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James BleeckerOne World Trade Center 11 (Panoramic Landscape Color Print of Freedom Tower)2018
2018
About the Item
Large panoramic landscape photograph of the Freedom Tower at night
One World Trade Center #11 by James Bleecker
50 x 100 inch sheet size, edition of 10, $12,500
Contemporary color photograph of New York City's downtown skyline and the Freedom Tower as viewed from the Hudson River. The archival pigment photograph is printed on watercolor paper and is unframed & made to order
Also available in the following sizes:
20 x 40 inches, edition of 25, $3500 unframed
40 x 80 inches, edition of 15, $9500 unframed
Artist Statement:
My first glimpse of the unfinished Freedom Tower convinced me to document its construction. That rainy evening, security lights dimly traced a framework that filled my vision and disappeared into the clouds. Of the many buildings I'd photographed over the years, few presented such a visceral experience.
Between 2011 and 2014 I photographed the Freedom Tower’s transformation from skeleton to curtain wall. Features that held my attention were its dominance of the Manhattan skyline (the World Trade Center site was still mostly barren); its apparent, although not actual, twisting gesture; and its penchant for casting trails of mist off its summit during cool mornings. I continue to print favorite exposures from among the thousands I made.
"Not only does James beautifully document this complex project, he captures a sense of the tragedy of 9/11 and the uplifting spirit of the new construction and the reclaiming of the skyline."
– David Childs, architect of One World Trade Center
More about the artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller/IAC
Albany Institute of History and Art
Fenimore Museum
Everson Museum
Grants, Commissions:
New York State Council on the Arts
Albany Institute of History and Art
Historic Hudson Valley
Rockefeller family foundations (various) The Frick Collection American Museum of Natural History The Morgan Library & Museum
- Creator:James Bleecker (American)
- Creation Year:2018
- Dimensions:Height: 50 in (127 cm)Width: 100 in (254 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2273945072
James Bleecker
James Bleecker photographs the landscapes and architecture of the Hudson River Valley. He has received commissions from the Albany Institute of History and Art, Historic Hudson Valley, the Rockefeller family foundations, The Frick Collection, the American Museum of Natural History, and The Morgan Library.
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The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
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