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Jack Mitchell
Female Nude from Numbered Nudes Series multiple exposure signed exhibition print

1991

$1,800

About

5040 1 2 1991 2/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the photographer as one of his favorite works, and mounted and matted as shown by Mitchell for exhibition. Ready to frame size 20 x 24". Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell's artist’s statement on this project: For five decades in New York City I photographed established and emerging creative and performing artists for major publications. The Numbered Nudes photographs are a development, and expansion, of my dance photography. Most of the anonymous nude models are famous dancers. With these images I have attempted to produce kinetic illusion in two dimensions. The images with lines and shapes repeated across the entire picture space I think of as staccato movement. The images with softly flowing shapes randomly crossing, or juxtaposed, are intended to create a feeling of lyrical movement. Due to the inherent complexity of taking three to eleven exposures on a single frame of film, most of these works are pre-conceived and line sketched on post-its long before the model’s arrival. Sometimes the resulting photograph resembles my sketch. Sometimes the resulting photograph is infinitely superior due to unpredicted designs formed by the uncalculated, and glowing, confluence of brightly lighted sections of the model’s anatomy. In an effort to depersonalize the nude figure, and to create a timeless image, I do not show the model’s face. The number in the title of the photograph is my negative file number for that image. The Numbered Nudes photographs were taken in my New York City studio from 1986 through 1995. - Jack Mitchell, 1997 Mitchell’s photographs are in the collections of the National Portrait Gallery, the Museum of African American History and Culture, and the Smithsonian Archives of American Art, among others. The 2019 USPS Black Heritage postage stamp honoring American performer Gregory Hines was made from a Jack Mitchell photograph, and a Jack Mitchell photograph of Audre Lorde was transformed into a huge glass mosaic as a permanent installation at the 167th Street MTA subway station in NYC

Details

  • Creator
    Jack Mitchell (1925 - 2013, American)
  • Creation Year
    1991
  • Dimensions
    Height: 20 in. (50.8 cm)Width: 24 in. (60.96 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    Senoia, GA
  • Reference Number
    Seller: Item # 5140 Vault Box J Make NN mounted 20x241stDibs: LU113724644841

Shipping & Returns

  • Shipping
    $175 Standard Parcel Shipping
    to United States 0, arrives in 3-5 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Ships From: Senoia, GA
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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About the Artist

Jack Mitchell

Over his four-decade career, photographer Jack Mitchell chronicled the changing cultural landscape of mid- to late-20th-century America by capturing the greatest influencers and innovators in the performing and visual arts.

Mitchell, a master of lighting patterns in photography who had his first portrait published at the age of 15, organized more than 5,400 photographic sessions in his lifetime involving a list of sitters that is as astounding as it is long. A veritable roll call of heroes and idols, his studio guests include painters, dancers, actors, comedians, singers, composers, directors, writers, impresarios and anyone else who helped shape the zeitgeist.

During World War II, when he was only 16 years old, Mitchell photographed Veronica Lake for a Daytona newspaper. It was his first celebrity gig, but that didn’t stop the audacious wunderkind from asking the actress to sweep back her signature “peekaboo” locks so he could get her full face in the frame. Lake, who was in Florida to help the war effort and at the peak of her career, politely obliged, and the two later became lifelong friends.

Mitchell, who was openly gay (his long-term partner and manager, Robert Plavik, died in 2009), also struck up a close relationship with Gloria Swanson. From 1960 to 1970, he served as her personal paparazzo, snapping a variety of “candid” shots of the aging but eternally glamorous actress as if she were a pre-mobile/pre-social-media reality star.

The diverse publications in which Mitchell’s work has appeared — in addition to the New York Times, there’s Rolling Stone, Dance Magazine, People, Vogue, Vanity Fair, Time, Harper’s Bazaar and Newsweek — testify to the power of his arresting visual language and its ability to transcend themes and disciplines.

Mitchell also famously shot a series of intimate portraits of John Lennon and Yoko Ono in November 1980, just one month before the Beatles singer was assassinated. A picture from this session became the cover of People’s memorial issue, one of the magazine’s best-selling editions to date.

The showbiz gloss should not distract from Mitchell’s meticulous approach to photography. He insisted on producing his own prints in order to achieve what he deemed museum-quality patina and definition.

“Jack shot many rolls of black-and-white film, and always some color transparencies, of every famous person he photographed,” says Craig Highberger, a friend of the late photographer and the executive director of the Jack Mitchell Archives.

In the world of dance, the field for which Mitchell is best known, his striking and incisive shots of legendary performers and choreographers reflect the visceral energy that these luminaries introduced to the discipline in the 1960s and ’70s, widely considered the Golden Age of American dance theater.

“Jack’s photographs of dancers during his lifetime are a historic chronicle of an amazing period in dance history. He was Alvin Ailey’s dance company photographer from 1961 to 1994,” says Highberger, noting that Mitchell’s collection of 10,000 black-and-white Ailey prints now belongs to the Smithsonian’s National Museum of African American History and Culture.

Mitchell’s dance images are at once ethereal and powerfully dynamic. Not only do they evoke movement through elegant poses and disciplined muscular tension, but they also convey an intimate energy radiating directly from his subjects, as if he had magically unlocked a reflective mood or a character trait, without contrivance.

The collection of authentic Jack Mitchell photography on 1stDibs includes his black and white photography, color photography, nude photography and more.

About the Seller
5 / 5
Located in Senoia, GA
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Established in 2013
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