Hiroshi Sugimoto

Lightning Fields 227

2009

Sofia Borges cave, people, bear face, drawing, brain or homo sapiens saying hi, 2014 Pigment print on cotton paper mounted on Sintra Edition 1 of 5 + 1 AP Size 1: 47 ¼ x 70 ¾ inches (120 x 179.7 cm) Size 2: 150 x 225 cm Edition of 3 + 1 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

DEBRIS (CARRIZO), 2004 digital chromogenic print 92 x  44 inches / 2336 x 1117 mm edition of 3 plus AP Californian artist Christina McPhee has an educational background in painting ...

Two Peppers Disarmed

Unique, No Edition. Vintage gelatin silver print 8 1/4 x 7 in. Signed on mount margin and mount verso by Ida Lansky. Artist stamp on print verso Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Norman, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron. 1959 marked a peak in her art career when she exhibited her photographs in a group exhibition curated by Henry Holmes Smith...

Untitled #42 (Eyes, Chicago), by György Kepes is a 4 1/2 x 3 5/8 inch gelatin silver print mounted on 16 1/4 x 13 1/4 inch paper. This photograph is signed and dated in pencil on mou...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Two 10 x 8 in., vintage gelatin silver prints by Ida Lansky. Artist stamp on prints' verso. Ida G. Lansky was born in 1910 in Toronto, Canada. She pursued many careers in her lifetime including Nursing, Art, and Library Science. In 1928 she moved to New York City and later attended New York University, The Jewish Hospital in Brooklyn, NY and Cornell University. In 1942 she received a B.S. in Public Health Nursing. Ida Lansky moved to Hawaii in 1945 and married Irving Lansky. She then moved to Norman, Oklahoma and then to Denton, Texas where she studied art and was mother to two children, Ellen and Michele. From 1954 - 1959 she was in the Visual Art studies program at Texas Women’s University in Denton with an emphasis on photography. She studied under Carlotta Corpron. 1959 marked a peak in her art career when she exhibited her photographs in a group exhibition curated by Henry Holmes Smith...

This abstract photography shows a face of a man. One part of the face is starring at you the other part you can see from the side. ALEXANDER PALACIOS is a young high talented pho...

This abstract photography shows the face of a woman. One part of the face is starring at you the other part you can see from the side. White lines are painted on her face. ALEXAND...