man, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele.
From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron...
Category
Modern 20th Century Abstract Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photo of Ibram Lassaw Modernist Sculpture (Photograph)
By John Reed
Located in Surfside, FL
Spaceloom XXIII
The Photographer is John Reed. It bears his stamp verso. An East Hampton Photographer who shot Jackson Pollock, Lee Krasner, Larry Rivers, Philip Guston, Conrad Marca-Relli, Syd Solomon, and James Brooks amongst other art luminaries.
This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp.
Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photo of Ibram Lassaw Modernist Sculpture (Photograph)
Located in Surfside, FL
This is from the photogrpaher John A. Ferrari he shot work for Eva Hesse, Robert Mangold, Ronald Bladen and Sol Lewitt. It bears his stamp and label from Zabriskie Gallery.
This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp.
Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Silver Gelatin
Wisdom by Margaret Hicks, 1990, C-Print, Photography
Located in Dallas, TX
Wisdom by Margaret Hicks presents an abstract scene, a corroded metal object attached to a wooden dock. The detailed textures of the rusted metal, worn wood, and aged rope are emphas...
Category
Contemporary 20th Century Abstract Photography
Materials
Color
Nude Rock by Margaret Hicks, 1986, C-Print, Abstract Photography
Located in Dallas, TX
Nude Rock by Margaret Hicks depicts a detailed shot of cracks on a tan rock. The shape of the rock and placement of the crack give the illusion of the female body.
Nude Rock is a 1...
Category
Contemporary 20th Century Abstract Photography
Materials
Color
Vintage Silver Gelatin Photo of Ibram Lassaw Modernist Sculpture (Photograph)
By John Reed
Located in Surfside, FL
The Photographer is John Reed. An East Hampton Photographer who shot Jackson Pollock, Lee Krasner, Larry Rivers, Philip Guston, Conrad Marca-Relli, Syd Solomon, and James Brooks amongst other art luminaries.
This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp.
Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photo of Ibram Lassaw Modernist Sculpture (Photograph)
Located in Surfside, FL
Space Densities
This is for the original vintage photograph. I believe the inscription is in the hand of Ibram Lassaw some also bear the photographers stamp.
Lassaw was born in Alexandria, Egypt, of Russian Jewish émigré parents, he went to the U.S. in 1921. His family settled in Brooklyn, New York. He became a US citizen in 1928. He first studied sculpture in 1926 at the Clay Club and later at the Beaux-Arts Institute of Design in New York. He made abstract paintings and drawings influenced by Kandinsky, Sophie Tauber Arp...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Silver Gelatin
Golden Light Illuminates a Romantic Couple in Central Park - Amber and Orange
Located in Miami, FL
Golden sunlight filters through the autumn trees to illuminate two lovers on a Central Park bench. As a popular tourist location, Central Park is endlessly photographed. But Mitch...
Category
Post-Impressionist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Curvy Nude in Surreal Landscape of Red and Blue - Album Cover
Located in Miami, FL
Surreal Fantasy Album Cover Beck & Sanborn for CTI records.
This image is signed, dated and numbered 3/15 lower right recto. Other sizes are available. The work is unframed and print...
Category
Surrealist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
"Cherry Valley 2" Contemporary Laser Print Photograph of Ship Channel Houston
Located in Houston, TX
Color laser print photograph by contemporary photographer Casey Williams. The piece features a close up shot of the reflection of a red boat in the Houston ship channel. Signed, titl...
Category
Contemporary 20th Century Abstract Photography
Materials
Photographic Paper, Laser
Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo
By Mark Citret
Located in Surfside, FL
Mark Citret, American, b. 1949.
"Third Story Arches", Fort Point, 1998
Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge.
Published: "Along the Way" Mark...
Category
American Modern 20th Century Abstract Photography
Materials
Vellum, Silver Gelatin
Wilhold Up the Mirror Photograph and Mixed Media Assemblage Wall Hanging Artwork
Located in Surfside, FL
Dennis Hopper, (American, 1936-2010)
Mixed media sculpture
"Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage,
Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d.
There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made.
Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010
From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd."
Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland
Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years.
Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis.
In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place.
Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...
Category
Conceptual 20th Century Abstract Photography
Materials
Ceramic, Wood, Mixed Media
Eroded Rock, Point Lobos
Located in Fairlawn, OH
Eroded Rock, Point Lobos
Gelatin silver print, 1929
Unsigned
Signed with the estate stamp verso (see photo)
A lifetime printing by Brett Weston, supervised by his father Edward
Edition: 5 or 6 prints (see ttext below)
Weston negative Numbered verso: "1357"
photographer's estate stamp, verso
LITERATURE: A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 576.
Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder.
Edward Weston description of printing in 1953-54
In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print...
