Minimalist Black and White Photography

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Div-Ine depicts Women’s as subject matter in Art of all periods and Div-Ine celebrates the ethereal feminine, sacred forms, and life. Magda Von Hanau creates rare visual poems that ...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

"Symphony of Light" From the angelic light streaming in from the ocean's surface to the minute movements of the horse's hooves as she swims, each element...

"Noir" This image of a mountain gorilla is a fashion-inspired look at one of our world's most incredible, endangered animals. Exceptional Creatur...

"Unyielding Giant" This intimate and iconic portrait of a mountain gorilla in Rwanda highlights the bold beauty of these animals. Exceptional Cre...

"Unyielding Giant" This intimate and iconic portrait of a mountain gorilla in Rwanda highlights the bold beauty of these animals. Exceptional Cre...

"Steady" A lion walks in the confident, rhythmic gait symbolic of the grace and power of these big cats. With the minimal, sunbaked backdrop of the Maasai Mara behind him, he remain...

"Swift" During the perfect confluence of luck and mother nature, everything finally came together when capturing this formation of zebras harmoniously running as one cohesive shape. Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roaming our Earth. These limited edition archival prints are carefully inspected, signed, and numbered by the artist. Custom sizes are available upon request. Shared Edition of 15 Across All Sizes. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography by One Eyeland. Related tags: Wildlife, Animals, Black and White, Big Cats, Tiger...

"Steady" A lion walks in the confident, rhythmic gait symbolic of the grace and power of these big cats. With the minimal, sunbaked backdrop of the Maasai Mara behind him, he remain...

"Swift" During the perfect confluence of luck and mother nature, everything finally came together when capturing this formation of zebras harmoniously running as one cohesive shape. Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roaming our Earth. These limited edition archival prints are carefully inspected, signed, and numbered by the artist. Custom sizes are available upon request. Shared Edition of 15 Across All Sizes. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography by One Eyeland. Related tags: Wildlife, Animals, Black and White, Big Cats, Tiger...

""Plume" As the elephants toss the dirt, it rises in an arc- like a firework- above their heads, creating a temporary marriage of modern art and our natural world. Exceptional Crea...

"Plume" As the elephants toss the dirt, it rises in an arc- like a firework- above their heads, creating a temporary marriage of modern art and our natural world. Exceptional Creat...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. In a text devoted to him, evoking these seemingly silent photos of Krichbaum, one critic used the term "din" to define the flow of thoughts and feelings that escaped from it. In this too quick glimpse of Paris, the artist creates a dialogue between the white glass balls of a hotel chandelier with two ostrich eggs in the window of a fashionable decorator, while the fashion models, scattered at will shops and seasons, endless stories are exchanged. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

"Needle" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist ...

"Blade" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist w...

Artwork sold in perfect condition - Off-Print # 3 (Roma 1983) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1983) The selected negative was pri...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Roma (Coffret Prestige # 4) This image was captured on film (1977) The selected negative was printed on Baryta ...

Artwork sold in perfect condition - Off-Print # 3 (Roma 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony awaits us. To attempt an iconoclastic reference, it would be Shawn Levy's funny and crazy film, "Night at the Museum", rather than the wise alignment of a statuary at the British Museum. Whether they are warriors, scholars or politicians, these statuettes speak for themselves, speak to each other, and speak to us about ourselves: the polyphony is complete. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 (Munich 1979) from the portfolio Garden 2 (Coffret Prestige # 9) This image was captured on film (1979) The selected negative was p...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was...

Artwork sold in perfect condition - Off-Print # 2 (Lisbon 1982) from the portfolio Rivages (Coffret Prestige # 2) This image was captured on film (1982) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not even a seagull, and yet everything is there. In his desire to leave the viewer free to imagine everything from his photos, the artist did not give titles to his photos, just an indication of date and place. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 (Florence 1976) from the portfolio Lines (Coffret Prestige # 6) This image was captured on film (1976) The selected negative was pr...

