Skip to main content

Interior Abstract Photography

to
1
3
1
2
4
Overall Width
to
Overall Height
to
2
8
2
4
2
2
1
4
3
3
3,808
89
59
56
44
40
39
29
26
25
21
21
21
20
16
16
16
14
12
12
5
3
3
3
2
2
1
1
1
1
2
4
8
2
Art Subject: Interior
Fundamentals (Kings Road) - observations at the Schindler House in Los Angeles
Fundamentals (Kings Road) - observations at the Schindler House in Los Angeles

Fundamentals (Kings Road) - observations at the Schindler House in Los Angeles

By Mona Kuhn

Located in San Francisco, CA

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the architectural elements of the Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. Fundamentals (2022) Kings Road: A Rudolph Schindler House 45" x 60" / 114cm x 152cm / edition of 3 30" x 40" / 76cm x 102cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Film, Photographic Paper, C Print

Abstract Ceiling, Cambria Hotel, Detroit

Abstract Ceiling, Cambria Hotel, Detroit

Located in Chesterfield, MI

Uniquely decorated with abstract designs throughout, The Cambria Hotel in Detroit is one of the most tastefully decorated in the country. Formerly WWJ Radio Station, it is now a pop...

Category

2010s Abstract Black and White Photography

Materials

Photographic Paper

Entrance (Kings Road) - observations at the Schindler House in Los Angeles
Entrance (Kings Road) - observations at the Schindler House in Los Angeles

Entrance (Kings Road) - observations at the Schindler House in Los Angeles

By Mona Kuhn

Located in San Francisco, CA

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Entrance (2022) Kings Road: A Rudolph Schindler House 45" x 60" / 114cm x 152cm / edition of 3 30" x 40" / 76cm x 102cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2025 Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Film, Photographic Paper

The Corner, Northern California
The Corner, Northern California

The Corner, Northern California

By William Scott

Located in Carmel, CA

A hand printed silver gelatin photograph by the artist. Print Date 2003 Edition #12 Matted 18x22"

Category

Early 2000s Black and White Photography

Materials

Silver Gelatin

Absinthe Faces

Absinthe Faces

Located in Chicago, IL

Absinthe Faces 22" x 17" Edition of 9 + 3 APs Analog Presets Series Archival pigment print of treated instant film

Category

21st Century and Contemporary Abstract Photography

Materials

Archival Pigment

Chrysler Building Interior Art Deco in Glorious Golden Orange
Chrysler Building Interior Art Deco in Glorious Golden Orange

Chrysler Building Interior Art Deco in Glorious Golden Orange

By Mitchell Funk

Located in Miami, FL

Walk into the lobby of the Chrysler Building, and it does not look like this. To the visitor's eye, it is somewhat dark and has a tight, constrained feel to it. Photographer Mitche...

Category

2010s Art Deco Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Topmodern

Topmodern

Located in Zurich, CH

Linus BILL (*1982, Switzerland) Topmodern, 2010 Silkscreen and Acrylic on Paper 188,6 x 125,5 cm (74 1/4 x 49 3/8 in.) Edition of 3 (#1/3) signed by the artist Born in 1982 in Switz...

Category

2010s Contemporary Color Photography

Materials

Paper, Acrylic, Screen

Related Items
Art Critic (Head Extended on Spring Before Post War Painting)
Art Critic (Head Extended on Spring Before Post War Painting)

Art Critic (Head Extended on Spring Before Post War Painting)

Located in Camden, ME

Henry Rox Art Critic (Head Extended on Spring Before Abstract Painting) c. 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso This 8 × 10 inch vintag...

Category

Mid-20th Century Dada Black and White Photography

Materials

Silver Gelatin

A Bloomy View - Large Scale Art Polaroid Photographic Print Framed
A Bloomy View - Large Scale Art Polaroid Photographic Print Framed

Pia ClodiA Bloomy View - Large Scale Art Polaroid Photographic Print Framed, 2020

$1,827Sale Price|20% Off

H 47.25 in W 47.25 in D 3.94 in

A Bloomy View - Large Scale Art Polaroid Photographic Print Framed

By Pia Clodi

Located in Zürich, CH

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

Photographic Film, Photographic Paper, Color, Polaroid

'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel
'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel

'Yellow is the Dawning of May' Large scale photograph flowers blue green pastel

By Sophia Milligan

Located in Penzance, GB

'Yellow is the Dawning of May' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools of early summer lig...