Category
Abstract 20th Century Abstract Photography
Materials
Silver Gelatin
Pink Flamingos Socializing with a Colorful Background
Located in Miami, FL
Pink Flamingos are social animals. They gather in large groups and chat it up. Their gregarious natures is a benefit for photographers. Individually the bird is a living sculpture. A...
Category
Impressionist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Untitled DYSMORPHOLOGIES SERIES (hair magnification in grid) Mounted to Aluminum
Located in Surfside, FL
Genre: Contemporary
Subject: People
Medium: Digital, Print
Surface: Metal
Country: United States
This extra large montage of photographs is mounted onto aluminum from Ken Gonzales-Day's dysmorphologies series.
Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College.
Fellowships and Grants
Chercheur Accueilli, Institut National d'Histoire de l'Art (INHA); COLA Individual Artist Award; Art Mattes Grant; Mid-Career Award, California Communtiy Foundation; Durfee Fondation ACG; Graves Award for the Humanities; Visiting Scholar/Artist-in-Residence, Getty Research Institute; Senior Fellow, American Art Museum and National Portrait Gallery of the Smithsonian Institution; Fellow, Rockefeller Foundation Study and Conference Center, Bellagio, Italy; Van Lier Fellow, ISP, Whitney Museum of American Art; Rotary International.
Select Solo Exhibitions
Luis De Jesus Los Angeles; Galerie Steph, Singapore; The Vincent Price Museum, LA; Fred Torres Collaborations, NYC; Tufts University, Medford, MA; Las Cienegas Projects, L.A.; UCSD Art Gallery, La Jolla, CA; Steve Turner Contemporary, L.A.; LAXART, L.A.; CUE Art Foundation, NY, NY; Pomona College Museum of Art, Claremont, CA; Susanne Vielmetter Projects, L. A.; Cristinerose Gallery, NY, NY; White Columns, NY, NY, among others.
Select Group Exhibitions
Our America: The Latino presence in American Art, Smithsonian Institution; MDE11, Medellin, Colombia; COLA 2011, at LAMAG, Los Angeles; Spy Numbers, Palais de Tokyo, Paris;How Many Billboards, MAK Center, W.H.; State of Mind, MoPA, San Diego; Phantom Sightings, LACMA, L.A.(traveled); Encuentro Hemispherico, Bogota; Under Erasure, Temple Bar Gallery and Studios, Dublin; Under Pain of Death, Austrian Cultural Forum, NYC;ArtMediaPolitique, DIX291, Paris; Viva Mexico, Zacheta National Gallery, Warsaw (traveled); Past Over, Steve Turner Contemporary, L.A.; Crimes of Omission, ICA Philadelphia; Exile of the Imaginary, Generali Foundation, Vienna; Civil Restitutions, Thomas Dane Gallery...
Category
Abstract Geometric 20th Century Abstract Photography
Materials
Digital
Vintage Large Format Avant Garde Polaroid 20X24 Photograph
By György Kepes
Located in Surfside, FL
Sorry for the reflection on the plexi. In the early 1980s, the Polaroid Foundation invited Hungarian-born painter and photographer György Kepes (1906-2001) to use the 20x24 Polaroid camera. The resulting carefully staged compositions summarize many of his artistic concerns, employing such objects as prisms, flowers, and graphic papers to manipulate the effects of light and form.
György Kepes 1906-2001 was a Hungarian-born painter, photographer, designer, educator, and art theorist. After emigrating to the U.S. in 1937, he taught design at the New Bauhaus (later the School of Design, then Institute of Design, then Illinois Institute of Design or IIT) in Chicago. In 1967 He founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974. Kepes was born in Selyp, Hungary. His younger brother was Imre Kepes, ambassador in Argentina, father of András Kepes journalist, documentary filmmaker and author. At age 18, he enrolled at the Royal Academy of Fine Arts in Budapest, where he studied for four years with Istvan Csok, a Hungarian impressionist painter. In the same period, he was also influenced by the socialist avant-garde poet and painter Lajos Kassak.
Kepes gave up painting temporarily and turned instead to filmmaking. In 1930, he settled in Berlin, where he worked as a publication, exhibition and stage designer. Around this time, he designed the dust jacket for Gestalt psychologist Rudolf Arnheim's famous book, Film als Kunst (Film as Art), one of the first published books on film theory. In Berlin, he was also invited to join the design studio of Laszlo Moholy-Nagy, the Hungarian photographer who had taught at the Dessau Bauhaus. When, in 1936, Moholy relocated his design studio to London, Kepes joined him there as well.
Kepes was lured to Brooklyn College by Russian-born architect Serge Chermayeff, who had been appointed chair of the Art Department in 1942. There he taught graphic artists such as Saul Bass.
