Slim Aarons

Saks Fashion Show by Slim Aarons

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Image size: 14.5 x 14.5" Sheet size: 17 x 24" "Williamsburg Window, Brooklyn ...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Edition of 10. Black & White print on Hahnemuehle Paper. The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

Edition of 10. Black & White print on Hahnemuehle Paper. The body of work, States of America, is the photographic legacy of one of the UK’s leading photographic talents whose untimely death in 1991 ended prematurely the highly promising career of a distinctive and powerful photographic voice. Michael Ormerod was born in Cheshire in 1947. He lived in Newcastle, but spent many years travelling America. Fascinated by the American image, and following in the footsteps of Robert Frank, Ormerod took to the American West to find a washed out dream of capitalism. His images capture a strange juxtaposition of an American beauty tainted by a hidden sense of menace and corruption. The photographs are understated, but show an unseen America, where the industrial heartland is decaying, highways stand empty and towns are deserted. The subjects of Ormerod’s work are the disenfranchised. A teenager cycles through her neighbourhood wearing a Halloween-style hockey mask, a Native American man stands in a graveyard, their expressions are unreadable. The work subverts traditional American icons. A white picket fence is staved in, a huge billboard for Miss Teen Dakota USA stands next to an empty highway. Inverting the famous Hollywood sign, Ormerod photographs a Texaco sign...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Touching, Archival film photograph with frame, 2019 Raised in the American West, this region has resonated in mythical proportions within Antonia Stoyanovich...

Sisters, Archival film photograph with frame, 2019 Raised in the American West, this region has resonated in mythical proportions within Antonia Stoyanovich’s own narrative and imag...

Capucine, 1957 Fiber print 40x30 inches Estate stamped and numbered edition of 150 1957: French actress Capucine, (Germaine Lefebvre) (1933 - 1990) fanning herself at a New Years Ev...

Park Avenue Party, 1952 Fiber print 24 x 20 inches inches Estate stamped and numbered edition of 150 31st December 1952: From left to right, Slim Hawks (nee Nancy Gross, former wife of director Howard Hawks) chatting with Vogue editor Diana Vreeland (1903 - 1989) and her husband Reed at Kitty...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jerusalem) and noted. There is no edition size stated Location (Jerusalem), shoot date (1979) and photo print date (1983) and signature in pencil on the bottom back of the photograph. This is of the sculpture Woman skipping rope by Luciano Minguzzi located in the Isamu Noguchi designed sculpture garden at the Israel Museum Image size: 22 x 33 cm Paper size: 28 x 35.5 cm Susan Hacker (1949) is an American photographer and author. She developed and expanded the photography department at Webster University in St. Louis. Her work is in the possession of at least 25 major museums and libraries around the world. There are also many books and publications about her. Has always experimented with many photographic techniques. Hacker is recognized as an innovator of the modern photography art. Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay. Stang majored in photography at the Rhode Island School of Design, where she earned both a BFA (1971) and MFA (1974), and studied under photographers Harry Callahan and Aaron Siskind. In 1971 she moved to London where she worked as a photographer for the British fashion magazine NOVA (published 1965–1975). She joined the faculty of Webster University in St. Louis in 1974, where she helped found and build the photographic studies program in the School of Communications. In Jerusalem in 1979 she was Artist-In-Residence at the Bezalel Academy of Arts and Design. In recent years, in addition to her work as head of the Webster University photography program and professor of communications, she has taught summer photography workshops in Florence, Italy, both at the Santa Reparata International School of Art (SRISA) and The Darkroom. She taught at Webster for 41 years and earned the Kemper Award for Excellence in Teaching. Stang's photography characteristically employs alternative cameras (such as the Olympus Pen-FT half-frame camera, the Kodak Brownie, and the Holga), or alternative formats (such as Polaroid emulsion transfers) and techniques. Her book of Polaroid emulsion transfers, Encountering Florence was published simultaneously in the U.S. and in Italy (under the title Firenze un Incontro) in 2007. Stang's use of the emulsion transfer process involves transferring the fragile, fabric-like emulsion layer of the photograph (bearing the image) to another surface, subtly transforming the original image in a variety of ways. The results were described in Photo Review as giving Stang's portraits of Florence's buildings, streets, statuary, and gardens "a delicate, draping quality ... reminiscent of the fabrics draped on the ancient statues within the images". An Italian reviewer observed that the photographic process presents "a city not previously seen and perhaps a little disquieting". The book's bi-lingual text in English and Italian was selected and edited by Stang and by Andrea Burzi and Susanna Sarti, both of Florence, to present accompanying word-portraits from authors in their own encounters with the city. A portfolio of Stang's work for the book is held by the Rare Books Collection of the Biblioteca Nazionale Centrale Firenze. In 2010–11, Stang led the Webster University photography program in a six-month-long focus on the color reproduction qualities of Kodachrome film (long revered by professional and amateur photographer for its true, lush color rendition qualities) to mark the permanent discontinuing of the film's production by Kodak. The project ultimately turned into a book documenting the final demise of the medium, and the last day of Kodachrome production anywhere in the world (at Dwayne's Photo in Parsons, Kansas, on January 18, 2011). The last days of processing were covered by The New York Times, National Geographic, and network television. Edited by Stang and fellow photographer Bill Barrett, Kodachrome: End of the Run presents a selection of four-score Kodachrome images shot on more than 100 roles of the film by Webster University students, faculty, and staff over a five-month period and processed by Dwayne's in the final hours as the last processing chemicals ran out. The book includes essays by Stang, Time Magazine worldwide pictures editor Arnold Drapkin, and Dwayne's Photo vice president Grant...

Slim Aarons Beverly Hills Cop, 1952 Silver gelatin print American policeman Lee R Hathaway with his car on Bedford Drive in Beverly Hills, Calif...