Category

2010s Contemporary Color Photography

Materials

Archival Ink, Archival Paper, Digital, Giclée, Archival Pigment, Digital...

Signed Abstract Concrete Archival Pigment Print, 48x72\", 21st Century
Signed Abstract Concrete Archival Pigment Print, 48x72\", 21st Century

Signed Abstract Concrete Archival Pigment Print, 48x72\", 21st Century

By Frank Schott

Located in San Francisco, CA

Concrete by Frank Schott monochromatic details of architecture 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival fine ...

Category

21st Century and Contemporary Abstract Abstract Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Blanco 8, 2010 - Limited Edition Digital Photographic Print on Cotton paper

Blanco 8, 2010 - Limited Edition Digital Photographic Print on Cotton paper

By Rosa Basurto

Located in Brighton, GB

Blanco 8 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. Rosa Basurto is a self-taught photographer from Spain who, within ...

Category

21st Century and Contemporary Abstract Abstract Photography

Materials

Photographic Paper, Digital

Blue Moon - Large Scale Color Polaroid Photographic Print Framed
Blue Moon - Large Scale Color Polaroid Photographic Print Framed

Pia ClodiBlue Moon - Large Scale Color Polaroid Photographic Print Framed, 2019

$1,827Sale Price|20% Off

H 47.25 in W 47.25 in D 3.94 in

Blue Moon - Large Scale Color Polaroid Photographic Print Framed

By Pia Clodi

Located in Zürich, CH

Blue Moon - Still Life Photographic Print Framed 120x120cm Austrian Contemporary Photographer Pia Clodi, demonstrates immense skill through her analog photography, which is often p...

Category

21st Century and Contemporary Contemporary Abstract Photography

Materials

Photographic Film, Photographic Paper, Polaroid

Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo
Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo

Architectural Gelatin SIlver Print Vellum Photograph Mark Citret Vintage Photo

By Mark Citret

Located in Surfside, FL

Mark Citret, American, b. 1949. "Third Story Arches", Fort Point, 1998 Silver gelatin print hand signed and editioned 1/45 in pencil along lower edge. Published: "Along the Way" Mark...

Category

1990s American Modern Black and White Photography

Materials

Vellum, Silver Gelatin

No Sales

Ted AdamsNo Sales, 2004

$1,000

H 11 in W 14 in

No Sales

By Ted Adams

Located in Hudson, NY

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Moon Over (After Ansel Adams), Abstract Black & White Photo by Bill Clark
Moon Over (After Ansel Adams), Abstract Black & White Photo by Bill Clark

Moon Over (After Ansel Adams), Abstract Black & White Photo by Bill Clark

By Bill Clark

Located in Soquel, CA

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

Category

1990s Abstract Expressionist Black and White Photography

Materials

Photographic Paper, Silver Gelatin

Adagio 3 - Signed limited edition abstract brown pigment print, Contemporary
Adagio 3 - Signed limited edition abstract brown pigment print, Contemporary

Adagio 3 - Signed limited edition abstract brown pigment print, Contemporary

By Michael Banks

Located in Sant Cugat del Vallès, Barcelona

Adagio 3 - Limited edition pigment print of 5 This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber-based paper. The paper used ...

Category

2010s Abstract Abstract Photography

Materials

Archival Paper, Photographic Paper, Archival Pigment, Digital Pigment, C...

Hitchcock

Ted AdamsHitchcock, 2003

$1,000

H 11 in W 14 in

Hitchcock

By Ted Adams

Located in Hudson, NY

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin

Fuzzy Dice

Ted AdamsFuzzy Dice, 2004

$1,000

H 11 in W 14 in

Fuzzy Dice

By Ted Adams

Located in Hudson, NY

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Silver Gelatin