Artwork sold in perfect condition - Off-Print # 1 (Saint Tropez 1978) from the portfolio Lines (Coffret Prestige # 2) This image was captured on film (1978) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not even a seagull, and yet everything is there. In his desire to leave the viewer free to imagine everything from his photos, the artist did not give titles to his photos, just an indication of date and place. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 3 (Munich 1978) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1978) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. It is undoubtedly in this portfolio that the artist's will is best seen. The dialogues and interactions are so powerful and numerous that the cacophony awaits us. To attempt an iconoclastic reference, it would be Shawn Levy's funny and crazy film, "Night at the Museum", rather than the wise alignment of a statuary at the British Museum. Whether they are warriors, scholars or politicians, these statuettes speak for themselves, speak to each other, and speak to us about ourselves: the polyphony is complete. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 2 (Munich 1979) from the portfolio Step by Step (Coffret Prestige # 1) This image was captured on film (1979) The selected negative was printed on Baryta paper by the author and then limited digital reproduction printed later (2021) on fine art paper Photo Rag Baryta 310 gsm for highest age resistance using pigment inks which are known for their longevity. Steps, a ladder, almost all from the bottom to the top, to show you are climbing. Or ? It's up to everyone to decide, to think about which metaphor they prefer. But it's still a personal matter. For some it will be happy, easy or joyful, while for others, Jörg says in a text written in 1982, the image will refer to a painful memory, a painful sensation, an ordeal. Because this image is "us", it is only us but it is all of us. Limited Edition 1/5 Unframed Please note this will include any custom sizes requested German photographer Jörg Krichbaum...

Artwork sold in perfect condition - Off-Print # 1 (Roma 1979) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1979) The selected negative was pri...

Artwork sold in perfect condition - Off-Print # 2 (Florence 1976) from the portfolio Statuary (Coffret Prestige # 7) This image was captured on film (1976) The selected negative was...

Artwork sold in perfect condition - Off-Print # 1 (Donaustauf 1973) from the portfolio Step by Step (Coffret Prestige # 1) This image was captured on film (1973) The selected negati...

Artwork sold in perfect condition - Off-Print # 2 from the portfolio Au Chic Parisien (Coffret Prestige # 8) This image was captured on film (1981) The selected negative was printed...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Au Chic Parisien (Coffret Prestige # 8 on 1stdibs) This image was captured on film (1981) The selected negative ...

Step by Step - Coffret Prestige # 1 - Portfolio of 6 photos, 21st Century, Minimalist Black and White Photography Artwork sold in perfect condition Portfolio Step by Step, 6 photos. Steps, a ladder, almost all from the bottom to the top, to show you are climbing. Or ? It's up to everyone to decide, to think about which metaphor they prefer. But it's still a personal matter. For some it will be happy, easy or joyful, while for others, Jörg says in a text written in 1982, the image will refer to a painful memory, a painful sensation, an ordeal. Because this image is "us", it is only us but it is all of us. 6 baryta prints 24 cm x 30 cm mounted under a white open-frame 2mm thick in 40 cm x 50 cm format with the artist's stamp on the back. From left to right and top to bottom: Munich 1979, Munich 1982, Munich 1979, Liège 1982, Donaustauf 1973, Anagni 1977. This constitutes a very exceptional offer. German photographer Jörg Krichbaum...

Portfolio Rivages, 6 photos. The sun, the sea, the waves, the spray, the bodies lying on the sand. Krichbaum's photos are like the antithesis of "postcard". No bather, no walker, not...

"Another Tranquility", photography by Antoine Gaussin. Antoine Gaussin is a French photographer who studied journalism and photography. As a journalis...

"Evasion 2", photography by Antoine Gaussin. Antoine Gaussin is a French photographer who studied journalism and photography. As a journalist, he trav...

Edition of 10

"Grip" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. Ben Cope is a Georgia native graduating from Columbus State...

"Tangle" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in tube Ben Cope is a Georgia native graduating from Columbus State University with a B...

Edition of 5

"Suspended Flora" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Columbus State University with a BFA...

This is a framed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a ...

This is a framed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a ...

This is an unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw...

"Needle" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist w...

Edition of 5 Alexandre Manuel explores the natural tension between absence and presence, the man and his place in nature and between the evolution of the landscape and the permanenc...

This is a unframed photographic print. Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw ...

"Frond" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist wi...

"Suspended Flora" Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships rolled in a tube Ben Cope is a Georgia native graduating from Columbus State University wit...

Ediition of 15

"Solitude" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Columb...

Edition of 5

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...