In 1944, he published Language of Vision, an influential book about design and design education. In part, the book was important because it predated three other influential texts on the same subject: Paul Rand, Thoughts on Design (1946), László Moholy-Nagy, Vision in Motion (1947), and Rudolf Arnheim, Art and Visual Perception (1954).
In 1947, Kepes accepted an invitation from the School of Architecture and Planning at MIT to initiate a program there in visual design, a division that later became the Center for Advanced Visual Studies (c1968). Some of the Center's early fellows included artists Otto Piene, Vassilakis Takis, Jack Burnham, Wen-Ying Tsai, Stan Vanderbeek, Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Muriel Cooper, Douglas Davis, Susan Gamble, Dieter Jung, Piotr Kowalski, Charlotte Moorman, Antoni Muntadas, Yvonne Rainer, Keiko Prince, Alan Sonfist, Aldo Tambellini, Joe Davis, Bill Seaman, Tamiko Thiel, Alejandro Sina, Don Ritter, Luc Courchesne, and Bill Parker...
Category
Conceptual 20th Century Abstract Photography
Materials
Polaroid
"Old Room, New Room" - Minimalist Interior Photograph
Located in Soquel, CA
"Old Room, New Room" - Minimalist Interior Photograph
Minimalist photograph of a red wall with a tile floor by Shirley McWilliams (American, 20th ...
Category
Photorealist 20th Century Abstract Photography
Materials
Silver Gelatin, Photographic Paper
Large Scale 1980s Laser Holography, Cvetkovich Organic Hologram Collage
By Tom Cvetkovich
Located in Surfside, FL
In this holographic collage the artist, and inventor Thomas Cvetkovich uses a method of recording an object image of a first hologram as a second hologram is provided. This holographic method is known as compact holographic human interface, and was invented by him. Reconstructed images of holograms, in this case a fish, a banyan leaf and flora and fauna abstract forms, generally become visible when illuminated by a source of light having an angle of reconstruction. Thse are created with laser and computer technology.
An artile in Life magazine was all it took it took to influence Tom Cvetkovich's career path, one that has brought his Youngstown company, Chromagem, an international clientele.
It focused on new technology that linked the use of lasers in producing holograms, three-dimensional and free-standing images. Reminiscing on Chromagem's past work, Cvetkovich said, One of the things we're most proud of is a series of U.S. postage stamps, achievement in space. We did three stamps for that. We've done postage stamps for Canada, the German government. We've also done work for Moet & Chandon, the champagne; Estee Lauder; and the cover of the 'Star Trek Generations' box set.
Over the past two Christmases, Chromagem created a special variety of Reynolds Wrap that features snowflake holograms stamped on the entire roll.
Cvetkovich created his first hologram when he was a student at Kent State University in 1974. He took science and art classes to gain the knowledge on how to make the creations running through his head and onto a sketchpad into a fully realized form.
"I'm coming at it, primarily, from an art background, but with some science background."
He continued his studies at Lake Forest College. It was the first place in the world to offer a workshop in holography. I was there for their third year.
Combining art, science
Next, he earned a master's degree from the Art Institute of Chicago. The Art Institute was just starting a holography lab. Actually, I had to build my own because theirs wasn't ready.
When I was going to college, I would do a math class and then make art. I could tell I was using different parts of my brain.
Over the years, Cvetkovich has developed a mental truce between the creative and scientific sides of his brain.
At this point, it's more of a craft, he said. I don't rely on a lot of math or science at all. I try to keep abreast at what's being invented, what new...
Category
Contemporary 20th Century Abstract Photography
Materials
Mixed Media
Golden Light on 1970s Road - Street Photography: Literally
Located in Miami, FL
Street Photography: Literally. At a time when most color photographers were just pointing cameras and snapping images mostly during boring mid-day light, Mitchell Funk was innovatin...
Category
Impressionist 20th Century Abstract Photography
Materials
Archival Pigment
A part: abstract photograph w/ nudes & text on black from hand-etched photogram
By Jenny Lynn
Located in Bryn Mawr, PA
"A part" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series. Includes images of nudes, glove...
Category
Abstract 20th Century Abstract Photography
Materials
Photographic Paper, Archival Pigment
Brooklyn Bridge Abstraction with Romantic Out of Focus Floral Colors
Located in Miami, FL
The romantic merges with the classic in Mitchell Funk's 1970s interpretation of the Brooklyn Bridge. With a long lens, Funk incorporates the emotionally joyful colors of out-of-focu...
Category
Romantic 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Doubleend: framed abstract black & white photo collage w/ nude, clock, clouds
By Jenny Lynn
Located in Bryn Mawr, PA
"Doubleend" is a black & white framed silver gelatin collage photograph in a surrealist style with images of nude, clock, clouds, and other abstract elements from artist Jenny Lynn's...
