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Slim Aarons
Slim Aarons - Dixieland - Estate Stamped

1948

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  • 'Evening Dress' Limited Edition silver gelatin V&A Portfolio
    By John French
    Located in London, GB
    'Evening Dress' Limited Edition V&A Portfolio silver gelatin fibre print. Jean Shrimpton modelling a dress, John French (1907-66), England, 1961 © Victoria and Albert Museum, London...
    Category

    1950s Modern Figurative Photography

    Materials

    Silver Gelatin

  • 'Commissionaire’s Dog' Limited Edition Silver Gelatin Print
    By Kurt Hutton
    Located in London, GB
    'Commissionaire’s Dog' Kurt Hutton, 1938 A hotel commissionaire talking to a small dachshund dog in Piccadilly Circus, London, 1938. A beautiful image of a commissionaire dressed ...
    Category

    1930s Modern Black and White Photography

    Materials

    Black and White, Silver Gelatin

  • 'Jean Shrimpton In Evening Dress' Limited Edition silver gelatin V&A Portfolio
    By John French
    Located in London, GB
    'Jean Shrimpton In Evening Dress' Limited Edition V&A Portfolio silver gelatin fibre print. Jean Shrimpton modelling a dress, John French (1907-66), England, 1961 © Victoria and Alb...
    Category

    1960s Modern Figurative Photography

    Materials

    Silver Gelatin

  • Cambodia Smiles Signed Limited Edition Oversize print
    By Justin Creedy Smith
    Located in London, GB
    Cambodia Smiles by Justin Creedy Smith 2001 Boys after the Sunday’s football match on the floating island of Kompong Phluk on lake Tonle Sap (Cambodia). Photo, 02.12.2001 giant ...
    Category

    Early 2000s Modern Black and White Photography

    Materials

    Silver Gelatin

  • Tanzania Smiles - Signed Limited Edition - Oversize print
    By Justin Creedy Smith
    Located in London, GB
    Tanzania Smiles by Justin Creedy Smith 1998 The end of a school day…boys from Stone Town (Zanzibar, Tanzania) on the beach after school. Photo, October 1998. Exquisite giant o...
    Category

    1990s Modern Black and White Photography

    Materials

    Silver Gelatin

  • 'Eton Vs Harrow' 1955 Slim Aarons Limited Edition Estate Print
    By Slim Aarons
    Located in London, GB
    'Eton Vs Harrow' 1955 Slim Aarons Limited Edition Estate Print A view of spectators on the pitch at a cricket match between the public schools of Eton and Harrow at Lord’s Cricket ...
    Category

    1950s Modern Figurative Photography

    Materials

    Black and White, Silver Gelatin

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    Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...
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