Category
Surrealist 20th Century Abstract Photography
Materials
Photographic Paper, Silver Gelatin
Primary Colors in Street Photography
Located in Miami, FL
Bright reds, yellows, blue and green stripes adorn a wall in lower Manhattan. Chairs of the same color scheme line the street and have an older woman with a scarf covering her face. ...
Category
Color-Field 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
1991 "Gate" Large Scale Signed Vintage Silver gelatin Print Photograph
By Zeke Berman
Located in Surfside, FL
Gate Taught Version 1991. Large format silver gelatin photo. signed and dated.
Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things.
Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and
the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA
County Museum. His work was featured in the first New
Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City.
from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...
Category
Abstract Geometric 20th Century Abstract Photography
Materials
Silver Gelatin
Entrance: framed abstract black & white photograph collage w/ key, shoe, trees
By Jenny Lynn
Located in Bryn Mawr, PA
"Entrance" is a black & white framed silver gelatin collage photograph with forms of a key, shoe, trees, pyramid, hair, and other abstract elements from artist Jenny Lynn's "Extrapol...
Category
Abstract 20th Century Abstract Photography
Materials
Photographic Paper, Silver Gelatin
Surreal Impressionist Landscape in Lavender
Located in Miami, FL
This is an in-camera manipulated photograph from 1970. It depicts soft light caressing trees as they are mirrored in the water. The image is filled with nuanced blue-magenta color. ...
Category
Post-Impressionist 20th Century Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Me & You: framed abstract black & white photo collage w/ nudes, insect, heart
By Jenny Lynn
Located in Bryn Mawr, PA
"Me & You" is a black & white framed silver gelatin collage photograph with images of nudes, insect, heart, key, and other abstract elements from artist Jenny Lynn's "Extrapolations"...
Category
Abstract 20th Century Abstract Photography
Materials
Photographic Paper, Silver Gelatin
Second Nature: abstract photograph with nude on black from hand-etched photogram
By Jenny Lynn
Located in Bryn Mawr, PA
"Second Nature" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series Includes image of nude wit...
Category
Abstract 20th Century Abstract Photography
Materials
Photographic Paper, Archival Pigment
Echo: abstract photograph with leg & heels on black from hand-etched photogram
By Jenny Lynn
Located in Bryn Mawr, PA
"Echo" is a black & white framed archival pigment print (photograph) from a hand-etched photogram from artist Jenny Lynn's "Personal Myths" series Includes image of legs and heels.. ...
Category
Abstract 20th Century Abstract Photography
Materials
Photographic Paper, Archival Pigment
Camera Obscura Image of Manhattan View Looking West in Empty Room
Located in Miami Beach, FL
Camera Obscura Image of Manhattan View Looking West in Empty Room, 1996
Attributed to Abelardo Morell- unsigned.
This is a black-white image marked " F...
Category
Minimalist 20th Century Abstract Photography
Materials
Paper
Berlin Wall Photograph 1989 (Berlin street photography Leni Sinclair)
Located in NEW YORK, NY
"The higher you build your barriers the taller I become"
The Berlin Wall, 1989 by legendary photo journalist, Leni Sinclair - a Kresge Foundation Eminent Artist (see The Guardian UK, Jan. 28, 2016) & legendary documenterian of 60's counter-cultural America.
Archival inkjet print.
Dimensions: 11 x 14 inches including borders.
Hand signed, titled & dated in ink on the lower margins.
Acquired directly from artist. Lot 180...
Category
Street Art 20th Century Abstract Photography
Materials
Inkjet
Vintage Color Abstract Art Landscape Photography Large C Print Photo Terry Evans
By Terry Evans
Located in Surfside, FL
TERRY EVANS (American b. 1944)
"Terraced Plowing," September 4, 1990,
Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...
Category
American Modern 20th Century Abstract Photography
Materials
C Print
Colorful Paint Cans in Red, Orange, Blue and Turquoise
Located in Miami, FL
A pile of empty and discarded colorful paint cans inadvertently becomes an artful abstract still life in itself. Documented through the keen lens of st...
Category
Abstract Expressionist 20th Century Abstract Photography
Materials
Archival Pigment, Archival Ink, Archival Paper
#189 Yunoyani Village, Nigata Prefecture, Japanese Photography Limited Edition
Located in New york, NY
The photograph Toshio Shibata, #189 Yunoyani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is hand-signed (on recto) by the photographer. The 13" x 19" pri...
Category
Conceptual 20th Century Abstract Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Rag Paper, Pigment, Arc...
Abstract Portrait Chromogenic Color Print
By Sandra Haber
Located in Surfside, FL
American artist and photographer, Sandra Haber, born 1956
Exhibited at MoMA, 1984
Category
Contemporary 20th Century Abstract Photography
Materials
Photographic Paper, Color
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